TY  - BOOK
AU  - Bloustien,Gerry
TI  - Girl making: a cross-cultural ethnography on the processes of growing up female 
SN  - 1571814256
AV  - HQ798 .B615 2003
U1  - 305.235 21
PY  - 2003///
CY  - New York
PB  - Berghahn Books
KW  - Teenage girls
KW  - Attitudes
KW  - Cross-cultural studies
KW  - Social conditions
N1  - Includes bibliographical references and index; Ceci n'est pas une jeune fille -- Camera power -- My body, myself -- Whose private space? -- (Public) space invaders -- Learning to play it "cool" -- "Music is in my soul" -- Global girl making : 10 + 6 -- --; Introduction: Ceci n'est pas une jeune fille --; Ch. 1; Camera Power --; Ch. 2; My Body, Myself --; Ch. 3; Whose Private Space? --; Ch. 4; (Public) Space Invaders --; Ch. 5; Learning to Play It "Cool" --; Ch. 6; "Music is in My Soul" --; Ch. 7; Global Girl Making: 10+6
N2  - "Through the innovative methodology of asking them to record their experiences on videotape, this book offers an evocative and fascinating cross-cultural exploration into the everyday lives of a number of teenage girls from their own broad social, cultural and ethnic perspectives. The use of the video camera by the girls themselves reveals their exploration and experimentation with possible identities, highlighting their awareness that the self is not ready made but rather one constituted in the process of continuous performance. The result is an active self-conscious exploration of the continuous 'art' of self-making. Through their play, the teenagers are shown to strategically test out various possibilities, while keeping such explorations within the bounds of what is acceptable and permissible in their own micro cultural worlds." "The resulting material challenges previous findings in those feminist and youth anthropological studies based on too narrow a concept of class, ethnicity or populist approaches to culture. Rejecting the still prevalent notion of resistance, this study reveals instead that the girls' activities are more about accommodation to the constraining givens of social life, stretching these to discover their possibilities while simultaneously working hard to remain within their parameters of safety and reassurance. In this conceptual framework popular music and other global cultural texts emerge to gain a new significance within their local settings."--Jacket; "Through the innovative methodology of asking them to record their experiences on videotape, this book offers an evocative and fascinating cross-cultural exploration into the everyday lives of a number of teenage girls from their own broad social, cultural and ethnic perspectives. The use of the video camera by the girls themselves reveals their exploration and experimentation with possible identities, highlighting their awareness that the self is not ready made but rather one constituted in the process of continuous performance. The result is an active self-conscious exploration of the continuous 'art' of self-making. Through their play, the teenagers are shown to strategically test out various possibilities, while keeping such explorations within the bounds of what is acceptable and permissible in their own micro cultural worlds." "The resulting material challenges previous findings in those feminist and youth anthropological studies based on too narrow a concept of class, ethnicity or populist approaches to culture. Rejecting the still prevalent notion of resistance, this study reveals instead that the girls' activities are more about accommodation to the constraining givens of social life, stretching these to discover their possibilities while simultaneously working hard to remain within their parameters of safety and reassurance. In this conceptual framework popular music and other global cultural texts emerge to gain a new significance within their local settings."--BOOK JACKET
ER  -