000 | 02924cam a22005054i 4500 | ||
---|---|---|---|
005 | 20211105100332.0 | ||
008 | 990812s2000 enka b 001 0 eng d | ||
010 | _a 99042165 | ||
011 | _aMARC Score : 10950(23200) : OK | ||
011 | _aDirect Search Result | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0719044006 | ||
020 | _a9780719044007 | ||
020 |
_a0719044014 _qpbk. |
||
020 |
_a9780719044014 _qpbk. |
||
035 | _a(ATU)b1047545x | ||
035 | _a(OCoLC)42397102 | ||
040 |
_aDLC _beng _erda _cDLC _dC#P _dUKM _dBAKER _dBTCTA _dYDXCP _dSTF _dHEBIS _dIG# _dOCLCQ _dIUL _dATU |
||
042 | _apcc | ||
050 | 0 | 0 |
_aTR790 _b.O83 2000 |
082 | 0 | 0 |
_a778.9991 _221 |
100 | 1 |
_aOsborne, Peter D. _q(Peter Desmond), _d1947- _eauthor. _9403712 |
|
245 | 1 | 0 |
_aTraveling light : _bphotography, travel, and visual culture / _cPeter Osborne. |
246 | 3 | _aTravelling light | |
246 | 3 |
_aTravelling light : _bPhotography, travel, and visual culture |
|
264 | 1 |
_aManchester, UK ; _aNew York : _bManchester University Press, _c2000. |
|
300 |
_a217 pages : _billustrations (some colour) ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
490 | 1 | _aCritical image | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tCamera Portablilis -- _tPowers of Reverie -- _tWorlds in a House -- _tParadox Amusements: Tourism and The Modern Image -- _tTravel Products: Promoting Tourist Vision -- _tSabulous: The Beach and Self Display -- _tFixing Arcadia -- _tNeither Here nor There: Photographers, Exiles, the Faces of Strangers -- _tThe Appearance of Disappearance. |
520 | _a"This is a thoroughly illustrated study of the close and continuous relationship between two of modern culture’s central phenomena: the photographic image and travel. Contributing to the growing literature of travel and its representations, the book argues that from its beginnings, photography has played a constitutive role in the formation of travel--comparable in importance to its part in the portrayal of social identity. It shows how, in turn, travel has shaped the use and language of all types of photographic production."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aTravel photography _xHistory _9654479 |
|
650 | 0 |
_aTravel photography _xPhilosophy _9762446 |
|
776 | 0 | 8 |
_iOnline version: _aOsborne, Peter. _tTraveling light. _dManchester, UK ; New York : Manchester University Press, 2000 _w(OCoLC)606561860 |
830 | 0 |
_aCritical image. _9241404 |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/hol058/99042165.html |
907 |
_a.b1047545x _b28-07-21 _c27-10-15 |
||
998 |
_a(3)b _a(3)c _b20-03-18 _cm _da _feng _genk _h0 |
||
945 |
_a778.9991 OSB _g1 _iA255401B _j0 _lcmain _o- _p$140.72 _q- _r- _s- _t0 _u9 _v2 _w1 _x2 _y.i11074139 _z28-10-15 |
||
942 | _cB | ||
999 |
_c1125587 _d1125587 |