000			03740cam a2200409 i 4500
005			20211102124515.0
008			010625s2002 ja a b 001 0 eng d
010			_a 2001038280
011			_aBIB MATCHES WORLDCAT
020			_a477002777X
020			_a9784770027771
035			_a(ATU)b1039624x
035			_a(OCoLC)47221840
040			_aATU _beng _erda _dATU
050	0	0	_aNK9505.5 _b.W299 2002
082	0		_a746.66 _222
100	1		_aWada, Yoshiko Iwamoto, _eauthor. _9240349
245	1	0	_aMemory on cloth : _bshibori now / _cYoshiko Iwamoto Wada.
250			_aFirst edition.
264		1	_aTokyo : _bKodansha International, _c2002.
300			_a211 pages : _billustrations ; _c31 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 201-205) and index.
505	0	0	_tForeword / _rJack Lenor Larson -- _tThe meaning of Shibori -- _tThe history of Shibori -- _tTactile memory: Fabric art -- _tArt for the body: Wearable art and fashion -- _tInner journey: Fabric and beyond -- _tModern techniques.
520	1		_a"Shibori is infinitely more than the tie-dye that became well known in the late 1960s. Shaped-resist dyeing techniques have been done for centuries in every corner of the world. Yet more than half of the known techniques - in which cloth is in some way tied, clamped, folded, or held back during dyeing, to keep some areas from taking color - originated in Japan." "Shibori can be used not only to create patterns on cloth but to turn fabric from a two-dimensional into a three-dimensional object. The word is used here to refer to any process that leaves a "memory on cloth" - a permanent record, whether of patterning or texture, of the particular forms of resist done. In addition to traditional methods it encompasses high-tech processes like heat-set on polyester (made famous by Issey Miyake's revolutionary pleated clothing), melt-off on metallic fabric, the fulling and felting that make it possible to turn all-natural fabrics into three-dimensional shapes, weaving resist (in which, for instance, a warp thread can be pulled to gather the cloth to resist dye), and devoree, in which just one part of a mixed fabric is dissolved with chemicals."--BOOK JACKET.
520	2		_aIncludes work by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia. The work of more than seventy innovative designers including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith is presented. Each artist shares details on the processes that they themselves have created, making this an invaluable reference for artists in every field. A number of innovative artists who combine shibori techniques with knitting, weaving or quilting are also included, suggesting new ways to combine innovation with more traditional forms. A final section on modern techniques gives extremely detailed information, including dye recipes, on various high-tech processes and the particular methods that individual artists use to achieve certain effects.
588			_aMachine converted from AACR2 source record.
650		0	_aTie-dyeing _9325089
650		0	_aResist-dyed textiles _9323363
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0724/2001038280-b.html
907			_a.b1039624x _b10-06-19 _c27-10-15
998			_a(3)b _a(3)c _b06-04-16 _cm _da _feng _gja _h0
945			_a746.66 WAD _g1 _iA276842B _j0 _lcmain _o- _p$0.00 _q- _r- _s- _t0 _u23 _v2 _w0 _x6 _y.i12975588 _z29-10-15
942			_cB
999			_c1121314 _d1121314