TY - BOOK AU - Wittman,Richard TI - Architecture, print culture, and the public sphere in eighteenth-century France T2 - Classical tradition in architecture SN - 9780415774635 AV - NA2599.5 .W58 2007 U1 - 720.944/09033 22 PY - 2007/// CY - New York PB - Routledge KW - Architectural criticism KW - France KW - History KW - 18th century KW - Architecture KW - Paris KW - Public opinion KW - Architecture and society KW - Classicism in architecture N1 - Includes bibliographical references and index; Pt. I; The Academy and the public --; 1; A network for debate --; 2; The aestheticizing discourse of print --; 3; Architecture and civic ideals --; Pt. II; Architecture, politics, and public life --; 4; The city as critical allegory --; 5; The debate on the Place Louis XV and the Louvre --; Pt. III; The impact of public debate --; 6; Marigny's program --; 7; A public for architecture --; 8; A new paradigm for publicity --; Pt. IV; The crisis of architectural representation --; 9; Sainte-Genevieve and the unraveling of a tradition --; 10; Politics and monuments under Louis XVI --; 11; Private interest and the rhetoric of public good --; 12; The disrepute of architecture --; Conclusion: the image of unity N2 - "Architecture, Print Culture, and the Public Sphere in Eighteenth-Century France focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution." "Presenting both a fresh theoretical orientation and a large body of new primary research, this book otters a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the cast facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon]. With these investigations, Wittman also reflects upon how the transformation of the public sphere altered the human relation to architecture, and to space in general, by privileging a virtual rather than embodied experience of publicness."--BOOK JACKET ER -