TY  - BOOK
AU  - McDonough,Tom
TI  - Guy Debord and the situationist international: texts and documents 
T2  - An October book
SN  - 0262633000 (pbk.) :
U1  - 303.484 22
PY  - 2004///
CY  - Cambridge, Mass., London
PB  - MIT
KW  - Debord, Guy,
KW  - Internationale situationniste
KW  - Radicalism
KW  - Art, Modern
KW  - 20th century
N1  - Originally published: 2002; Introduction: Ideology and the Situations Utopia --; The Long Walk of the Situationist International --; The Great Sleep and Its Clients (1955) --; One Step Back (1957) --; Report on the Construction of Situations and on the Terms of Organization and Action of the International Situationist Tendency (1957) --; One More Try If You Want to Be Situationists (The SI in and against Decomposition) (1957) --; Theses on Cultural Revolution (1958) --; Contribution to the Debate "Is Surrealism Dead or Alive?" (1958) --; In Praise of Pinot-Gallizio (1958) --; Extracts from Letters to the Situationist International (1958) --; Editorial Notes: Absence and Its Costumers (1958) --; Editorial Notes: The Meaning of Decay in Art (1959) --; A Different City for a Different Life (1959) --; Editorial Notes: Critique of Urbanism (1961) --; Editorial Notes: Once Again, on Decomposition (1961) --; Comments against Urbanism (1961) --; Editorial Notes: Priority Communication (1962) --; Editorial Notes: The Avant-Garde of Presence (1963) --; Editorial Notes: All the King's Men (1963) --; The Situationists and the New Forms of Action in Politics or Art (1963) --; Perspectives for a Generation (1966) --; Captive Words - (Preface to a Situationist Dictionary) (1966) --; The Situationists and the New Forms of Action against Politics and Art (1967) --; The Practice of Theory: Cinema and Revolution (1969) --; Asger Jorn's Avant-Garde Archives --; Architecture and Play --; Situationist Space --; Lefebvre on the Situationists: An Interview --; Angels of Purity --; Difference and Repetition: On Guy Debord's Films --; Dismantling the Spectacle: The Cinema of Guy Debord --; Spectacle, Attention, Counter-Memory --; Why Art Can't Kill the Situationist International --; Letter and Response
ER  -