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008 010215s2001 ctua b 001 0 eng d
010 _a 2001023549
011 _aBIB MATCHES WORLDCAT
020 _a0819564133
_qpbk. (alk. paper)
020 _a9780819564139
_qpbk. (alk. paper)
020 _a0819564125
_qalk. paper
020 _a9780819564122
_qalk. paper
035 _a(ATU)b10333071
035 _a(DLC) 2001023549
035 _a(OCoLC)46394706
040 _aDLC
_beng
_erda
_dCT
_dATU
042 _apcc
050 0 0 _aGV1601.
_bM86 2001
082 0 _a792.809
245 0 0 _aMoving history / dancing cultures :
_ba dance history reader /
_cedited by Ann Dils & Ann Cooper Albright.
264 1 _aMiddletown, Conn. :
_bWesleyn University Press,
_c[2001]
264 4 _c©2001
300 _axviii, 492 pages :
_billustrations ;
_c26 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 0 _tFirst Steps: Moving into the Study of Dance History /
_rAnn Dils and Ann Cooper Albright --
_gPt. I.
_tThinking about Dance History: Theories and Practices. --
_tThe Pleasures of Studying Dance History /
_rAnn Dils and Ann Cooper Albright. --
_tBeyond Description: Writing beneath the Surface /
_rDeborah Jowitt. --
_tImagining Dance /
_rJoan Acocella. --
_tSearching for Nijinsky's Sacre /
_rMillicent Hodson. --
_tFive Premises for a Culturally Sensitive Approach to Dance /
_rDeidre Sklar. --
_tAn Anthropologist Looks at Ballet as a Form of Ethnic Dance /
_rJoann Kealiinohomoku. --
_tThe Trouble with the Male Dancer ... /
_rRamsay Burt. --
_tStrategic Abilities: Negotiating the Disabled Body in Dance /
_rAnn Cooper Albright. --
_tDancing in the Field: Notes from Memory /
_rSally Ann Ness --
_gPt. II.
_tWorld Dance Traditions. --
_tLooking at World Dance /
_rAnn Dils and Ann Cooper Albright. --
_tTrance and Ecstatic Dance /
_rErika Bourgignon. --
_tBharatha Natyam - What Are You? /
_rAvanthi Meduri. --
_tMedicine of the Brave: A Look at the Changing Role of Dance in Native Culture from the Buffalo Days to the Modern Powwow /
_rLisa Doolittle and Heather Elton. --
_tThe Belly Dance: Ancient Ritual to Cabaret Performance /
_rShawna Helland. --
_tChanging Images and Shifting Identities: Female Performers in Egypt /
_rKarin van Nieuwkerk. --
_tCommonalties in African Dance: An Aesthetic Foundation /
_rKariamu Welsh Asante. --
_tInvention and Reinvention in the Traditional Arts /
_rZ. S. Strother. --
_tHeadspin: Capoeira's Ironic Inversions /
_rBarbara Browning. --
_tEpitome of Korean Folk Dance /
_rLee Kyong-hee. --
_tThe Many Faces of Korean Dance /
_rJudy Van Zile. --
_tWriting Dancing /
_rMark Franko. --
_tBeyond La Danse Noble: Conventions in Choreography and Dance Performance at the Time of Rameau's Hippolyte et Aricie /
_rCatherine Turocy. --
_tThe Travesty Dancer in Nineteenth-Century Ballet /
_rLynn Garafola. --
_tInterrupted Continuities: Modern Dance in Germany /
_rSusan Allene Manning and Melissa Benson --
_gPt. III.
_tAmerica Dancing. --
_tHistorical Moments: Rethinking the Past /
_rAnn Dils and Ann Cooper Albright. --
_tThe Irresistible Other: Hopi Ritual Drama and Euro-American Audiences /
_rSharyn R. Udall. --
_tJuba and American Minstrelsy /
_rMarian Hannah Winter. --
_tDancing Out the Difference: Cultural Imperialism and Ruth St. Denis's Radha of 1906 /
_rJane Desmond. --
_tTwo-Stepping to Glory: Social Dance and the Rhetoric of Social Mobility /
_rJulie Malnig. --
_tThe Natural Body /
_rAnn Daly. --
_tForm as the Image of Human Perfectibility and Natural Order /
_rDeborah Jowitt. --
_tThe Harsh and Splendid Heroines of Martha Graham /
_rMarcia B. Siegel. --
_tThe Dance Is a Weapon /
_rEllen Graff. --
_tIn His Image: Diaghilev and Lincoln Kirstein /
_rNancy Reynolds. --
_tStripping the Emperor: The Africanist Presence in American Concert Dance /
_rBrenda Dixon Gottschild. --
_tSimmering Passivity: The Black Male Body in Concert Dance /
_rThomas DeFrantz. --
_tChoreographic Methods of the Judson Dance Theater /
_rSally Banes. --
_tChance Heroes /
_rDeborah Jowitt --
_gPt. IV.
_tContemporary Dance: Global Contexts. --
_tMoving Contexts /
_rAnn Dils and Ann Cooper Albright. --
_tButoh: "Twenty Years Ago we Were Crazy, Dirty, and Mad" /
_rBonnie Sue Stein. --
_tDancing on the Endangered List: Aesthetics and Politics of Indigenous Dance in the Philippines /
_rKathleen Foreman. --
_tChandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification /
_rAnanya Chatterjea. --
_tAnanya and Chandralekha - A Response to "Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification" /
_rUttara Coorlawala. --
_tLooking at Movement as Culture: Contact Improvisation to Disco /
_rCynthia Jean and Cohen Bull. --
_t10,000 Jams Later: Contact Improvisation in Canada 1974-95 /
_rPeter Ryan. --
_tImprovisation Is a Word for Something That Can't Keep a Name /
_rSteve Paxton. --
_tSimply(?) the Doing of It, Like Two Arms Going Round and Round /
_rSusan Leigh Foster. --
_tEmbodying History: Epic Narrative and Cultural Identity in African American Dance /
_rAnn Cooper Albright. --
_tA Little Technology Is a Dangerous Thing /
_rRichard Povall. --
_tTechnique/Technology/Technique /
_rLisa Marie Naugle. --
_tAbsent/Presence /
_rAnn Dils.
588 _aMachine converted from AACR2 source record.
650 0 _aDance
_xHistory
_9370594
700 1 _aDils, Ann,
_eeditor.
_91026971
700 1 _aAlbright, Ann Cooper,
_eeditor.
_91026973
907 _a.b10333071
_b03-10-17
_c27-10-15
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