TY  - BOOK
AU  - Alberro,Alexander
AU  - Stimson,Blake
TI  - Institutional critique: an anthology of artists' writings 
SN  - 0262516640
U1  - 708.001 22
PY  - 2011///
CY  - Cambridge, Mass., London
PB  - MIT Press
KW  - Institutional Critique (Art movement)
KW  - Artists' writings
KW  - Art and society
N1  - Originally published: 2009; Includes bibliographical references; Institutions, Critique, and Institutional Critique; Alexander Alberro --; What Was Institutional Critique?; Blake Stimson --; An Introduction to the General Theory of Place (1966); Wieslaw Borowski, Hanna Ptaszkowska, Mariusz Tchorek --; Statement (1967); Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni --; Where Art Thou, Sweet Muse? (I'm Hung Up at the Whitney) (1967); Allan Kaprow --; What Is a Museum? A Dialogue (1967); Allan Kaprow, Robert Smithson --; New Commitment (1968); Groupe de Recherche d'Art Visuel --; Demystifying Art (1968); Julio Le Parc --; Project for the Experimental Art Series (1968); Eduardo Favario --; Project for the Experimental Art Series (1968); Graciela Carnevale --; We Must Always Resist the Lures of Complicity (1968); Osvaldo Mateo Boglione, Aldo Bortolotti, et al. --; A Conversation with Freddy de Vree, 1969 (1969); Marcel Broodthaers --; A Call for the Immediate Resignation of All of the Rockefellers from the Board of Trustees of the Museum of Modern Art (1969); Guerrilla Art Action Group --; Statement of Demands (1969); Art Workers' Coalition --; Art Workers' Coalition Open Hearing Presentation (1969); Gregory Battcock --; Art Workers' Coalition Open Hearing Statement (1969); Jean Toche --; Communique (1969); Guerrilla Art Action Group --; The Function of the Museum (1970); Daniel Buren --; The Function of the Studio (1971); Daniel Buren --; Provisional Remarks (1971); Hans Haacke --; Project: Inside/Outside the Museum (1971); Lea Lublin --; A Conversation with Freddy de Vree, 1971 (1971); Marcel Broodthaers --; Musee d'Art Moderne, Departement des Aigles (1972); Marcel Broodthaers --; Cultural Confinement (1972); Robert Smithson --; Manifesto for Maintenance Art 1969! Proposal for an Exhibition "CARE'" (1969); Mierle Laderman Ukeles --; September 21-October 12, 1974, Claire Copley Gallery, Inc., Los Angeles, California (1974); Michael Asher --; The Constituency (1976); Hans Haacke --; The Agent (1977); Hans Haacke --; On Practice (1975); Mel Ramsden --; Lookers, Buyers, Dealers, and Makers: Thoughts on Audience (1979); Martha Rosler --; Caution! Alternative Space! (1982); Group Material --; Statement (1983); Group Material --; Some Thoughts on the Political Character of This Situation (1983); Adrian Piper --; Power Relations within Existing Art Institutions (1983); Adrian Piper --; Museums, Managers of Consciousness (1984); Hans Haacke --; In and Out of Place (1985); Andrea Fraser --; Why Third Text? (1987); Rasheed Araeen --; Enlarged from the Catalogue: The Art of Precolumbian Gold, The Jan Mitchell Collection (1990); Silvia Kolbowski --; An Artist's Statement (1992); Andrea Fraser --; Constructing the Spectacle of Culture in Museums (1992); Ivan Karp, Fred Wilson --; A Conversation with Martha Buskirk (1994); Fred Wilson --; Symbolic Capital Management, or What to Do with the Good, the True, and the Beautiful (1997); Hans Haacke --; The Museum as Muse- Asher Reflects (1999); Michael Asher, Stephan Pascher --; Untitled (1999); Mark Dion --; Maria Eichhorn Public Limited Company (2002); Maria Eichhorn --; Who's Afraid of JK? (2005); John Knight, Benjamin H.D. Buchloh, Isabelle Graw --; From the Critique of Institutions to an Institution of Critique (2005); Andrea Fraser --; 10 Items of the Covenant (1983); Laibach --; Tactical Media (1996); Critical Art Ensemble --; Tactics Inside and Out (2004); Gregg Bordowitz --; Resymbolizing Machines: Art after Oyvind Fahlstrom (2004); Bureau D'Études --; From the Object to the Concrete Intervention (2005); Wochen Klausur --; Engaging Ambivalence: Interventions in Engineering Culture (2005); Institute for Applied Autonomy --; Jude Finisterra Interviewed (2004); The Yes Men --; The Institution of Critique (2006); Hito Steyerl
N2  - This title is an anthology of writings & projects by artists from across Europe & the Americas who have developed & expanded the genre of institutional critique. This is an artistic practice that reflects critically on its own housing in galleries & museums & on the concept & social function of art itself
ER  -