TY  - BOOK
AU  - Greenhalgh,Paul
TI  - The persistence of craft: the applied arts today 
SN  - 0813532647
AV  - NK789 .P467 2003
U1  - 745.5 23
PY  - 2003///
CY  - New Brunswick, N.J.
PB  - Rutgers University Press
KW  - Handicraft
KW  - Great Britain
KW  - History
KW  - 20th century
KW  - Art
KW  - Arts and crafts movement
KW  - Decorative arts
N1  - Originally published: London : A & C Black, 2002; Includes bibliographical references (pages 209-215) and index; Ch. 1; Introduction: Craft in a Changing World; Paul Greenhalgh --; Ch. 2; The Genre; Paul Greenhalgh --; Ch. 3; Studio Craft and Craftical Formation; Kaneko Kenji --; Ch. 4; Art Manufactuerers of the 21st Century; Karen Livingstone --; Ch. 5; Re-inventing the Wheel - The Origins of Studio Pottery; Julian Stair --; Ch. 6; Creating Lasting Values; Gareth Williams --; Ch. 7; Glassmaking and the Evolution of the Craft Process; Keith Cummings --; Ch. 8; Major Themes in Contemporary Ceramic Art; Ronald Kuchta --; Ch. 9; Site Specific Metalwork: An Architectural Dialogue; Albert Paley --; Ch. 10; Studio Jewellery: Mapping the Absent Body; Linda Sandino --; Ch. 11; Poor Materials Imaginatively Applied: New Approaches to Furniture; Joellen Secondo --; Ch. 12; The Transformation of Textile Art: A Japanese Case Study; Yoko Imai --; Ch. 13; Neo-Tradition: A Nordic Case Study; Widar Halen --; Ch. 14; Plurality and Necessity: An Antipodean Case Study; Janet Mansfield --; Ch. 15; Shared Territory and Contested Spaces: An Anthropological Perspective; Carole E. Mayer --; Ch. 16; Intellectual Colonialism: Post-war Avant-garde Jewellery; Simon Fraser --; Ch. 17; Altogether Elsewhere: The Figuring of Ethnicity; Edmund de Waal --; Ch. 18; Complexity; Paul Greenhalgh
ER  -