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_a0226450732 _qalk. paper |
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_a9780226450735 _qalk. paper |
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_aDLC _beng _erda _cDLC _dUBA _dMUQ _dBAKER _dYDXCP _dOCLCQ _dBTCTA _dOCLCG _dUAB _dIXA _dBDX _dOCLCF _dCGN _dJYJ _dOCLCO _dATU |
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_aPN49 _b.M478 1998 |
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_a801.93 _221 |
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_aModernism : _ban anthology of sources and documents / _cedited by Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou. |
264 | 1 |
_aChicago : _bUniversity of Chicago Press, _c1998. |
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300 |
_axx, 632 pages ; _c26 cm |
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336 |
_atext _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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500 | _aIncludes index. | ||
505 | 0 | 0 |
_tIntroduction -- _gPart I. _tThe Emergence of the Modern -- _gIa. _tThe modern in cultural, political and scientific thought -- _g1. _tFrom letter to Ruge, September 1843 / _rKarl Marx -- _g2. _tFrom The Communist Manifesto 1848 / _rKarl Marx and Freidrich Engels -- _g3. _tFrom 'Art and Revolution' 1849 / _rRichard Wilhelm Wagner -- _g4. _tFrom The Origin of Species by Means of Natural Selection 1859 / _rCharles Darwin -- _g5. _tFrom Mother Right 1861 / _rJohann Jakob Bachofen -- _g6. _tFrom Preface to Human, All Too Human 1878 / _rFriedrich Nietzsche -- _g7. _tFrom Degeneration 1883 / _rMax Nordau -- _g8. _tFrom 'Useful Work versus Useless Toil' 1884 / _rWilliam Morris -- _g9. _tFrom The Secret Doctrine 1888 / _rH.P.B. -- _g10. _tFrom The Golden Bough 1890-1915 / _rJ. G. Frazer -- _g11. _tFrom The Crowd: A Study of the Popular Mind 1895 / _rGustave Le Bon -- _g12. _tFrom The Theory of the Leisure Class 1899 / _rThorstein Veblen -- _g13. _tFrom The Education of Henry Adams 1907 / _rHenry Adams -- _g14. _tFrom The Interpretation of Dreams 1900 / _rSigmund Freud -- _g15. _tFrom 'The Metropolis and Mental Life' 1903 / _rGeorg Simmel -- _g16. _tFrom Woman Under Socialism 1904 / _rAugust Bebel -- _g17. _tFrom The Souls of Black Folk 1903 / _rW. E. B. Dubois -- _g18. _tFrom Creative Evolution 1907 / _rHenri Bergson -- _g19. _tFrom Abstraction and Empathy 1908 / _rWilhelm Worringer -- _g20. _tFrom 'Ornament and Crime' 1908 / _rAdolf Loos -- _g21. _t'The Good Conduct Medal' 1909 / _rKarl Kraus -- _g22. _tFrom 'Women's Suffrage' 1911 / _rMillicent Garrett Fawcett -- _g23. _tFrom The Freud Journal of Lou Andreas-Salome 1912, 1913 / _rLou Andreas-Salome -- _g24. _tFrom The Decline of the West 1918-22 / _rOswald Spengler -- _gIb. _tModern aesthetics1. Edgar Allan Poe: From review of Nathanial Hawthorne's Twice-Told Tales 1842 -- _g2. _tFrom Preface to Leaves of Grass 1855 / _rWalt Whitman -- _g3. _tFrom letter to Mlle Leroyer de Chantepie, 18 March 1857 / _rGustave Flaubert -- _g4. _tFrom 'On the Modern Element in Literature' 1857 / _rMatthew Arnold -- _g5. _tFrom 'The Painter of Modern Life' 1859-606. Arthur Rimbaud: From letter to Paul Demeny, 15 May 1871 / _rCharles Baudelaire -- _g7. _tFrom Lectures on Art 1870; From Arartra Pentelici 1872 / _rJohn Ruskin -- _g8. _tFrom Conclusion to The Renaissance [1873] 1893 / _rWalter Pater -- _g9. _tFrom Preface to Miss Julie 1888 / _rAugust Strindberg -- _g10. _tPreface to The Picture of Dorian Gray 1890 / _rOscar Wilde -- _g11. _t'The Science of Fiction' 1891 / _rThomas Hardy -- _g12. _tFrom 'Crisis in Poetry' 1886-9513. Paul Valery: From 'Introduction to the Method of Leonardo da Vinci' 1895 / _rStephane Mallarme -- _g14. _t'Preliminary Address at the First Performance of Ubi Roi, 10 December 1896'15. Joseph Conrad: From Preface to The Nigger of the 'Narcissus' 1897 / _rAlfred Jarry -- _g16. _tFrom The Symbolist Movement in Literature 1899 / _rArthur Symons -- _g17. _tFrom 'The Symbolism of Poetry' 1900 / _rW. B. Yeats -- _g18. _tFrom 'Days of Reading: I' 1905 / _rMarcel Proust -- _g19. _tFrom 'Henrik Ibsen: Philosopher or Poet' 1905 / _rWilliam Archer -- _g20. _tFrom 'The Art of Fiction' 1894; From Preface to The Princess Casamassima 1906 / _rHenry James -- _g21. _tFrom 'The Actor and the uber-marionette' 1907 / _rEdward Gordon Craig -- _g22. _tFrom My Life 1927 / _rIsadora Duncan -- _g23. _tFrom The Sanity of Art 1908 / _rGeorge Bernard Shaw -- |
