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008			980916s1999 ctu b 001 0 eng d
010			_a 98046002
011			_aBIB MATCHES WORLDCAT
020			_a0313309388 _qalk. paper
020			_a9780313309380 _qalk. paper
035			_a(ATU)b1038778x
035			_a(DLC) 98046002
035			_a(OCoLC)39914069
040			_aDLC _beng _erda _dATU
050	0	0	_aPN2071.P78 _bS53 1999
082	0	0	_a792.028019 _223
100	1		_aShapiro, Bruce G., _eauthor. _91030085
245	1	0	_aReinventing drama : _bacting, iconicity, performance / _cBruce G. Shapiro.
264		1	_aWestport, Conn. : _bGreenwood Press, _c1999.
300			_axiv, 226 pages ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aContributions in drama and theatre studies, _x0163-3821 ; _vno. 90
504			_aIncludes bibliographical references (pages 197-217) and index.
505	0	0	_tPreface -- _tIntroduction -- _gPt. 1. _tThe Principles of Iconicity -- _tPrologue: The Premise of Performance -- _g1. _tIdeology, Acting, and Iconicity -- _tThe Persistence of Ideology -- _tIdeology, Emotion, and Human Nature -- _tIdeology, Imagery, and Performance -- _tRedefining Acting -- _tRecognition -- _tCultivating the Audience -- _tReclaiming Mimesis -- _tRehearsing Iconicity -- _g2. _tActing and Emotion -- _tHistorical Perspectives on Emotion -- _tTerminology -- _tThe Affect Theory of Emotion -- _t"Script Theory" -- _tIdeology and Affect -- _gPt. 2. _tThe Process of Iconicity -- _tIntroduction: The Strands of Iconicity -- _g3. _tThe Strand of Events -- _tThe Rules of Dramatic Structure -- _tThe Iconicity Profile -- _tThe Iconicist-Director and Dramatic Structure -- _tThe Semiosis of Dramatic Performance Events -- _tThe Mimesis of Events -- _tCultivating Mental Iconicity -- _tThe Characteristics of Playing Events -- _tRehearsing the Strand of Events -- _tThe Components of Plot -- _g4. _tRules and Features of Dramatic Structure -- _tIconic Events and Characters -- _tFeatures of Iconic Events -- _tIndexical Events and Characters -- _tSymbolic Events and Characters -- _tThe Symbolic Intertext -- _tThe Consciousness of Iconicity -- _g5. _tThe Intermediate Strands of Iconicity -- _tThe Strand of Dialogue -- _tThe Classes of Dialogue -- _tDialogue and Narrative -- _tAspects of Dialogue Rehearsal -- _tVoice and Body in the Dialogue of Timbre and Mien -- _tVoice and Gesture in Dynamic Dialogue -- _tVoice and Gesture in Choric Dialogue -- _tThe Strand of Interactions -- _tInteractions and Acts of Speech -- _tKinesic Coordination and Interlocution -- _tThe Iconicist-Director and Rehearsal -- _g6. _tThe Strand of Performance -- _tThe Performance Rehearsals -- _tIntegrating the Strands -- _tThe Iconicist-Director and the Performance -- _tEpilogue: Postscript to a Process -- _tNotes -- _tBibliography -- _tIndex.
588			_aMachine converted from AACR2 source record.
650		0	_aActing _xPsychological aspects _9784603
650		0	_aActing _xPhilosophy _9762335
830		0	_aContributions in drama and theatre studies ; _vno. 90. _91030087
907			_a.b1038778x _b28-03-19 _c27-10-15
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998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gctu _h0
999			_c1120856 _d1120856