First person : new media as story, performance, and game /
1st person
edited by Noah Wardrip-Fruin and Pat Harrigan ; designed by Michael Crumpton.
- xiii, 331 pages : illustrations ; 23 cm
Includes bibliographical references and index.
From Game-Story to Cyberdrama / Response / Online Response / Can There Be a Form between a Game and a Story? / Response / Online Response / A Preliminary Poetics for Interactive Drama and Games / Response / Online Response / Towards Computer Game Studies / Response / Note Regarding Richard Schechner's Response -- Genre Trouble: Narrativism and the Art of Simulation / Response / Online Response / From Work to Play: Molecular Culture in the Time of Deadly Games / Response / Online Response: Playing with Play / Representation, Enaction, and the Ethics of Simulation / Response / Online Response / Videogames of the Oppressed: Critical Thinking, Education, Tolerance, and Other Trivial Issues / Response / Online Response / Schizophrenia and Narrative in Artificial Agents / Response: Methods and Madness / Online Response / Game Design as Narrative Architecture / Response / Online Response / Introduction to Game Time / Response / Online Response / Towards a Game Theory of Game / Response / Online Response: "And Back Again" / Narrative, Interactivity, Play, and Games: Four Naughty Concepts in Need of Discipline / Response / Online Response: Unruly Games / Card Shark and Thespis: Exotic Tools for Hypertext Narrative / Response / Online Response / Moving Through Me as I Move: A Paradigm for Interaction / Response / Online Response / The Pleasures of Immersion and Interaction: Schemas, Scripts, and the Fifth Business / Response / Online Response / Literal Art: Neither Lines nor Pixels but Letters / Response / Online Response / Unusual Positions - Embodied Interaction with Symbolic Spaces / Response / Online Response / Interactive Text and Recombinant Poetics - Media-Element Field Explorations / Response / Online Response / What Does a Very Large-Scale Conversation Look Like? / Response / Online Response / Community of People with No Time: Collaboration Shifts / Response / If Things Can Talk, What Do They Say? If We Can Talk to Things, What Do We Say? Using Voice Chips and Speech Recognition Chips to Explore Structures of Participation in Sociotechnical Scripts / Response: Talking Things / Online Response / Metaphoric Networks in Lexia to Perplexia / Response / Online Response / How I Was Played by Online Caroline / Response / Online Response / Interactive Fiction as "Story," "Game," "Storygame," "Novel," "World," "Literature," "Puzzle," "Problem," "Riddle," and "Machine" / Response / Online Response / Janet Murray -- Bryan Loyall -- Espen Aarseth -- Ken Perlin -- Will Wright -- Victoria Vesna -- Michael Mateas -- Brenda Laurel -- Gonzalo Frasca -- Markku Eskelinen -- J. Yellowlees Douglas -- Espen Aarseth -- Chris Crawford -- Stuart Moulthrop -- Stuart Moulthrop -- Diane Gromala -- John Cayley -- Simon Penny -- Eugene Thacker -- N. Katherine Hayles -- Gonzalo Frasca -- Mizuko Ito -- Eric Zimmerman -- Phoebe Sengers -- Lucy Suchman -- Michael Mateas -- Henry Jenkins -- Jon McKenzie -- Markku Eskelinen -- Jesper Juul -- Mizuko Ito -- Celia Pearce -- Celia Pearce -- Mary Flanagan -- Mark Bernstein -- Eric Zimmerman -- Chris Crawford -- Jesper Juul -- Mark Bernstein and Diane Greco -- Andrew Stern -- Ken Perlin -- Stephanie Strickland -- Rita Raley -- Camille Utterback -- J. Yellowlees Douglas and Andrew Hargadon -- Richard Schechner -- Henry Jenkins -- John Cayley -- Johanna Drucker -- Nick Montfort -- Camille Utterback -- Matt Gorbet -- Adrianne Wortzel -- Bill Seaman -- Diane Gromala -- Jill Walker -- Warren Sack -- Rebecca Ross -- Phoebe Sengers -- Victoria Vesna -- Stephanie Strickland -- Natalie Jeremijenko -- Lucy Suchman -- Simon Penny -- N. Katherine Hayles -- Eugene Thacker -- Bill Seaman -- Jill Walker -- Adrianne Wortzel -- Warren Sack -- Nick Montfort -- Brenda Laurel -- Janet Murray.