TY  - BOOK
AU  - Manghani,Sunil
TI  - Images: critical and primary sources 
SN  - 0857850849
U1  - 306.47 23
PY  - 2013///]
CY  - London
PB  - Bloomsbury
KW  - Arts and society
KW  - Graphic arts
N1  - Includes bibliographical references; Volume One; Understanding Images --; Part One; Image Studies --; What is an Image?; W.J.T. Mitchell --; Image, Medium, Body; Hans Belting --; The Domain of Images; James Elkins --; Bildwissenschaft; Horst Bredekamp --; Role of the Spectator; Jacques Aumont --; Images, Not Signs; Régis Debray --; Part Two; Defining Images --; Classical Greek Origins of Western Aesthetic Theory; John T. Kirby --; The Philosophical Imaginary; Michèle Le Doeuff --; The Simile of the Cave; Plato --; The Origins of Imitation; Aristotle --; Optics; René Descartes --; Of Ideas; John Locke --; Representation and Imagination; Immanuel Kant --; Images, Bodies and Consciousness; Henri Bergson --; Modernizing Vision; Jonathan Crary --; Part Three; Image and Ideology --; Iconoclash; Bruno Latour --; Idolatry and Iconoclasm; David Freedberg --; Image and Icon; Marie-José Mondzain --; The Precession of Simulacra; Jean Baudrillard --; Ideology, Imagology and Critical Thought; Jon Simons --; Making Metapictures Political; Sunil Manghani --; What do Pictures Really Want?; W.J.T. Mitchell --; Volume Two; The Pictorial Turn --; Part One; Image Philosophy --; Thinking as Picturing; Judith Genova --; The Pictorial Turn; W.J.T. Mitchell --; Pictorial Versus Iconic Turn; Gottfried Boehm and W.J.T. Mitchell --; Do Pictures Really Want to Live?; Jacques Rancière --; Reality Remade; Nelson Goodman --; The Information Available in Pictures; James J. Gibson --; New Perspective; Nelson Goodman --; Misreading with Nelson Goodman; James Elkins --; Part Two; Text & Image --; The Images of Pictures and Words; Rudolf Armheim --; Divide and Narrate: the Icon-Symbol Tension in Seurat; Wendy Steiner --; Readerly Visuality; Ellen J. Esrock --; Rene Magritte's 'Les mots et les images'; Lisa K. Lipinski --; The Absent Image; Gary Shapiro --; The Convention of Captioning and W.G. Sebald; Elizabeth Chaplin --; Part Three; Image as Thought --; A Plea for Visual Thinking; Rudolf Arnheim --; Perceptual Metaphor; Donald Brook --; Picturing Vision; Joel Snyder --; How to 'See' With the Whole Body; Joyce Brodsky --; Body Images; Antonio Damasio --; Thought-Images; Sigrid Weigel --; Volume Three; Image Theory --; Part One; Art Theory --; The End of Image Theory; Otto Pacht --; The Arrested Image and the Moving Eye; E.H. Gombrich --; Crossing Frontiers; Philippe-Alain Michaud --; Part Two; Beyond Semiotics --; The Third Meaning; Roland Barthes --; Semiotics and Art History; Mieke Bal and Norman Bryson --; Nonsemiotic Elements in Pictures; James Elkins --; Part Three; Psychoanalysis --; The Gaze; Jacques Lacan --; Woman as Image (Man as Bearer of the Look); Laura Mulvey --; Cindy Sherman's Untitled Film Stills; Joan Copjec --; The Gaze in the Expanded Field; Norman Bryson --; Part Four; Phenomenology --; Eye and Mind; Maurice Merleau-Ponty --; Imagination; Mikel Dufrenne --; Part Five; Between Mediums; Diarmuid Costello --Visual and audiovisual: From Image to Moving Image; Sean Cubitt --; Leaving the Movie Theater; Roland Barthes --; Site-seeing; Giuliana Bruno --; The Sequence-Image; Victor Burgin --; Digital-Facial-Image: Affect as Medium; Mark Hansen --; Volume Four; Image Cultures --; Part One; Visual Culture --; Cultural Relativism and the Visual Turn; Martin Jay --; Symbol, Idol and Murti; Gregory Price Grieve --; Photo-Sharing; Susan Murray --; Part Two; Image and Memory --; Involuntary Memory; Marcel Proust --; Ways of Remembering; John Berger --; Notes on Myth, Memory and Technology; Justin Lorentzen --; The Image of 'Accidental Napalm'; Robert Hariman and John Louis --; Bearing Personal Witness; Barbie Zelizer --; Obama and Image; Susan Buck-Morss --; Part Three; Visual Evidence --; Visible Materials; Jon Wagner --; Talking about pictures: a case for photo elicitation; Douglas Harper --; The Prosthetic Eye; Christopher Pinney --; Law In the Age of Images; Richard K. Sherwin --; Part Four; Science Imaging --; A History of Scientific Imagery; Alexis Smets and Christoph Lüthy --; Visual Abstraction and Anatomy; Tricia Daly and Philip Bell --; Images Scatter into Data, Data Gather into Images; Peter Galison --; Sensible Models in Cognitive Neuroscience; Arthur Piper --; Thoughts Not Our Own; Barbara Maria Stafford --; Scientific Visualism; Don Ihde --; The Neurology of the Platonic Ideal; Semir Zeki --; Part Five; Making Images --; Writing Hypnagogia; Peter Schwenger --; Two Kinds of Attention; Anton Ehrenzweig --; Citizen Hamilton; Hal Foster --; Photographic Being; Yve Lomax
N2  - "Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image. Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture."--Publisher's website
ER  -