000 | 04013cam a2200505 i 4500 | ||
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005 | 20221101182518.0 | ||
008 | 970507s1994 nhua b 101 0 eng d | ||
010 | _a 93013614 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0819552607 _qalk. paper |
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020 |
_a9780819552600 _qalk. paper |
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020 |
_a081956267X _qpaper (alk. paper) |
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020 |
_a9780819562678 _qpaper (alk. paper) |
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035 | _a(ATU)b1040787x | ||
035 | _a(OCoLC)28111070 | ||
040 |
_aDLC _beng _erda _cDLC _dIAY _dIOG _dUKM _dOCL _dBAKER _dNLGGC _dBTCTA _dMUQ _dYDXCP _dOCLCG _dCPE _dZWZ _dATU |
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050 | 0 | 0 |
_aN72.S6 _bV59 1994 |
082 | 0 | 0 |
_a701.03 _222 |
245 | 0 | 0 |
_aVisual culture : _bimages and interpretations / _cedited by Norman Bryson, Michael Ann Holly, and Keith Moxey. |
264 | 1 |
_aHanover : _bUniversity Press of New England [for] Wesleyan University Press, _c[1994] |
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264 | 4 | _c©1994 | |
300 |
_axxix, 429 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aEssays originally written for a National Endowment for the Humanities Summer Institute held at the University of Rochester during July and August 1989. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aFeminism/Foucault-surveillance/sexuality / Griselda Pollock -- Men's work? masculinity and modernism / Lisa Tickner -- The discontinuous city : picturing and the discursive field / John Tagg -- Hieronymus Bosch and the "World upside down" : the case of The garden of earthly delights / Keith Moxey -- Observations on style and history in French painting of the male nude, 1785-1794 / Thomas Crow -- The renunciation of reaction in Girodet's Sleep of Endymion / Whitney Davis -- The theater of revolution : a new interpretation of Jacques-Louis David's Tennis court oath / Wolfgang Kemp -- Géricault and "masculinity" / Norman Bryson -- Strategies of identification / Ernst Van Alphen -- Fassbinder and Lacan : a reconsideration of gaze, look, and image / Kaja Silverman -- Feminism, psychoanalysis, and the study of popular culture / Constance Penley -- The ecology of images / Andrew Ross -- Wölfflin and the imagining of the Baroque / Michael Ann Holly -- Dead flesh, or the smell of painting / Mieke Bal -- Form and gender / David Summers -- | |
505 | 0 | _aFeminism/Foucault-surveillance/sexuality -- Men's work? Masculinity and modernism -- The discontinuous city: picturing and the discursive field -- Hieronymus Bosch and the "World Upside Down": the case of The Garden of Earthly Delights -- Observations on style and history in French painting of the male nude, 1785-1794 -- The renunciation of reaction in Girodet's Sleep of Endymion -- The theater of revolution: a new interpretation of Jacques-Louis David's Tennis Court Oath -- Gericault and "masculinity" -- Strategies of identification -- Fassbinder and Lacan: a reconsideration of gaze, look, and image -- Feminism,psychoanalysis, and the study of popular culture -- Wolfflin and the imagining of the Baroque -- Dead flesh, or the smell of painting -- Form and gender. | |
520 | _a"Explores new critical approaches to a history of representation seen as something different from a history of art". | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArt and society _vCongresses _9699067 |
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650 | 0 |
_aMasculinity in art _vCongresses _9699075 |
|
650 | 0 |
_aArt _xHistoriography _vCongresses _9601344 |
|
650 | 0 |
_aArt and society _9314091 |
|
650 | 0 |
_aMasculinity in art _9328688 |
|
650 | 0 |
_aArt _xHistoriography _9347002 |
|
700 | 1 |
_aBryson, Norman, _d1949- _eeditor. _9231192 |
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700 | 1 |
_aHolly, Michael Ann, _eeditor. _91036624 |
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700 | 1 |
_aMoxey, Keith P. F., _d1943- _eeditor. _9276739 |
|
907 |
_a.b1040787x _b28-09-17 _c27-10-15 |
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942 | _cB | ||
945 |
_a701.03 VIS _g1 _iA136818B _j0 _lcmain _o- _p$28.86 _q- _r- _s- _t0 _u26 _v0 _w0 _x0 _y.i10916076 _z28-10-15 |
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998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnhu _h0 |
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999 |
_c1121898 _d1121898 |