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050 | 4 |
_aML3470. _bT69 2000 |
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082 | 0 | _a306.484 | |
100 | 1 |
_aToynbee, Jason, _eauthor. _91030572 |
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245 | 1 | 0 |
_aMaking popular music : _bmusicians, creativity and institutions / _cJason Toynbee. |
264 | 1 |
_aLondon : _bArnold ; _aNew York : _bCo-published in the U.S.A. by Oxford University Press, _c2000. |
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300 |
_axxiv, 199 pages ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 173-190) and index. | ||
504 | _aIncludes discography. | ||
505 | 0 | 0 |
_tAcknowledgements -- _tIntroduction -- _g1. _tMarket: the selling of soul(s) -- _tAdorno, equivalence and the market -- _tEntrepreneurs and innovation -- _tMusic markets and the political economy of popular music -- _tGrowing up broken up: the emergence of institutional autonomy -- _tProto-markets and author-stars -- _g2. _tMaking up and showing off: what musicians do -- _tMusic-making and the radius of creativity -- _tSocial authorship and voice -- _tMingus Fingers -- _tPerformance - theatre and process -- _tPerformance - loud, clear and interrupted -- _g3. _tTechnology: the instrumental instrument -- _tAudio recording - a case of late development -- _tDissemination and crystallization -- _tVentriloquism -- _tTape delay (1) - on the cusp of the big sound -- _tTape delay (2) - making space -- _tAesthetics and politics in the Wall of Sound -- _tMultitracking and experimenting with time -- _tProgrammed bears in the new age of dance -- _tCoda: technological determinism and gendered power -- _g4. _tGenre-cultures -- _tThe sound of genre -- _tThe inevitability of genre - the case of free music -- _tCommunity, subculture and the structural homology -- _tCommodity form, or genres across time, space and race -- _g5. _tDance music: business as usual or heaven on earth? -- _tDance music: context -- _tFrom house to drum and bass: two kinds of generic change -- _tAgency, creativity and the aesthetics of dance -- _tDance music networks: corporal and economic -- _tRecord companies, producers and the politics of production -- _tConclusion - creating in small amounts -- _tEndnotes -- _tBibliography -- _tDiscography -- _tIndex. |
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_aPopular music _xSocial aspects _9629853 |
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