TY  - BOOK
AU  - Tagg,John
TI  - The disciplinary frame: photographic truths and the capture of meaning 
SN  - 0816642885
AV  - TR183 .T344 2009
U1  - 779 23
PY  - 2009///]
CY  - Minneapolis
PB  - University of Minnesota Press
KW  - Photography
KW  - Philosophy
KW  - History
N1  - Includes bibliographical references (pages 265-377) and index; The one-eyed man and the one-armed man: camera, culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of the documentary moment -- The pencil of history : photography, history, archive -- A discourse with shape of reason missing: art history and the frame
N2  - How do photographs gain their meaning and power? John Tagg claims that, to answer this question, we must look at the ways in which everything that frames photography - the discourse that surrounds it and the institutions that circulate it - determines what counts as truth
ER  -