000 | 03233cam a2200433 i 4500 | ||
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005 | 20221101184228.0 | ||
008 | 000808s2000 enka e b 100 0deng d | ||
010 | _a 2001339625 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1860205771 _qpbk. |
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020 |
_a9781860205774 _qpbk. |
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035 | _a(ATU)b10116643 | ||
035 | _a(DLC) 2001339625 | ||
035 | _a(OCoLC)47126906 | ||
040 |
_aDLC _beng _erda _dATU |
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042 | _alccopycat | ||
050 | 0 | 0 |
_aPN1995.9.D6 _bF76 2000 |
082 | 0 | _a070.18 | |
245 | 0 | 0 |
_aFrom Grierson to the docu-soap : _bbreaking the boundaries / _cedited by John Izod and Richard Kilborn with Matthew Hibberd. |
264 | 1 |
_aLuton, Bedfordshire, UK : _bUniversity of Luton Press, _c[2000] |
|
264 | 4 | _c©2000 | |
300 |
_avi, 234 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aPapers (some revised) first presented at a conference held Jan., 1999 at the University of Stirling. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_gPt. I. _tGrierson's Legacy. _tGrierson in Canada: The peak of his creative career? / _rIan Lockerbie. _tStanley Hawes: A 'Grierson man' in Australia / _rIna Bertand. _tCrossing the cattle drive: Grierson and Australia / _rDeane Williams. _tJohn Grierson in South Africa: Misunderstanding apartheid / _rKeyan G. Tomaselli. _tPoru Ruta: Paul Rotha and the politics of translation / _rAbe Mark Nornes. _tGermaine Dulac and French documentary film-making in the 1930s / _rSian Reynolds. _tGrierson and the public relations industry in Britain / _rJacquie L'Etang -- _gPt. II. _tThe Changing Culture of British Television. _tBreaking the boundaries / _rJohn Willis. _tTrailing documentaries / _rPeter Meech. _tThe docu-soap: A critical assessment / _rRichard Kilborn. _tKeeping track of the locals: Governance, television and the community / _rGareth Palmer. _tFearful and safe: Audience response to British reality programming / _rAnnette Hill. _t'You either believe it or you don't: ...': Television documentary and pseudo-science / _rVincent Campbell. _tAccess, authorship and voice: The emergence of community programming at the BBC / _rSylvia Harvey. _tThrough the eyes of the Video Nation / _rMandy Rose. _tTowards defining the digital documentary / _rBrent MacGregor and Roddy Simpson. _tDisclaimers, denials and direct address: Captioning in docudrama / _rDerek Paget. _tMaking connections: The European Convention on Human Rights, the Independent Television Commission and the documentary / _rBrian Winston. _tDocumentary and the public sphere / _rMichael Chanan. |
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aGrierson, John, _d1898-1972 _xCriticism and interpretation _vCongresses. |
650 | 0 |
_aDocumentary films _xHistory and criticism _vCongresses _9581063 |
|
700 | 1 |
_aIzod, John, _d1940- _eeditor. _9246507 |
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700 | 1 |
_aKilborn, R. W., _eeditor. _9235601 |
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700 | 1 |
_aHibberd, Matthew, _eeditor. _91036375 |
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907 |
_a.b10116643 _b03-10-17 _c27-10-15 |
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