TY  - BOOK
AU  - Pipes,Alan
TI  - Introduction to design
SN  - 0131841068
AV  - N7425 .P56 2004
U1  - 745.4 23
PY  - 2004///
CY  - Upper Saddle River, NJ
PB  - Prentice Hall
KW  - Art
KW  - Design
KW  - Technique
KW  - Art appreciation
N1  - Includes bibliographical references (pages 262-264) and index; Preface --; Part 1; Elements --; 1; Points and Lines --; Introduction --; Points --; Types of Line --; Line Direction --; Box-De Stijl: Netherlands, 1917-32 --; Box-Constructivism: Russia, 1919-34 --; Line Quality --; Lines and Outlines-Describing Shapes --; Box-Pop Art: England and America, 1950-70s --; Contours, Wireframes, and Freeform Gesture --; Lines as Value-Cross-Hatching and Screening --; Imaginary Lines-Lost and Found Edges --; Box-Plakastil: Germany, 1900-21 --; Exercises --; 2; Shape --; Introduction --; Geometric and Rectilinear Shapes --; Curvilinear and Biomorphic Shapes --; Box-Art Nouveau: France, Worldwide 1890-1914 --; Abstract and Non-representational Shapes --; Box-Cubism: France, 1907-14 --; Text and Type --; Positive and Negative Shapes --; Distortion and Idealism --; Box-The Renaissance: Italy, 14th to 16th Century --; Exercises --; 3; Texture --; Introduction --; Tactile Texture --; Collage --; Box-Dada: Germany and Paris, 1916-22 --; Visual Texture --; Trompe L'oeil --; Pattern --; Exercises --; 4; Space-Creating the Illusion of Depth --; Introduction --; Space-Shallow and Deep --; Size Cues --; Linear Perspective --; One-Point Perspective --; Two-Point Perspective --; Three-Point Perspective --; Amplified and Aerial Perspective --; Metric Projections --; Box-Modernism: Worldwide, 1890-1970 --; Open and Closed Compositions --; Spatial Confusion --; Exercises --; 5; Time and Motion --; Introduction --; Box-Kinetic Art --; Anticipated Motion --; Repeated Figures --; Multiple Images --; Box-Futurism: Italy, 1909-16 --; Motion Blur --; Box-Abstract Expressionism: America, 1940s-60s --; Exercises --; 6; Value --; Introduction --; Patterns of Value --; Chiaroscuro-Light and Shade --; Digital Shading and Lighting --; Exercises --; 7; Color --; Introduction --; Box-Impressionism: France, 1867-86 --; What Is Color? --; Color Characteristics --; Color Theory-Wheels, Triangles, and Trees --; Box-Bauhaus: Germany, 1919-33 --; Color Through the Ages --; Color Printing, Computers, and the Web --; Color Interactions --; Box-Pointillism: France, 1883-1900 --; Color Schemes --; Using Color --; Warm and cool --; Emphasis --; Box-The Pre-Raphaelites: Britain, 1848-60 --; Visual balance --; Space and depth --; Box-Fauvism: France, 1905-08 --; Value --; The Meaning of Color --; Exercises --; Part 2; Rules --; 8; Unity and Harmony --; Introduction --; Thematic Unity --; Gestalt and Visual Unity --; The Grid --; Achieving Unity --; Exercises --; 9; Balance --; Introduction --; Formal and Informal Balance --; Symmetrical and Asymmetrical Balance --; Balance by Shape and Texture --; Balance by Value and Color --; Balance by Position and Eye Direction --; Radial Balance --; Crystallographic Balance --; Exercises --; 10; Scale and Proportion --; Introduction --; Human Scale --; Contrast and Confusion --; Box-Surrealism: France, 1924-39 --; Ideal Proportion --; Exercises --; 11; Contrast and Emphasis --; Introduction --; Contrast by Value and Color --; Isolation --; Placement --; Absence of Focal Point --; Exercises --; 12; Rhythm --; Introduction --; Rhythm and Motion --; Alternating and Progressive Rhythm --; Box-Art Deco: Worldwide, 1920-39 --; Rhythmic Sensation --; Exercises
ER  -