000 | 02840cam a22004334i 4500 | ||
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005 | 20221101193312.0 | ||
008 | 001013s2001 ohua bc 000 0 eng d | ||
010 | _a 00051960 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0262011832 _qhc. _qalk. paper |
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020 |
_a9780262011839 _qhc. _qalk. paper |
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035 | _a(ATU)b10330227 | ||
035 | _a(DLC) 00051960 | ||
035 | _a(OCoLC)45201957 | ||
040 |
_aDLC _beng _erda _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aND195. _bA788 2001 |
082 | 0 | _a759.1309045 | |
245 | 0 | 0 |
_aAs painting : _bdivision and displacement / _c[edited and organized by] Philip Armstrong, Laura Lisbon, and Stephen Melville. |
264 | 1 |
_aColumbus, Ohio : _bWexner Center for the Arts ; _aCambridge, Mass. : _bMIT Press, _c[2001] |
|
264 | 4 | _c©2001 | |
300 |
_axv, 256 pages : _billustrations (some colour) ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aExhibition held May 11-August 12, 2001 at Wexner Center for the Arts, The Ohio State University. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tForeword -- _tAcknowledgments -- _tCounting/As/Painting -- _tAs Painting: Problematics -- _tArtists in the Exhibition -- _tPolly Apfelbaum -- _tMartin Barre -- _tJames Bishop -- _tMel Bochner -- _tChristian Bonnefoi -- _tDaniel Buren -- _tAndre Cadere -- _tJean Degottex -- _tDaniel Dezeuze -- _tMoira Dryer -- _tFrancois Dufrene -- _tSimon Hantai -- _tDonald Judd -- _tImi Knoebel -- _tSherrie Levine -- _tAgnes Martin -- _tMichel Parmentier -- _tGerhard Richter -- _tFrancois Rouan -- _tRobert Ryman -- _tRobert Smithson -- _tAnne Truitt -- _tAndre Valensi -- _tClaude Viallat -- _tJacques Villegle -- _tJames Welling -- _tA Regard for Painting -- _tOn Painting as Model -- _tPainting Out of Subject -- _tExcerpts from The Subject of Painting -- _tInterview with Martin Barre -- _tQuestions for Martin Barre -- _tHow Can You Defend Making Paintings Now? -- _tThe Objection That the Obscure Makes to Painting -- _tEbbs and Flows, Fragments (for Simon Hantai) -- _tLetters to Georges Didi-Huberman -- _tSix Comments -- _tDid You Say "Ethics"? -- _tNotes on the Work of Francois Rouan -- _tThe Ineffable - About Ryman's Work -- _tChecklist of the Exhibition. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aPainting, Modern _y20th century _vExhibitions _9771163 |
|
700 | 1 |
_aArmstrong, Philip, _eeditor. |
|
700 | 1 |
_aLisbon, Laura, _d1963- _eauthor. _9399520 |
|
700 | 1 |
_aMelville, Stephen W., _eauthor. _91024258 |
|
710 | 2 |
_aWexner Center for the Visual Arts. _9237299 |
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907 |
_a.b10330227 _b11-07-17 _c27-10-15 |
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942 | _cB | ||
945 |
_a759.1309045 AS _g1 _iA285457B _j0 _lcmain _o- _p$83.29 _q- _r- _s- _t0 _u37 _v5 _w1 _x1 _y.i10735380 _z28-10-15 |
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998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gohu _h0 |
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999 |
_c1117743 _d1117743 |