TY  - BOOK
AU  - Wurzer,Wilhelm S.
TI  - Panorama: philosophies of the visible 
T2  - Textures
SN  - 0826460038:
U1  - 111.85 21
PY  - 2002///
CY  - New York, London
PB  - Continuum
KW  - Arts
KW  - Philosophy
KW  - Motion pictures and the arts
N1  - General Introduction : Between the Visible and the Expressive: An In-visible Exchange; Wilhelm S. Wurzer --; 1; Rephrasing the Visible and the Expressive: Lyotard's "Defense of the Eye" from Figure to Inarticulate Phrase; Anne Tomiche --; 2; Visibility, "Bild," and "Einbildungskraft": Derrida, Barthes, Levinas; Ludwig Nagl --; 3; Puncturing Genres: Barthes and Derrida on the Limits of Representation; Dana Hollander --; 4; Blanchot's Gaze and Orpheus's Singing: Seeing and Listening in Poetic Inspiration; Alessandro Carrera --; 5; Foucault and the Disappearance of the Visible Subject; Reginald Lilly --; 6; Frames of Visibility: Si(gh)ting the Monstrous; Robert Burch --; 7; Francis Bacon, the Philosopher's Painter, and the Logic of Sensation; Zsuzsa Baross --; 8; Bataille's Erotic Displacement of Vision: Attempts at a Feminist Reading; Ladelle McWhorter --; 9; Luce Irigaray's Specular Mother: Lips in the Mirror; Lynne Huffer --; 10; Expressionist Towers of Babel in Weimar Film and Architecture; Janet Lungstrum --; 11; Rewiring the Oedipal Scene: Image and Discursivity in Wim Wender's Journey Until the End of the World; Volker Kaiser and Robert S. Leventhal --; 12; Imagism and the Ends of Vision: Pound and Salomon; Lisa Zucker --; 13; Mediums of Freedom in Photogrammic Frames: Some Exposures of Bound Transcendence; James R. Watson --; Epilogue: The Paradox of Philosophy's Gaze; Wilhelm S. Wurzer
ER  -