TY  - BOOK
AU  - Bayley,Amanda
TI  - Recorded music: performance, culture and technology 
SN  - 0521863090
AV  - ML3916 .R43 2010
U1  - 781.49 22
PY  - 2010///
CY  - Cambridge, U.K., New York
PB  - Cambridge University Press
KW  - Sound recordings
KW  - Social aspects
KW  - Music
KW  - Sound recordings in musicology
KW  - Production and direction
N1  - Discography: p. [353]-357; Includes bibliographical references (pages 333-352) and index; The rise and rise of phonomusicology / Stephen Cottrell -- Illusion and aura in the classical audio recording / Peter Johnson -- Ethical and cultural issues in the digital era / Andrew Blake -- The changing functions of music recordings and listening practices / Adam Krims -- Producing performance / James Barrett -- Modi operandi in the making of 'world music' recordings / John Baily -- Recording and the Rattle phenomenon / David Patmore -- Jazz recordings and the capturing of performance / Peter Elsdon -- Jazz recordings as social texts / Catherine Tackley -- Recordings as research tools in ethnomusicology / Jonathan P.J. Stock -- Multiple takes : using recordings to document creative process / Amanda Bayley -- The phonographic voice : paralinguistic features and phonographic staging in popular music singing / Serge Lacasse -- The track / Allan Moore -- From sound to music, from recording to theory / John Dack -- Modes of appropriation : covers, remixes and mash-ups in contemporary popular music / Virgil Moorefield -- Painting the sonic canvas : electronic mediation as musical style / Albin Zak III -- Epilogue : recording technology in the twenty-first century / Tony Gibbs
N2  - "Research in the area of recorded music is becoming increasingly diverse. Contributions from a variety of fields, including music performance, composition and production, cultural studies and philosophy, are drawn together here, for the contrasting perspectives they bring to a range of music genres. Discourses in jazz, ethnomusicology and popular music - whose histories and practices have evolved principally from recordings - are presented alongside those of Western classical music, where analysis of recordings is a relatively recent development. Different methodologies have evolved in each of these subdisciplines where recordings have been contextualised variously as tools, texts, or processes, reflective of social practices. This book promotes the sharing of such differences of approach. Attitudes of performers are considered alongside developments in technology, changing listening practices, and social contexts, to explore the ways in which recordings influence the study of music performance and the nature of musical experience."--BOOK JACKET
UR  - http://catdir.loc.gov/catdir/enhancements/fy1001/2009039349-b.html
ER  -