000			03674cam a2200505 i 4500
005			20221101190651.0
008			980824s1998 caua b s001 0beng d
010			_a 98203032
011			_aBIB MATCHES WORLDCAT
020			_a0520216709
020			_a9780520216709
035			_a(ATU)b10216418
035			_a(OCoLC)39736230
040			_aNBuAK _beng _erda _cYJE _dDLC _dBAKER _dBTCTA _dLVB _dYDXCP _dOCLCG _dCPE _dVVW _dIFA _dATU
042			_alccopycat
043			_ae-uk-en
050	0	0	_aN6797.M57 _bA4 1998
050	1	4	_aQ730.92 MOORE
082	0	0	_a709.2 _222
100	1		_aMoore, Henry, _d1898-1986 _9312604
245	1	0	_aCelebrating Moore : _bworks from the collection of the Henry Moore Foundation / _cselected by David Mitchinson ; introduction by David Mitchinson ; foreword by Alan Bowness ; contributions from Julian Andrews [and others].
246	3	0	_aWorks from the collection of the Henry Moore Foundation
264		1	_aBerkeley : _bUniversity of California Press, _c[1998]
264		4	_c©1998
300			_a360 pages : _bcolour illustrations ; _c32 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
520			_a"This book is a celebration of The Henry Moore Foundation's collection--the most important and comprehensive single group of Moore's drawings, graphics, and sculpture.More than 300 of Moore's acclaimed works are reproduced in full color, and extensive captions are provided by distinguished sculptors, art critics, and art historians, many of whom knew and worked with Moore. Their fresh insights and personal anecdotes provide a detailed and compelling analysis of Moore's artistry.David Mitchinson's introductory essay traces the formation of The Henry Moore Foundation's collection, a fascinating story that has never been told before. He explains Moore's somewhat haphazard way of working, the confused ownership between the Foundation and its trading company, the strengths and weaknesses of the Collection itself, and the evolution of the Foundation's property at Perry Green in Hertfordshire. With a foreword by Sir Alan Bowness, Celebrating Moore will be a welcome addition to the study and appreciation of Henry Moore for years to come.From the Foreword:"Henry Moore talked well and liked talking about sculpture, but he rarely gave any verbal explanation of his own works. That was for others to do: He was the man who had made the piece and put it out in the world. This is the form that the catalogue takes--twenty-five sculptors, art historians, critics, curators, and film makers write about sculptures and drawings that particularly interest them.""--Publisher description.
588			_aMachine converted from AACR2 source record.
600	1	0	_aMoore, Henry, _d1898-1986 _xCatalogs.
610	2	0	_aHenry Moore Foundation _xCatalogs.
650		0	_aArt _zEngland _zPerry Green (Hertfordshire) _xCatalogs.
650		0	_aArtists' preparatory studies _zEngland _xCatalogs.
700	1		_aMitchinson, David, _eauthor, _ewriter of supplementary textual content. _91020184
700	1		_aAndrews, Julian, _d1934-2010 _9395442
710	2		_aHenry Moore Foundation. _9232851
856	4	1	_3Table of contents _uhttp://www.loc.gov/catdir/toc/ucal041/98203032.html
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/ucal052/98203032.html
907			_a.b10216418 _b03-10-21 _c27-10-15
942			_cB
945			_a709.2 MOO _g1 _iA276843B _j0 _lcmain _o- _p$99.64 _q- _r- _s- _t0 _u3 _v0 _w0 _x0 _y.i12975539 _z29-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gcau _h0
999			_c1111409 _d1111409