| 000 | 01609cam a2200313 a 4500 | ||
|---|---|---|---|
| 005 | 20221101185026.0 | ||
| 008 | 930602s1991 nyu 000 0 eng d | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 | _a0932499686 | ||
| 035 | _a(ATU)b10148693 | ||
| 035 | _a(OCoLC)28194505 | ||
| 040 | _aOCoLC | ||
| 050 | 4 |
_aN6512. _bH18 1991 |
|
| 082 | 0 | _a759.13 | |
| 100 | 1 |
_aHalley, Peter. _91038455 |
|
| 245 | 1 | 0 |
_aPeter Halley : _bcollected essays, 1981-1987. |
| 246 | 3 | _aCollected essays, 1981-1987 | |
| 264 | 1 |
_aNew York : _bSonnabend Gallery ; _aVenice, Calif. : _bDistributed by Lapis Press, _c1991. |
|
| 300 |
_a203 p. : _bill. ; _c18 cm. |
||
| 500 | _aReprint of 1st ed.: Zürich : Bruno Bischofberger Gallery, 1988. | ||
| 505 | 0 | _aBeat, minimalism, new wave and Robert Smithson -- Notes on the paintings -- Statement (1983) -- Against postmodernism: reconsidering Ortega -- Ross Bleckner: painting at the end of history -- Nature and culture -- The crisis in geometry -- After art -- The frozen land -- The deployment of the geometric (1984) -- Notes on nostalgia -- Frank Stella and the simulacrum -- On line -- Essence and model (1986) -- Response to Barnett Newman's "The sublime is now" -- Notes on abstraction. | |
| 600 | 1 | 0 |
_aHalley, Peter. _91038455 |
| 650 | 0 |
_aArt, American _xThemes, motives _9691828 |
|
| 650 | 0 |
_aArt, American _y20th century _xThemes, motives. |
|
| 907 |
_a.b10148693 _b28-09-17 _c27-10-15 |
||
| 942 | _cB | ||
| 945 |
_a759.13 HAL _g1 _iA249242B _j0 _lcmain _o- _p$33.75 _q- _r- _s- _t0 _u22 _v0 _w0 _x0 _y.i10372118 _z28-10-15 |
||
| 998 |
_a(4)b _a(4)c _b06-04-16 _cm _da _feng _gnyu _h0 |
||
| 999 |
_c1107823 _d1107823 |
||