000 | 03068cam a2200433 i 4500 | ||
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005 | 20221101193939.0 | ||
008 | 970121s1997 enk b 001 0 eng d | ||
010 | _a 96010443 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0521570875 _qhc |
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_a9780521570879 _qhc |
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_a0521578140 _qpbk. |
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035 | _a(ATU)b10357877 | ||
035 | _a(OCoLC)34319866 | ||
040 |
_aDLC _beng _erda _cDLC _dUKM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dLVB _dBTN _dOCLCQ _dATU |
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043 | _an-us-ca | ||
050 | 0 | 0 |
_aPN4888.T4 _bH86 1997 |
082 | 0 | 0 |
_a070.195 _220 |
100 | 1 |
_aHunt, Darnell M., _eauthor. _91028394 |
|
245 | 1 | 0 |
_aScreening the Los Angeles "riots" : _brace, seeing, and resistance / _cDarnell M. Hunt. |
264 | 1 |
_aCambridge [England] ; _aNew York : _bCambridge University Press, _c1997. |
|
300 |
_axv, 313 pages ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aCambridge cultural social studies | |
504 | _aIncludes bibliographical references (pages 299-310) and index. | ||
505 | 0 | 0 |
_g1. _tIntroduction -- _gPart I. _tContext and Text: -- _g2. _tMedia, race and resistance -- _g3. _tEstablishing a meaningful benchmark: the KTTV text and its assumptions -- _gPart II. _tAudience: -- _g4. _tStigmatized by association: Latino-raced informants and the KTTV text -- _g5. _tAmbivalent insiders: black-raced informants and the KTTV text -- _g6. _tInnocent bystanders: white-raced informants and the KTTV text -- _gPart III. _tAnalysis and Conclusions: -- _g7. _tRaced ways of seeing -- _g8. _tMeaning-making and resistance. |
520 | 1 | _a"On April 29, 1992, the "worst riots of the century" (Los Angeles Times) erupted. Television newsworkers tried frantically to keep up with what was happening on the streets while, around the city, nation and globe, viewers watched intently as leaders, participants, and fires flashed across their television screens. Screening the Los Angeles "riots" zeroes in on the first night of these events, exploring in detail the meanings one news organization found in them, as well as those made by fifteen groups of viewers in the events' aftermath. Combining ethnographic and quasi-experimental methods, Darnell M. Hunt's account reveals how race shapes both television's construction of news and viewers' understandings of it. He engages with the longstanding debates about the power of television to shape our thoughts versus our ability to resist, and concludes with implications for progressive change."--Jacket. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aTelevision broadcasting of news _zCalifornia _zLos Angeles _9597601 |
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650 | 0 |
_aRace relations and the press _zUnited States _9597604 |
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830 | 0 |
_aCambridge cultural social studies. _9244369 |
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907 |
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