The Oxford handbook of musical repatriation /
Musical repatriation
edited by Frank Gunderson, Robert C. Lancefield, Bret Woods.
- lvi, 774 pages : illustrations ; 26 cm.
- Oxford handbooks series .
- Oxford handbooks. .
Includes bibliographical references and index.
Pathways toward open dialogues about sonic heritage : an introduction to the Oxford handbook of musical repatriation / Musical traces' retraceable paths : the repatriation of recorded sound / Reflections on reconnections : when human and archival modes of memory meet / Music archives and repatriation : digital return of Hugh Tracey's "Chemirocha" recordings in Kenya / Rethinking repatriation and curation in Newfoundland : archives, angst, and opportunity / Repatriating the Alan Lomax Haitian recordings in post-quake Haiti / "Where dead people walk" : fifty years of archives to Q'eros, Peru / Audiovisual archives : bridging past and future / Archives, repatriation, and the challenges ahead / Returning voices : repatriation as shared listening experiences / "Boulders, fighting on the plain" : a World War I-era song repatriated and remembered in western Tanzania / "We want our voices back" : ethical dilemmas in the repatriation of recordings / Sharing John Blacking : recontextualizing children's music and reimagining musical instruments in the repatriation of a historical collection / Autism doesn't speak, people do : musical thinking, chat messaging, and autistic repatriation / Musical repatriation as method / Teachers as agents of the repatriation of music and cultural heritage / "Each in our own village" : creating sustainable interactions between custodian communities and archives / Radio Afghanistan archive project : averting repatriation, building capacity / Bringing Radio Haiti home : the digital archive as devoir de mémoire / Bali 1928 music recordings and 1930s films : strategies for cultural repatriation / Cinematic journeys to the source : musical repatriation to Africa in film / "Pour préserver la mémoire" : Algerian shaʹbī musicians as repatriated subjects and agents of repatriation / Repatriating an Egyptian modernity : transcriptions and the rise of Coptic women's song activism / Memory, trauma, and the politics of repatriating Bikindi's music in the aftermath of the Rwandan genocide / New folk music as attempted repatriation in Romania / The politics of repatriating Civil War brass music / Radio archives and the art of persuasion / The banning of Samoa's repatriated mau songs / Bells in the cultural soundscape : Nazi-era plunder, repatriation, and campanology / Digital repatriation : copyright policies, fair use, and ethics / Mountain highs, valley lows : institutional archiving of gospel music in the twenty-first century / "The songs are alive" : bringing Frances Densmore's recordings back home to Ojibwe country / Moving songs : repatriating audiovisual recordings of aboriginal Australian dance and song (Kimberley Region, Northwestern Australia) / After the archive : an archaeology of Bosnian voices / Reclaiming ownership of the indigenous voice : the Hopi music repatriation project / Yolngu music, indigenous "knowledge centres," and the emergence of archives as contact zones / Traditional re-appropriation : modes of access and digitization in Irish traditional music / Claiming Ka Mate : Maori cultural property and the nation's stake / Repatriation and decolonization : thoughts on ownership, access, and control / Frank Gunderson and Bret Woods -- Robert C. Lancefield -- Daniel B. Reed -- Diane Thram -- Beverley Diamond and Janice Esther Tulk -- Gage Averill -- Holly Wissler -- Judith Gray -- Anthony Seeger -- Brian Diettrich -- Frank Gunderson -- Grace Koch -- Andrea Emberly and Jennifer C. Post -- Michael B. Bakan -- Michael Iyanaga -- Patricia Shehan Campbell and J. Christopher Roberts -- Catherine Ingram -- Hiromi Lorraine Sakata, Laurel Sercombe, and John Vallier -- Craig Breaden and Laura Wagner -- Edward Herbst -- Lisa Osunleti Beckley-Roberts -- Christopher Orr -- Carolyn M. Ramzy -- Jason McCoy -- Maurice Mengel -- Elizabeth Whittenburg Ozment -- Carlos Odria -- Richard Moyle -- Carla Shapreau -- Alex Perullo -- Birgitta J. Johnson -- Lyz Jaakola and Timothy B. Powell -- Sally Treloyn, Matthew Dembal Martin, and Rona Goonginda Charles -- Peter McMurray -- Trevor Reed -- Peter G. Toner -- Bret Woods -- Lauren E. Sweetman and Kirsten Zemke -- Robin R.R. Gray.
"The Oxford Handbook of Musical Repatriation is an edited volume comprising thirty-eight chapters from contributors working in regions all over the world. This collection highlights studies exploring sonic repatriation in its broadest sense in the twentieth and twenty-first centuries. “Sonic” or “musical” repatriation refers primarily to the return of audiovisual archival materials to the communities from which they were initially recorded or collected. Repatriation is overtly guided by an ethical mandate to “return,” providing reconnection and Indigenous control and access to cultural materials—but as the chapters in this collection reveal, there are more dimensions to repatriation than can be described by simply “giving back” or returning archives to their “homelands.""--Publisher's website.
0190659807 9780190659806
2018037868
Music--Repatriation. Sound recordings in ethnomusicology.