TY  - BOOK
AU  - Jones,Amelia
TI  - The feminism and visual culture reader
T2  - In sight. Visual culture
SN  - 041554369X
AV  - N72.F45 F46 2010
U1  - 305.42 22
PY  - 2010///]
CY  - London
PB  - Routledge
KW  - Feminism and art
KW  - Feminism
N1  - Previous ed.: London: Routledge, 2002; Includes bibliographical references and index; pt. 1. Provocations; Fear and loathing in New York : revisiting an impolite anecdote about the interface of homophobia and misogyny; Jennifer Doyle --; Negotiating feminisms in contemporary Asian women's art; Lisa E. Bloom --; One way or another : Black feminist visual theory; Judith Wilson --; Next bodies : with a difference; Faith Wilding --; Hermstory; Del LaGrace Volcano --; Feminist curating and the "return" of feminist art; Connie Butler, Amelia Jones, Maura Reilly --; pt. 2. Representation; Ways of seeing; John Berger --; Female imagery; Judy Chicago, Miriam Schapiro --; Visual pleasure, narrative cinema; Laura Mulvey --; Textual strategies : the politics of art-making; Judith Barry, Sandy Flitterman-Lewis --; Film and the masquerade : theorizing the female spectator; Mary Ann Doane --; Desiring images/imaging desire; Mary Kelly --; Screening the Seventies : sexuality and representation in feminist practice : a Brechtian perspective; Griselda Pollock --; The oppositional gaze : Black female spectators; Bell Hooks --; Broken symmetries : memory, sight, love; Peggy Phelan --; Feminist theory and the politics of art; Elizabeth Grosz --; Introduction from touch : sensuous theory and multisensory media; Laura U. Marks --; The transgender look; Judith Halberstam --; pt. 3. Differences; Lesbian artists; Harmony Hammond --; The straight mind; Monique Wittig --; Black bodies, white bodies : toward an iconography of female sexuality in late nineteenth-century art, medicine, and literature; Sander L. Gilman --; The colonial harem : images of a suberoticism; Malek Alloula --; Difference : "a special third world women issue"; Trinh T. Minh-ha --; Olympia's maid : reclaiming Black female subjectivity; Lorraine O'Grady --; A posttranssexual manifesto; Sandy Stone --; The other history of intercultural performance; Coco Fusco --; "The white to be angry" : Vaginal Creme Davis's terrorist drag; José Esteban Muñoz --; Droits de regards/right of inspection; Amy Villarejo --; pt. 4. Histories; Why have there been no great women artists?; Linda Nochlin --; Feminism and film : critical approaches; Camera Obscura Collective --; The triple negation of colored women artists; Adrian Piper --; Patrilineage; Mira Senor --; In search of a discourse and critique(s) that center the art of Black women artists; Freida High (Wasikhongo Tesfagiorgis) --; Introduction, once upon a time--; Catriona Moore --; The knowledge of the body and the presence of history : toward a feminist architecture; Deborah Fausch --; Gossip as testimony : a postmodern signature; Irit Rogoff --; The ballerina's phallic pointe; Susan Leigh Foster --; Renaming untitled flesh : marking the politics of marginality; Meiling Cheng --; The social and the poetic : feminist practices in architecture, 1970-2000; Patricia Morton --; Researching cultures and the omitted footnote : questions on the practice of feminist art history; Angela Dimitrakaki --; Global feminisms : five essays from Global feminisms : new directions in contemporary art, ed. Maura Reilly and Linda Nochlin (London : Merrell, 2007; Geeta Kapur ... [et al.] --; pt. 5. Readings/interventions; Hateful contraries : media images of Asian women; Pratibha Parmar --; The search for tomorrow in today's soap operas; Tania Modleski --; Feminist media strategies for political performance; Suzanne Lacy, Leslie Labowitz --; Introduction and conclusion to The guerrilla girls' bedside companion to the history of western art; The Guerrilla Girls --; You make me feel (mighty real) : Sandra Bernhard's whiteface; Anne Pellegrini --; Reflections on a yellow eye : Asian i(eye)cons and cosmetic surgery; Kathleen Zane --; Introduction to color of rape : gender and race in television's public spheres; Sujata Moorti --; Visibility, violence and voice? : attitudes to veiling post-11 September; Alison Donnell --; Insides, outsides : trauma, affect, and art; Jill Bennett --; Their memory is playing tricks on her : notes toward a calligraphy of rage; Catherine Lord --; pt. 6. Bodies; Making up : role-playing and transformation in women's art; Lucy Lippard --; Pornography; Andrea Dworkin --; Performative acts and gender constitution : an essay in phenomenology and feminist theory; Judith Butler --; Toward a butch-femme aesthetic; Sue-Ellen Case --; Fetishism and hard core : Marx, Freud, and the "money shot"; Linda Williams --; Theorizing the female nude; Lynda Nead --; The secret's eye; Rebecca Schneider --; Breadcrumbs in the forest : three meditations on being lost in space; Vivian Sobchack -- Living a body myth, performing a body reality : reclaiming the corporeality and sexuality of the Indian female dancer; Royonaa Mitra --; Disidentification in the center of power : the porn performer and director Belladonna as a contrasexual culture producer (a letter to Beatriz Preciado); Tim Stuettgen --; pt. 7. Technologies; A cyborg manifesto : science, technology, and socialist-feminism in the late twentieth century; Donna Haraway --; Virtual bodies and flickering signifiers; N. Katherine Hayles --; To touch the other : a story of corpo-electronic surfaces; Christine Ross --; The virtual body in cyberspace; Anne Balsamo --; Postcolonial media theory; Maria Fernández --; Feminisations : reflections on women and virtual reality; Sadie Plant --; Cyberfeminist manifesto; VNS Matrix --; Cyberfeminism with a difference; Rosi Braidotti --; The appended subject : race and identity as digital assemblage; Jennifer González --; My womb, the mosh pit; Sharon Lehner --; Race in/for cyberspace : identity tourism and racial passing on the internet; Lisa Nakamura --; Screening the gene : Hollywood cinema and the genetic imaginary; Jackie Stacey
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