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_gII. _tThe Avant-Garde -- _gIIa. _tFormulations and declarations -- _g1. _tFrom Realist Manifesto 1855 / _rGustave Courbet -- _g2. _tFrom 'Naturalism on the Stage' 1880 / _remile Zola -- _g3. _t'The Post-Impressionists' 1910 / _rDesmond MacCarthy -- _g4. _tFrom 'Romanticism and Classicism' 1911 / _rT.E. Hulme -- _g5. _tFrom The Man-Made World or Our Androcentric Culture 1911 / _rCharlotte Perkins Gilman -- _g6. _t'The French Group' 1912 / _rRoger Fry -- _g7. _t'The English Group' 1912 / _rClive Bell -- _g8. _t'Light' 1912; 'Notes on the Construction of the Reality of Pure Painting' 1912 / _rRobert Delaunay -- _g9. _t'The Musician's Day' 1913; 'Some Notes on Modern Music' 1919 / _rErik Satie -- _g10. _tFrom 'The Cubist Room' 1914 / _rWyndham Lewis -- _g11. _tFrom 'In These Great Times' 1914 / _rKarl Kraus -- _g12. _tFrom 'Zurich 1916, as it really was' 1928 / _rRichard Huelsenbeck -- _g13. _t'Art and the War: Concerning an Allied Exhibition' 1916; Programme for Parade, 18 May 1917 / _rGuillaume Apollinaire -- _g14. _t'Marinetti the Revolutionary' 1916; 'Theatre and Cinema' 1921 / _rAntonio Gramsci -- _g15. _tFrom 'Art as Technique' 1917 / _rVictor Shklovsky -- _g16. _tFrom Ten Days That Shook the World 1919 / _rJohn Reed -- _g17. _tStorming the Winter Palace' 1920 / _r'A Member of the Audience -- _g18. _tFrom The Theory of the Novel 1920 / _rGeorg Lukacs -- _g19. _tFrom Literature and Revolution 1923 / _rLeon Trotsky -- _g20. _tFrom 'Make Way for the Winged Eros' 1923 / _rAlexandra Kollontai -- _g21. _tFrom 'A Kino-Eye Discussion' 1924 / _rDziga Vertov -- _g22. _t'Suburbs' 1923 / _rLuis Bunuel -- _g23. _tFrom 'The Reconstruction of the Theatre' 1929 / _rVsevolod Meyerhold -- _g24. _tFrom 'Basic Principles of Sociological Drama' 1929IIb: Manifestos1. Futurism / _rErwin Piscator -- _g1a. _t'The Founding and Manifesto of Futurism 1909'; The Variety Theatre' 1913 /Filippo Tommaso Marinetti -- _g1b. _t'Why We Paint Ourselves: A Futurist Manifesto' 1913 / _rIlya Zdanevich and Mikhail Larionov -- _g2. _t'Feminist Manifesto' 1914 / _rMina Loy -- _g3. _tGuillaume Apollinaire: From The Cubist Painters 1913 / _rCubism -- _g4. _tPreface to Some Imagist Poets 1915 / _rImagism -- _g5. _tWassily Kandinsky: From 'The Problem of Form' 1912 / _rExpressionism -- _tDada -- _tFrom 'Dada Manifesto, 1918'; 'Note on Art' 1917; 'Note on Negro Art' 1917 / _rTristan Tzara -- _tFrom Merz 1921; From 'Consistent Poetry' 1924; 'To All the Theatres of the World' 1926 / _rKurt Shwitters. |
520 | _a"From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
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_aLiterature _xPhilosophy _9320162 |
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_aIntellectual life _xHistory _y20th century. |
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_aArt, Modern _y20th century. _9314052 |
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_aArt, Modern _y19th century _9314049 |
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_aAesthetics. _9313475 |
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_aHistory _xPhilosophy _9318838 |
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_aKolocotroni, Vassiliki, _eeditor. _91035078 |
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_aGoldman, Jane, _d1960- _eauthor. _9403905 |
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_aTaxidou, Olga, _eauthor. _91035080 |
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