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|---|---|---|---|
| 005 | 20221109173116.0 | ||
| 008 | 020312s2002 nyu 001 0 eng | ||
| 010 | _a 2002024618 | ||
| 020 | _a0826458513 (pbk.) | ||
| 020 | _a0826458505 (hardback) | ||
| 035 | _a(ATU)b10164297 | ||
| 035 | _a(DLC) 2002024618 | ||
| 035 | _a(OCoLC)49352033 | ||
| 040 | _aDLC | ||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aNX180.S6 _bT46 2002 |
| 082 | 0 | _a700.103 | |
| 245 | 0 | 4 |
_aThe Third text reader : _bart, culture, and theory / _cedited by Ziauddin Sardar, Rasheed Araeen, and Sean Cubitt. |
| 263 | _a0206. | ||
| 264 | 1 |
_aNew York : _bContinuum, _c2002. |
|
| 300 |
_aviii, 392p. : _bill. |
||
| 500 | _aIncludes index. | ||
| 505 | 0 | 0 |
_tIn the Beginning: Third Text and the Politics of Art / _rSean Cubitt -- _tHistory -- _tIntroduction / _rZiauddin Sardar. _tContemporary Cultural Practice: Some Polemical Categories / _rGeeta Kapur. _tThe Latin American Origins of 'Alternative Modernism' / _rDavid Craven. _tReverse Appropriation as Nationalism in Modern African Art / _rOlu Oguibe. _tDisplaying Authenticity and Progress / _rJohan Lagae. _tColonial/Postcolonial Intersections / _rZeynep Celik. _tWhose Heritage? Un-settling 'The Heritage', Re-imagining the Post-Nation / _rStuart Hall -- _tRepresentation -- _tIntroduction / _rAnnie E. Coombes. _tDiscovering the European Wild Men / _rRoger Bartra. _t'Cowboys and ...' / _rJimmie Durham. _tEthnicity and Internationality: New British Art and Diaspora-based Blackness / _rKobena Mercer. _tArt as Ethnocide: The Case of Australia / _rAnne-Marie Willis and Tony Fry -- _tIdentity -- _tIntroduction / _rJorella Andrews. _tIdentity: Reality or Fiction? / _rSebastian Lopez. _tIdentity and Myth Today / _rTicio Escobar. _tThe Voice of a Palestinian in Exile / _rEdward Said. _tThe Others: Beyond the 'Salvage' Paradigm / _rJames Clifford. _tRestless Hybrids / _rNikas Papastergiadis -- _tFilm -- _tIntroduction / _rMerryl Wyn Davies. _tDancing with Words and Speaking with Forked Tongues / _rJean Fisher. _tWalt Disney and the Double Victimization of Pocahontas / _rZiauddin Sardar. _tDirecting the Real: Orapronobis against Philippine Totalitarianism / _rJonathan L. Beller. _tThe Critical Practice and Dialectics of Third Cinema / _rMichael Wayne -- _tPost Theory -- _tIntroduction / _rJorella Andrews. _tQueries for Postcolonial Studies / _rIhab Hassan. _tSigns of Our Time: Discussion of Homi Bhabha's The Location of Culture / _rBenita Parry. _tThe Failure of Postmodernity: How Africa Misunderstood the West / _rDenis Ekpo. _tThe Marco Polo Syndrome / _rGerardo Mosquera -- _tGlobalization -- _tIntroduction / _rJulian Stallabrass. _tScene and Obscene / _rZygmunt Bauman. _tThe 'New Asian Museum' in the Age of Globalization / _rRustom Bharucha. _tCybersublime: Representing the Unrepresentable in Digital Art and Politics / _rJohn Byrne. _tAgainst the Double Blackmail / _rSlavoj Zizek. _tObscene from Any Angle / _rGeorge Ritzer -- _tA New Beginning: Beyond Postcolonial Cultural Theory and Identity Politics / _rRasheed Araeen. |
| 650 | 0 |
_aArts and society _9314176 |
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| 650 | 0 |
_aArts _xPolitical aspects _9774775 |
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| 650 | 0 |
_aArt, Developing country _y20th century _9771014 |
|
| 650 | 0 |
_aMulticulturalism in art _9372338 |
|
| 700 | 1 |
_aSardar, Ziauddin. _9227104 |
|
| 700 | 1 |
_aAraeen, Rasheed. _91039431 |
|
| 700 | 1 |
_aCubitt, Sean, _d1953- _9390836 |
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| 907 |
_a.b10164297 _b03-10-17 _c27-10-15 |
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