TY  - BOOK
AU  - Hight,Eleanor M.
AU  - Sampson,Gary D.
TI  - Colonialist photography: imag(in)ing race and place 
T2  - Documenting the image
SN  - 0415274958
U1  - 779.93253 21
PY  - 2002///
CY  - London
PB  - Routledge
KW  - Imperialism in art
KW  - Photography
KW  - Europe
KW  - History
KW  - United States
N1  - Includes bibliographical references and index; 1; Introduction: Photography, "race", and post-colonial theory; Eleanor M. Hight and Gary D. Sampson --; 2; Laying ghosts to rest; Brenda L. Croft --; 3; Rewriting the Nubian figure in the photograph: Maxime Du Camp's "cultural hypochondria"; Julia Ballerini --; 4; "A pure labor of love": A publishing history of The People of India; John Falconer --; 5; Unmasking the colonial picturesque: Samuel Bourne's photographs of Barrackpore Park; Gary D. Sampson --; 6; Picturing alterity: Representational strategies in Victorian Type photographs of Ottoman men; Ayshe Erdogdu --; 7; The many lives of Beato's "beauties"; Eleanor M. Hight --; 8; Colonial collecting: French women and Algerian cartes postales; Rebecca J. Deroo --; 9; Photography and the emergence of the Pacific cruise: Rethinking the representational crisis in colonial photography; Michael Hayes --; 10; Advertising paradise: Hawai'i in art, anthropology, and commercial photography; Patricia Johnston --; 11; Capturing race: Anthropology and photography in German and Austrian prisoner-of-war camps during World War I; Andrew D. Evans --; 12; Germaine Krull and L'Amitie noire: World War II and French colonialist film; Kim Sichel --; 13; "A better place to live": Government agency photography and the transformations of the Puerto Rican Jibaro; Oscar E. Vazquez
ER  -