000 | 02948cam a22003858a 4500 | ||
---|---|---|---|
005 | 20221101190618.0 | ||
008 | 990126s2000 nyu b 001 0 eng | ||
010 | _a 99013425 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0820444766 | ||
035 | _a(ATU)b10213545 | ||
035 | _a(DLC) 99013425 | ||
035 | _a(OCoLC)40723647 | ||
040 | _aDLC | ||
042 | _apcc | ||
050 | 0 | 0 |
_aGV1588.3. _bF54 2000 |
082 | 0 | _a792.8 | |
100 | 1 |
_aFleming, Bruce. _91020014 |
|
245 | 1 | 0 |
_aSex, art, and audience : _bdance essays / _cBruce E. Fleming. |
246 | 3 | 0 | _aDance essays |
264 | 1 |
_aNew York : _bP. Lang, _c2000. |
|
300 |
_axi, 316 p. ; _c23 cm. |
||
490 | 1 |
_aNew studies in aesthetics ; _vvol. 30. |
|
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tIntroduction -- _gI. _tDo Real Men Watch Dance? -- _tA Parade on Worden Field -- _tDo Real Men Watch Dance? -- _tTwo to Tango -- _tSomething for Everyone to Dislike -- _tYouth, Old Age, and Tom Cruise -- _tThe Trouble with Giselle -- _tBad Applause -- _tHopping Mad -- _tDanspleen -- _tA Reader Writes -- _tThe Reek of the Human -- _tConfessions of an Apollonian Male -- _tYes, but IS IT ART? -- _tDocent Spiders -- _tNotes and Queries -- _gII. _tModern Masters -- _tTaylor at the American Dance Festival -- _tToward a Theory of Taylor -- _tKeats, Taylor, and the National Gallery of Scotland -- _tFranceDanse: Oui Merci -- _tBalanchine at Opryland -- _tGuilty Pleasures -- _tLove in a Cold Climate -- _tPetipa's Prodigal Son -- _tLooking Backward -- _tSpring Triumphant -- _tThoroughly Modernist Merce -- _tTalking Merce -- _tOpen and Closed Forms -- _gIII. _tBillboards and More -- _tHeadpieces and Codpieces -- _tClothes Make the Piece -- _tState of Darkness -- _tIn Utter Darkness -- _tAn Experiment in Appalachia -- _tIn Praise of "Interesting" -- _tWaiting for the Millennium -- _tTweedledum and Tweedledee -- _tBetween the Movements -- _tThe Problem with Improv -- _tBlurring Boundaries -- _tBillboards and More -- _gIV. _tLooking Out -- _tCritical Imperatives in World Dance -- _tAngel's Gate -- _tRitual Resurgent -- _tHulahula -- _tA Conversation in Conakry -- _tCross-Culturalism Revisited -- _gV. _tSpirit and Letter -- _tA Conference in Copenhagen -- _tBournonville in His Surround -- _tToward a Theory of Dance History -- _tLes Ballets Suedois -- _tArt and Archeology -- _tDance Ink Photographs -- _tWriting Dancing -- _tBody Peircing -- _tMarie Antoinette and the Joffrey Ballet -- _tText and Transmission: A Summing-Up -- _tEducating the Eye -- _tIndex. |
650 | 0 |
_aDance _xPhilosophy _9762136 |
|
650 | 0 |
_aMovement, Aesthetics of _9321100 |
|
650 | 0 |
_aModern dance _9353498 |
|
650 | 0 |
_aSex in dance _9323948 |
|
830 | 0 |
_aNew studies in aesthetics ; _vv. 30. _91020016 |
|
907 |
_a.b10213545 _b03-10-17 _c27-10-15 |
||
942 | _cB | ||
945 |
_a792.8 FLE _g1 _iA251093B _j0 _lcmain _o- _p$73.45 _q- _r- _s- _t0 _u8 _v0 _w0 _x0 _y.i1052177x _z28-10-15 |
||
998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnyu _h0 |
||
999 |
_c1111257 _d1111257 |