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005 | 20221101191906.0 | ||
008 | 960116s1996 nyu b 000 0 eng d | ||
010 | _a 96000077 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0134425677 _qpbk. |
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020 |
_a9780134425672 _qpbk. |
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035 | _a(ATU)b1026632x | ||
035 | _a(OCoLC)34322303 | ||
040 |
_aDLC _beng _erda _dATU |
||
050 | 0 | 0 |
_aPN94. _bB76 1996 |
082 | 0 | _a801.950904 | |
245 | 0 | 2 |
_aA practical reader in contemporary literary theory / _cedited by Peter Brooker and Peter Widdowson. |
264 | 1 |
_aLondon ; _aNew York : _bPrentice Hall/Harvester Wheatsheaf, _c1996. |
|
300 |
_aix, 498 pages ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tA Note on the Text -- _tIntroduction: Theory and Criticism at the Present Time -- _g1. _tWilliam Shakespeare: Hamlet -- _g1.1. _tT. S. Eliot: 'Hamlet' -- _g1.2. _tJacques Lacan: 'Desire and the Interpretation of Desire in Hamlet' -- _g1.3. _tElaine Showalter: 'Representing Ophelia: Women, Madness and the Responsibilities of Feminist Criticism' -- _g1.4. _tJacqueline Rose: 'Hamlet - the "Mona Lisa" of Literature' -- _g1.5. _tLisa Jardine: '"No Offence i' th' World": Hamlet and Unlawful Marriage' -- _g2. _tWilliam Wordsworth: 'Ode - Intimations of Immortality from Recollections of Early Childhood' -- _g2.1. _tCleanth Brooks: 'Wordsworth and the Paradox of the Imagination' -- _g2.2. _tGeoffrey H. Hartman: '"Timely Utterance" Once More' -- _g2.3. _tMarjorie Levinson: 'The Intimations Ode: A Timely Utterance' -- _g3. _tCharlotte Bronte: Jane Eyre -- _g3.1. _tVirginia Woolf: A Room of One's Own -- _g3.2. _tThe Marxist-Feminist Literature Collective: 'Women's Writing: Jane Eyre' -- _g3.3. _tSandra M. Gilbert and Susan Gubar: 'A Dialogue of Self and Soul: Plain Jane's Progress' -- _g3.4. _tGayatri Chakravorty Spivak: 'Three Women's Texts and a Critique of Imperialism' -- _g4. _tGeorge Eliot: Middlemarch -- _g4.1. _tF. R. Leavis: The Great Tradition -- _g4.2. _tRaymond Williams: The English Novel from Dickens to Lawrence -- _g4.3. _tTerry Eagleton: Criticism and Ideology -- _g4.4. _tJ. Hillis Miller: 'Optic and Semiotic in Middlemarch' -- _g4.5. _tColin MacCabe: James Joyce and the Revolution of the Word -- _g5. _tOscar Wilde: The Picture of Dadan Gray and The Importance of Being Earnest -- _g5.1. _tEve Kosofsky Sedgwick: Epistemology of the Closet -- _g5.2. _tJonathan Dollimore: Sexual Dissidence -- _g5.3. _tJoseph Bristow: 'The Importance of Being Earnest' -- _g5.4. _tAlan Sinfield: 'Picturing Dorian Gray' -- _g5.5. _tTerry Eagleton: 'Oscar' -- _g6. _tJoseph Conrad: Heart of Darkness -- _g6.1. _tF. R. Leavis: The Great Tradition -- _g6.2. _tTzvetan Todorov: 'Heart of Darkness' -- _g6.3. _tChinua Achebe: 'An Image of Africa: Racism in Conrad's Heart of Darkness' -- _g6.4. _tEdward Said: 'Two Visions in Heart of Darkness' -- _g7. _tJames Joyce: Ulysses -- _g7.1. _tHelene Cixous: 'Joyce: The (R)use of Writing' -- _g7.2. _tRaymond Williams: The Country and the City -- _g7.3. _tWolfgang Iser: 'Doing Things in Style: An Interpretation of "The Oxen of the Sun" in James Joyce's Ulysses' -- _g7.4. _tFredric Jameson: 'Ulysses in History' -- _g7.5. _tJacques Derrida: 'Ulysses Gramophone: Hear Say Yes in Joyce' -- _g8. _tBertolt Brecht: Theory and Late Plays -- _g8.1. _tWalter Benjamin: Understanding Brecht -- _g8.2. _tGeorg Lukacs: The Meaning of Contemporary Realism -- _g8.3. _tTheodor Adorno: 'Commitment' -- _g8.4. _tRoland Barthes: 'The Tasks of Brechtian Criticism' and 'Literature and Signification' -- _g8.5. _tLouis Althusser: 'The "Piccolo Teatro": Bertolazzi and Brecht. Notes on a Materialist Theatre' -- _g8.6. _tHerbert Marcuse: The Aesthetic Dimension -- _g8.7. _tJohn Fuegi: The Life and Lies of Bertolt Brecht -- _g9. _tToni Morrison: Beloved -- _g9.1. _tMae G. Henderson: 'Toni Morrison's Beloved: Re-membering the Body as Historical Text' -- _g9.2. _tPaul Gilroy: '"Not a Story to Pass On": Living Memory and the Slave Sublime' -- _g9.3. _tHomi K. Bhabha: The Location of Culture -- _g9.4. _tLynne Pearce: 'Gendering the Chronotope: Beloved' -- _g9.5. _tPeter Nicholls: 'The Belated Postmodern: History, Phantoms and Toni Morrison' -- _g10. _tSalman Rushdie: Midnight's Children, Shame, The Satanic Verses -- _g10.1. _tLinda Hutcheon: 'Re-presenting the Past' -- _g10.2. _tAijaz Ahmad: 'Salman Rushdie's Shame: Postmodem Migrancy and the Representation of Women' -- _g10.3. _tGayatri Chakvravorty Spivak: 'Reading The Satanic Verses' -- _tAcknowledgements. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aCriticism _xHistory _y20th century _9372570 |
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650 | 0 |
_aLiterature, Modern _xHistory and criticism _9371590 |
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700 | 1 |
_aBrooker, Peter, _eeditor. _91023164 |
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700 | 1 |
_aWiddowson, Peter, _eeditor. _91023166 |
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