000			04528cam a2200325 i 4500
005			20221101190735.0
008			990211s1997 vra b 001 0 eng d
011			_aBIB MATCHES WORLDCAT
020			_a0195540247 _qpbk.
020			_a9780195540246 _qpbk.
035			_a(OCoLC)38456689
040			_aAP _beng _erda _cAP _dATU
082	0		_a070.4
100	1		_aConley, David, _eauthor. _91020374
245	1	4	_aThe daily miracle : _ban introduction to journalism / _cDavid Conley ; edited by Lucy Davison.
264		1	_aMelbourne ; _aAuckland : _bOxford University Press, _c1997.
300			_axv, 320 pages ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 297-309) and index.
505	0	0	_tPreface -- _gI. _tFilm Language -- _t[On Editing] -- _tBeyond the Shot [The Cinematographic Principle and the Ideogram] -- _tThe Dramaturgy of Film Form [The Dialectical Approach to Film Form] -- _tThe Evolution of the Language of Cinema -- _tToward a Non-Bourgeois Camera Style -- _tSome Points in the Semiotics of the Cinema -- _tProblems of Denotation in the Fiction Film -- _tSemiotics and the Cinema: Metz and Wollen -- _tThe Discourse of Pictures: Iconicity and Film Studies -- _tThe Tutor-Code of Classical Cinema -- _tAgainst "The System of the Suture" -- _t[On Suture] -- _tThe Spectator-in-the-Text: The Rhetoric of Stagecoach -- _gII. _tFilm and Reality -- _tBasic Concepts -- _tThe Cabinet of Dr. Caligari -- _tThe Ontology of the Photographic Image -- _tThe Myth of Total Cinema -- _tDe Sica: Metteur-en-scene -- _tThe Complete Film -- _tCinematography: The Creative Use of Reality -- _tFrom Metaphors on Vision -- _tColonialism, Racism, and Representation: An Introduction -- _tRecent Developments in Feminist Criticism -- _gIII. _tThe Film Medium: Image and Sound -- _tStyle and Medium in the Motion Pictures -- _tThe Establishment of Physical Existence -- _tThe Close-up -- _tThe Face of Man -- _tFilm and Reality -- _tThe Making of a Film -- _tThe Specificity Thesis -- _tProjection -- _tPhotograph and Screen -- _tAudience, Actor, and Star -- _tTypes; Cycles as Genres -- _tIdeas of Origin -- _tIdeological Effects of the Basic Cinematographic Apparatus -- _tAural Objects -- _tStatement on Sound -- _tThe Voice in the Cinema: The Articulation of Body and Space -- _tTechnology and Aesthetics of Film Sound -- _tBroadcast TV as Sound and Image -- _gIV. _tFilm Narrative and the Other Arts -- _tThe Means of the Photoplay -- _tTheater and Cinema -- _tActing: Stage vs. Screen -- _tDickens, Griffith and Ourselves [Dickens, Griffith and Film Today] -- _tWhat Novels Can Do That Films Can't (and Vice Versa) -- _tAdaptation -- _tNarrative Discourse and the Narrator System -- _tThe Cinematic Narrator -- _tThe Concept of Cinematic Excess -- _tGodard and Counter Cinema: Vent d'Est -- _gV. _tThe Film Artist -- _tNotes on the Auteur Theory in 1962 -- _tThe Auteur Theory -- _tThe Face of Garbo -- _tStars as a Cinematic Phenomenon -- _tThe Role of the Star in Film History [Joan Crawford] -- _tFemale Stars of the 1940s -- _tThe Mae West Nobody Knows -- _tValentino and Female Spectatorship -- _t"The Whole Equation of Pictures" -- _gVI. _tFilm Genres -- _tGenre: The Conventions of Connection -- _tA Semantic/Syntactic Approach to Film Genre -- _tFilm Genre and the Genre Film -- _tMovie Chronicle: The Westerner -- _tIdeology, Genre, Auteur -- _tThe Mummy's Pool -- _tThe Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory -- _tFilm Bodies: Gender, Genre, and Excess -- _tThe Art Cinema as a Mode of Film Practice -- _gVII. _tFilm: Psychology, Society, and Ideology -- _tThe Work of Art in the Age of Mechanical Reproduction -- _tCinema/Ideology/Criticism -- _tThe Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema -- _tJean-Louis Baudry and "The Apparatus" -- _tPreface -- _tIdentification, Mirror -- _tThe Passion for Perceiving -- _tDisavowal, Fetishism -- _tAn Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator -- _tVisual Pleasure and Narrative Cinema -- _tBlack Spectatorship: Problems of Identification and Resistance -- _tIndex.
588			_aMachine converted from AACR2 source record.
650		0	_aJournalism. _9319668
700	1		_aDavison, Lucy, _eeditor. _91020376
907			_a.b10219778 _b03-10-17 _c27-10-15
942			_cB
945			_a070.4 CON _g1 _iA182294B _j0 _lcmain _o- _p$29.83 _q- _r- _s- _t0 _u18 _v0 _w0 _x1 _y.i10537132 _z28-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gvra _h4
999			_c1111605 _d1111605