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010 _a 2001059841
011 _aBIB MATCHES WORLDCAT
020 _a0300094299
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020 _a9780300094299
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020 _a0876331576
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020 _a9780876331576
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035 _a(ATU)b10268777
035 _a(DLC) 2001059841
035 _a(OCoLC)48674613
040 _aDLC
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042 _apcc
050 0 0 _aN6537.N48
_bA4 2002
082 0 _a759.13
_222
100 1 _aNewman, Barnett,
_d1905-1970
_9397357
245 1 0 _aBarnett Newman /
_cedited by Ann Temkin ; essays by Ann Temkin, Richard Shiff ; with contributions by Suzanne Penn, Melissa Ho.
264 1 _aPhiladelphia, Pa. :
_bPhiladelphia Museum of Art,
_c[2002]
264 4 _c©2002
300 _a351 pages :
_billustrations (some colour) ;
_c31 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 343-347).
505 0 0 _tIntroduction /
_rAnn Temkin --
_tBarnett Newman on Exhibition /
_rAnn Temkin --
_tWhiteout: The Not-Influence Newman Effect /
_rRichard Shiff --
_tCatalogue /
_rAnn Temkin, Suzanne Penn and Melissa Ho --
_tChronology /
_rMelissa Ho --
_tIndex of Illustrated Works /
_rBarnett Newman.
520 1 _a"One of the most enduringly influential Abstract Expressionists, Barnett Newman (1905-1970) took the genre to a startling new sphere. His tough, spare, emotive paintings were misunderstood and reviled by most critics when they first appeared in 1950 but came to command wide respect and even veneration by the end of the 1960s. Seemingly simple on first viewing, the paintings are in fact richly complicated and unexpectedly diverse. Newman aspired to breadth and nobility in his works, infusing them with deep meaning and producing a powerful physical presence through his mastery of expansive spatial effects and evocative color. While pursuing his personal quest, he managed to challenge, and profoundly change, the parameters of painting." "This book accompanies the first comprehensive exhibition of Barnett Newman's work in three decades. Two essays by prominent scholars survey Newman's career from his founding role in the New York School in the 1940s to his key influence on both Minimalism and conceptual art in the 1960s. Discussed at length are such Newman masterpieces as Onement I (1948), the series Stations of the Cross (1958-66), and the monumental sculpture Broken Obelisk (1967). Featuring 180 color illustrations of his paintings, drawings, prints, and sculptures, the book also includes a comprehensive chronology of the artist's life based on new documentation, a selected exhibition history, and a selected bibliography."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
600 1 0 _aNewman, Barnett,
_d1905-1970
_9397357
600 1 0 _aNewman, Barnett,
_d1905-1970
_vExhibitions.
600 1 0 _aNewman, Barnett,
_d1905-1970
_vPictorial works.
600 1 0 _aNewman, Barnett,
_d1905-1970
_xCriticism and interpretation.
650 0 _aPainting
_zUnited States
_y20th century.
700 1 _aTemkin, Ann,
_eeditor.
_91023354
700 1 _aShiff, Richard.
_91023356
907 _a.b10268777
_b03-10-17
_c27-10-15
942 _cB
945 _a759.13 NEW
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