000 04697cam a2200421 i 4500
005 20221115153616.0
008 010702s2001 enka b 000 0 eng d
011 _aBIB MATCHES WORLDCAT
020 _a0300092261
020 _a9780300092264
035 _a(ATU)b1039641x
035 _a(OCoLC)47841825
040 _aBNB
_beng
_erda
_dATU
082 0 _a759.0652
245 0 0 _aOrnament and abstraction :
_bthe dialogue between non-western. modern and contemporary art /
_cedited by Markus BrĂ¼derlin ; with contributions by Ernst Beyeler [and others].
264 1 _aBasel ;
_a[Great Britain] :
_bFondation Beyeler,
_c2001.
300 _a255 pages :
_billustrations (some colour) ;
_c32 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aPublished to accompany an exhibition, Ornament and abstraction, at the Fondation Beyeler, Riehen/Basel, 10 June - 7 October, 2001.
504 _aIncludes bibliographical references.
505 0 0 _tForeword /
_rMarkus Bruderlin --
_tPreface /
_rErnst Beyeler --
_tIntroduction: Ornament and Abstraction /
_rMarkus Bruderlin --
_tStilfragen 1893 /
_rAlois Riegl --
_tThe Arabesque and the Islamic View of the World /
_rAnnemarie Schimmel --
_tThe Constructive Ornament - Vienna's Contribution to Abstraction /
_rDieter Bogner --
_tOrnamentation and Recollection - Matisse, Kandinsky and Mondrian /
_rPhilippe Buttner --
_tThe Quick Meaning - Ornament and Non-Western Art /
_rSamuel Herzog --
_tRationalisation in the Service of Tradition - Ornamental and Serial Forms in Modern Art /
_rHans Zitko --
_tPoint and Line to Raster - On the Genealogy of Computer Graphics /
_rClaus Pias --
_tIslamic Ornament and Western Abstraction - Some Critical Remarks on an Elective Affinity --
_tThe Exhibition in Ten Chapters.
_g1.
_tPrologue East - West: Bans on Images from Moses Via Muhammed to Malevich and Rothko.
_g2.
_tIn the Beginning was the Ornament - From the Arabesque to Modernism's Abstract Line.
_g3.
_tMunich: The Dissection of the Arabesque and its Transplantation into Abstraction.
_g4.
_tVienna: The Birth of Abstraction through the Spirit of the Ornament.
_g5.
_tInvading the Wall - De Stijl and Conceptual Art.
_g6.
_tOrnament and Paradise or the Triumph of the Surface.
_g7.
_tThe War of Signs - Peace in Ornament. The Ornament as a Bridge Between Cultures.
_g8.
_tThe Picture Becomes Ornament - Frank Stella and the Ornament from the Fifteenth to the Eighteenth Century.
_g9.
_tThe Ornamentalisation of Modernism - Painting in the Eighties and Nineties.
_g10.
_tThe (Digital) Mass Ornament.
520 1 _a"This book is an in-depth study of this major theme in 20th century art history. It begins with the innovative pictorial conception of Philipp Otto Runge, whose early 19th century paintings featured the last genuine form in the history of ornament, the arabesque. The arabesque had an influence via Symbolism (Maurice Denis, Paul Gauguin) and Art Nouveau (Henry van de Velde, Gustav Klimt, Josef Hoffmann) on painting's move towards abstraction (Vasily Kandinsky, Frantisek Kupka, Adolf Hoelzel), which resulted on the one hand in a non-figurative, geometric structure of lines (Mondrian), and on the other, in the swirls of Matisse and Jackson Pollock. Side by side with the "royal way" of Cubism, arabesque abstraction therefore opens up a second doorway to the world of non-figurative art." "Significant influences also result from the modern artists' preoccupation with the ornamentation found in distant cultures, such as Matisse with the Orient and Oceania, Ad Reinhardt with Asian culture, and American painting with pre-Columbian ornament (Josef Albers, Barnett Newman). Referring also to Minimalism, new media, digital technology, the Renaissance and the Rococo, the book celebrates the impact of ornament on abstract art, as well as showcasing a remarkable array of masterpieces."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
650 0 _aDecoration and ornament
_9316514
650 0 _aPainting, Abstract
_9321831
650 0 _aArt, Modern
_y20th century
_9314052
700 1 _aBrĂ¼derlin, Markus,
_eeditor.
_91180257
700 1 _aBeyeler, Ernst.
_91030470
710 2 _aFondation Beyeler
_9334213
907 _a.b1039641x
_b07-08-20
_c27-10-15
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