000 05069cam a2200373 i 4500
005 20221101191906.0
008 960116s1996 nyu b 000 0 eng d
010 _a 96000077
011 _aBIB MATCHES WORLDCAT
020 _a0134425677
_qpbk.
020 _a9780134425672
_qpbk.
035 _a(ATU)b1026632x
035 _a(OCoLC)34322303
040 _aDLC
_beng
_erda
_dATU
050 0 0 _aPN94.
_bB76 1996
082 0 _a801.950904
245 0 2 _aA practical reader in contemporary literary theory /
_cedited by Peter Brooker and Peter Widdowson.
264 1 _aLondon ;
_aNew York :
_bPrentice Hall/Harvester Wheatsheaf,
_c1996.
300 _aix, 498 pages ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references.
505 0 0 _tA Note on the Text --
_tIntroduction: Theory and Criticism at the Present Time --
_g1.
_tWilliam Shakespeare: Hamlet --
_g1.1.
_tT. S. Eliot: 'Hamlet' --
_g1.2.
_tJacques Lacan: 'Desire and the Interpretation of Desire in Hamlet' --
_g1.3.
_tElaine Showalter: 'Representing Ophelia: Women, Madness and the Responsibilities of Feminist Criticism' --
_g1.4.
_tJacqueline Rose: 'Hamlet - the "Mona Lisa" of Literature' --
_g1.5.
_tLisa Jardine: '"No Offence i' th' World": Hamlet and Unlawful Marriage' --
_g2.
_tWilliam Wordsworth: 'Ode - Intimations of Immortality from Recollections of Early Childhood' --
_g2.1.
_tCleanth Brooks: 'Wordsworth and the Paradox of the Imagination' --
_g2.2.
_tGeoffrey H. Hartman: '"Timely Utterance" Once More' --
_g2.3.
_tMarjorie Levinson: 'The Intimations Ode: A Timely Utterance' --
_g3.
_tCharlotte Bronte: Jane Eyre --
_g3.1.
_tVirginia Woolf: A Room of One's Own --
_g3.2.
_tThe Marxist-Feminist Literature Collective: 'Women's Writing: Jane Eyre' --
_g3.3.
_tSandra M. Gilbert and Susan Gubar: 'A Dialogue of Self and Soul: Plain Jane's Progress' --
_g3.4.
_tGayatri Chakravorty Spivak: 'Three Women's Texts and a Critique of Imperialism' --
_g4.
_tGeorge Eliot: Middlemarch --
_g4.1.
_tF. R. Leavis: The Great Tradition --
_g4.2.
_tRaymond Williams: The English Novel from Dickens to Lawrence --
_g4.3.
_tTerry Eagleton: Criticism and Ideology --
_g4.4.
_tJ. Hillis Miller: 'Optic and Semiotic in Middlemarch' --
_g4.5.
_tColin MacCabe: James Joyce and the Revolution of the Word --
_g5.
_tOscar Wilde: The Picture of Dadan Gray and The Importance of Being Earnest --
_g5.1.
_tEve Kosofsky Sedgwick: Epistemology of the Closet --
_g5.2.
_tJonathan Dollimore: Sexual Dissidence --
_g5.3.
_tJoseph Bristow: 'The Importance of Being Earnest' --
_g5.4.
_tAlan Sinfield: 'Picturing Dorian Gray' --
_g5.5.
_tTerry Eagleton: 'Oscar' --
_g6.
_tJoseph Conrad: Heart of Darkness --
_g6.1.
_tF. R. Leavis: The Great Tradition --
_g6.2.
_tTzvetan Todorov: 'Heart of Darkness' --
_g6.3.
_tChinua Achebe: 'An Image of Africa: Racism in Conrad's Heart of Darkness' --
_g6.4.
_tEdward Said: 'Two Visions in Heart of Darkness' --
_g7.
_tJames Joyce: Ulysses --
_g7.1.
_tHelene Cixous: 'Joyce: The (R)use of Writing' --
_g7.2.
_tRaymond Williams: The Country and the City --
_g7.3.
_tWolfgang Iser: 'Doing Things in Style: An Interpretation of "The Oxen of the Sun" in James Joyce's Ulysses' --
_g7.4.
_tFredric Jameson: 'Ulysses in History' --
_g7.5.
_tJacques Derrida: 'Ulysses Gramophone: Hear Say Yes in Joyce' --
_g8.
_tBertolt Brecht: Theory and Late Plays --
_g8.1.
_tWalter Benjamin: Understanding Brecht --
_g8.2.
_tGeorg Lukacs: The Meaning of Contemporary Realism --
_g8.3.
_tTheodor Adorno: 'Commitment' --
_g8.4.
_tRoland Barthes: 'The Tasks of Brechtian Criticism' and 'Literature and Signification' --
_g8.5.
_tLouis Althusser: 'The "Piccolo Teatro": Bertolazzi and Brecht. Notes on a Materialist Theatre' --
_g8.6.
_tHerbert Marcuse: The Aesthetic Dimension --
_g8.7.
_tJohn Fuegi: The Life and Lies of Bertolt Brecht --
_g9.
_tToni Morrison: Beloved --
_g9.1.
_tMae G. Henderson: 'Toni Morrison's Beloved: Re-membering the Body as Historical Text' --
_g9.2.
_tPaul Gilroy: '"Not a Story to Pass On": Living Memory and the Slave Sublime' --
_g9.3.
_tHomi K. Bhabha: The Location of Culture --
_g9.4.
_tLynne Pearce: 'Gendering the Chronotope: Beloved' --
_g9.5.
_tPeter Nicholls: 'The Belated Postmodern: History, Phantoms and Toni Morrison' --
_g10.
_tSalman Rushdie: Midnight's Children, Shame, The Satanic Verses --
_g10.1.
_tLinda Hutcheon: 'Re-presenting the Past' --
_g10.2.
_tAijaz Ahmad: 'Salman Rushdie's Shame: Postmodem Migrancy and the Representation of Women' --
_g10.3.
_tGayatri Chakvravorty Spivak: 'Reading The Satanic Verses' --
_tAcknowledgements.
588 _aMachine converted from AACR2 source record.
650 0 _aCriticism
_xHistory
_y20th century
_9372570
650 0 _aLiterature, Modern
_xHistory and criticism
_9371590
700 1 _aBrooker, Peter,
_eeditor.
_91023164
700 1 _aWiddowson, Peter,
_eeditor.
_91023166
907 _a.b1026632x
_b03-10-17
_c27-10-15
942 _cB
945 _a801.950904 PRA
_g1
_iA282397B
_j0
_lcmain
_o-
_p$75.06
_q-
_r-
_s-
_t0
_u4
_v0
_w0
_x0
_y.i10622718
_z28-10-15
998 _a(2)b
_a(2)c
_b06-04-16
_cm
_da
_feng
_gnyu
_h2
999 _c1114198
_d1114198