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005 | 20221101193349.0 | ||
008 | 010215s2001 ctua b 001 0 eng d | ||
010 | _a 2001023549 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0819564133 _qpbk. (alk. paper) |
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020 |
_a9780819564139 _qpbk. (alk. paper) |
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020 |
_a0819564125 _qalk. paper |
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020 |
_a9780819564122 _qalk. paper |
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035 | _a(ATU)b10333071 | ||
035 | _a(DLC) 2001023549 | ||
035 | _a(OCoLC)46394706 | ||
040 |
_aDLC _beng _erda _dCT _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aGV1601. _bM86 2001 |
082 | 0 | _a792.809 | |
245 | 0 | 0 |
_aMoving history / dancing cultures : _ba dance history reader / _cedited by Ann Dils & Ann Cooper Albright. |
264 | 1 |
_aMiddletown, Conn. : _bWesleyn University Press, _c[2001] |
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264 | 4 | _c©2001 | |
300 |
_axviii, 492 pages : _billustrations ; _c26 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tFirst Steps: Moving into the Study of Dance History / _rAnn Dils and Ann Cooper Albright -- _gPt. I. _tThinking about Dance History: Theories and Practices. -- _tThe Pleasures of Studying Dance History / _rAnn Dils and Ann Cooper Albright. -- _tBeyond Description: Writing beneath the Surface / _rDeborah Jowitt. -- _tImagining Dance / _rJoan Acocella. -- _tSearching for Nijinsky's Sacre / _rMillicent Hodson. -- _tFive Premises for a Culturally Sensitive Approach to Dance / _rDeidre Sklar. -- _tAn Anthropologist Looks at Ballet as a Form of Ethnic Dance / _rJoann Kealiinohomoku. -- _tThe Trouble with the Male Dancer ... / _rRamsay Burt. -- _tStrategic Abilities: Negotiating the Disabled Body in Dance / _rAnn Cooper Albright. -- _tDancing in the Field: Notes from Memory / _rSally Ann Ness -- _gPt. II. _tWorld Dance Traditions. -- _tLooking at World Dance / _rAnn Dils and Ann Cooper Albright. -- _tTrance and Ecstatic Dance / _rErika Bourgignon. -- _tBharatha Natyam - What Are You? / _rAvanthi Meduri. -- _tMedicine of the Brave: A Look at the Changing Role of Dance in Native Culture from the Buffalo Days to the Modern Powwow / _rLisa Doolittle and Heather Elton. -- _tThe Belly Dance: Ancient Ritual to Cabaret Performance / _rShawna Helland. -- _tChanging Images and Shifting Identities: Female Performers in Egypt / _rKarin van Nieuwkerk. -- _tCommonalties in African Dance: An Aesthetic Foundation / _rKariamu Welsh Asante. -- _tInvention and Reinvention in the Traditional Arts / _rZ. S. Strother. -- _tHeadspin: Capoeira's Ironic Inversions / _rBarbara Browning. -- _tEpitome of Korean Folk Dance / _rLee Kyong-hee. -- _tThe Many Faces of Korean Dance / _rJudy Van Zile. -- _tWriting Dancing / _rMark Franko. -- _tBeyond La Danse Noble: Conventions in Choreography and Dance Performance at the Time of Rameau's Hippolyte et Aricie / _rCatherine Turocy. -- _tThe Travesty Dancer in Nineteenth-Century Ballet / _rLynn Garafola. -- _tInterrupted Continuities: Modern Dance in Germany / _rSusan Allene Manning and Melissa Benson -- _gPt. III. _tAmerica Dancing. -- _tHistorical Moments: Rethinking the Past / _rAnn Dils and Ann Cooper Albright. -- _tThe Irresistible Other: Hopi Ritual Drama and Euro-American Audiences / _rSharyn R. Udall. -- _tJuba and American Minstrelsy / _rMarian Hannah Winter. -- _tDancing Out the Difference: Cultural Imperialism and Ruth St. Denis's Radha of 1906 / _rJane Desmond. -- _tTwo-Stepping to Glory: Social Dance and the Rhetoric of Social Mobility / _rJulie Malnig. -- _tThe Natural Body / _rAnn Daly. -- _tForm as the Image of Human Perfectibility and Natural Order / _rDeborah Jowitt. -- _tThe Harsh and Splendid Heroines of Martha Graham / _rMarcia B. Siegel. -- _tThe Dance Is a Weapon / _rEllen Graff. -- _tIn His Image: Diaghilev and Lincoln Kirstein / _rNancy Reynolds. -- _tStripping the Emperor: The Africanist Presence in American Concert Dance / _rBrenda Dixon Gottschild. -- _tSimmering Passivity: The Black Male Body in Concert Dance / _rThomas DeFrantz. -- _tChoreographic Methods of the Judson Dance Theater / _rSally Banes. -- _tChance Heroes / _rDeborah Jowitt -- _gPt. IV. _tContemporary Dance: Global Contexts. -- _tMoving Contexts / _rAnn Dils and Ann Cooper Albright. -- _tButoh: "Twenty Years Ago we Were Crazy, Dirty, and Mad" / _rBonnie Sue Stein. -- _tDancing on the Endangered List: Aesthetics and Politics of Indigenous Dance in the Philippines / _rKathleen Foreman. -- _tChandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification / _rAnanya Chatterjea. -- _tAnanya and Chandralekha - A Response to "Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification" / _rUttara Coorlawala. -- _tLooking at Movement as Culture: Contact Improvisation to Disco / _rCynthia Jean and Cohen Bull. -- _t10,000 Jams Later: Contact Improvisation in Canada 1974-95 / _rPeter Ryan. -- _tImprovisation Is a Word for Something That Can't Keep a Name / _rSteve Paxton. -- _tSimply(?) the Doing of It, Like Two Arms Going Round and Round / _rSusan Leigh Foster. -- _tEmbodying History: Epic Narrative and Cultural Identity in African American Dance / _rAnn Cooper Albright. -- _tA Little Technology Is a Dangerous Thing / _rRichard Povall. -- _tTechnique/Technology/Technique / _rLisa Marie Naugle. -- _tAbsent/Presence / _rAnn Dils. |
588 | _aMachine converted from AACR2 source record. | ||
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_aDance _xHistory _9370594 |
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700 | 1 |
_aDils, Ann, _eeditor. _91026971 |
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700 | 1 |
_aAlbright, Ann Cooper, _eeditor. _91026973 |
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