Colonialist photography :  imag(in)ing race and place / 
edited by Eleanor M. Hight and Gary D. Sampson. 
 - xiv, 328 pages :  illustrations, portraits ;  25 cm. 
 - Documenting the image .
 - Documenting the image. .
<br/><br/>Includes bibliographical references and index. 
<br/><br/> Introduction: Photography, "race", and post-colonial theory /  Laying ghosts to rest /  Rewriting the Nubian figure in the photograph: Maxime Du Camp's "cultural hypochondria" /  "A pure labor of love": A publishing history of The People of India /  Unmasking the colonial picturesque: Samuel Bourne's photographs of Barrackpore Park /  Picturing alterity: Representational strategies in Victorian Type photographs of Ottoman men /  The many lives of Beato's "beauties" /  Colonial collecting: French women and Algerian cartes postales /  Photography and the emergence of the Pacific cruise: Rethinking the representational crisis in colonial photography /  Advertising paradise: Hawai'i in art, anthropology, and commercial photography /  Capturing race: Anthropology and photography in German and Austrian prisoner-of-war camps during World War I /  Germaine Krull and L'Amitie noire: World War II and French colonialist film /  "A better place to live": Government agency photography and the transformations of the Puerto Rican Jibaro /  Eleanor M. Hight and Gary D. Sampson --  Brenda L. Croft --  Julia Ballerini --  John Falconer --  Gary D. Sampson --  Ayshe Erdogdu --  Eleanor M. Hight --  Rebecca J. Deroo --  Michael Hayes --  Patricia Johnston --  Andrew D. Evans --  Kim Sichel --  Oscar E. Vazquez.  1.  2.  3.  4.  5.  6.  7.  8.  9.  10.  11.  12.  13. 
<br/><br/><label>ISBN: </label>0415274958 9780415274951 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Imperialism in art<br/>Photography--History--Europe<br/>Photography--History--United States
<br/><br/><label>Dewey Class. No.: </label>779.93253