TY  - BOOK
AU  - Graw,Isabelle
AU  - Lajer-Burcharth,Ewa
TI  - Painting beyond itself: the medium in the post-medium condition 
SN  - 3956790073
AV  - ND50 .P225 2016
U1  - 759 23
PY  - 2016///]
CY  - Berlin
PB  - Sternberg Press
KW  - Painting
KW  - History
N1  - "Based on a conference at Harvard University in 2013"--Page 4 of cover; Includes bibliographical references; Marking, scoring, storing, and speculating (on time); David Joselit --; Scenes of instruction; Ewa Lajer-Burcharth --; Beyond, beyond! Two years after the conference; Jutta Koether --; Modern color : a new paradigm; Jacqueline Lichtenstein --; The value of liveliness : painting as an index of agency in the new economy; Isabelle Graw --; On color; Amy Sillman --; Welcome to the second day; Isabelle Graw --; Painting photography painting : timelines and medium specificities; Carol Armstrong --; Rehearsing in/with media : some remarks on the relationship between dance, film and painting; Sabeth Buchmann --; Thread, pixel, grain; Matt Saunders --; Body and soul : about the practice of painting in France (1660-1770); René Démoris --; A nude in the neo-avant-garde Ema (Nude on a staircase), 1966; Benjamin H.D. Buchloh --; Notes on painting; Julie Mehretu
N2  - "In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book--based on a conference at Harvard University in 2013--focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation"--Publisher's description
ER  -