000			03277cam a2200421 i 4500
005			20211129180611.0
008			960823s1996 enka b 001 0 eng d
010			_a 96223954
011			_aBIB MATCHES WORLDCAT
020			_a0714830097 _qhb
020			_a9780714830094 _qhb
020			_a0714834874 _qpb
020			_a9780714834870 _qpb
035			_a(OCoLC)35023622
040			_aEUE _beng _erda _cEUE _dDLC _dEXW _dERE _dUIU _dUBA _dUKV3G _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dITJCU _dDEBSZ _dNLE _dUAB _dZWZ _dUKTTE _dDEBBG _dATU
042			_alccopycat
050	0	0	_aN7445.2 _b.G574 1996
082	0	4	_a700.103
100	1		_aGombrich, E. H. _q(Ernst Hans), _d1909-2001. _9229951
245	1	4	_aThe essential Gombrich : _bselected writings on art and culture / _cedited by Richard Woodfield.
264		1	_aLondon : _bPhaidon Press, _c1996.
300			_a624 pages : _billustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 591-614) and index.
505	0	0	_tForeword -- _tIntroduction -- _tPrincipal Works of E. H. Gombrich -- _tAn Autobiographical Sketch -- _tOld Masters and Other Household Gods -- _tThe Visual Image: its Place in Communication -- _tOn Art and Artists -- _tPsychology and the Riddle of Style -- _tTruth and the Stereotype -- _tAction and Expression in Western Art -- _tIllusion and Art -- _tThe Use of Colour and its Effect: the How and the Why (Radio interview, 1992) -- _tThe Necessity of Tradition: an Interpretation of the Poetics of I. A. Richards -- _tVerbal Wit as a Paradigm of Art: the Aesthetic Theories of Sigmund Freud -- _tLeonardo's Method for Working out Compositions -- _tThe Force of Habit -- _tThe Psychology of Styles -- _tThe Primitive and its Value in Art -- _tMagic, Myth and Metaphor: Reflections on Pictorial Satire -- _tApproaches to the History of Art: Three Points for Discussion -- _tThe Social History of Art -- _tIn Search of Cultural History -- _tArchitecture and Rhetoric in Giulio Romano's Palazzo del Te -- _tFrom the Revival of Letters to the Reform of the Arts: Niccolo Niccoli and Filippo Brunelleschi -- _tThe Use of Art for the Study of Symbols -- _tAims and Limits of Iconology -- _tRaphael's Stanza della Segnatura and the Nature of its Symbolism -- _tThe Subject of Poussin's Orion -- _tDutch Genre Painting -- _tImagery and Art in the Romantic Period -- _tThe Wit of Saul Steinberg -- _tFranz Schubert and the Vienna of his Time (Address celebrating the 150th anniversary of the composer's death, 1978) -- _tNature and Art as Needs of the Mind: the Philanthropic Ideals of Lord Leverhulme -- _tGoethe: the Mediator of Classical Values (Speech delivered on receiving the Goethe Prize, 1994) -- _tNotes -- _tIndex.
530			_aAlso issued online.
588			_aMachine converted from AACR2 source record.
650		0	_aArt. _9313983
650		0	_aArt _xHistory. _9371206
650		0	_aArt and society. _9314091
700	1		_aWoodfield, Richard, _d1944- _eeditor. _9394673
907			_a.b10273748 _b28-09-17 _c27-10-15
942			_cB
945			_a700.103 ESS _g1 _iA124915B _j0 _lcmain _o- _p$68.00 _q- _r- _s- _t0 _u6 _v0 _w0 _x0 _y.i10640241 _z28-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h4
999			_c1114626 _d1114626