TY  - BOOK
AU  - Benson,Timothy O.
AU  - Forgács,Éva
ED  - Los Angeles County Museum
TI  - Between worlds: a sourcebook of Central European avant-gardes, 1910-1930 
SN  - 0262025302
AV  - N6758 .B48 2002
U1  - 709.4309041 21
PY  - 2002///]
CY  - Los Angeles, Calif., Cambridge, Mass.
PB  - Los Angeles County Museum of Art, MIT Press
KW  - Avant-garde (Aesthetics)
KW  - Europe, Central
KW  - History
KW  - 20th century
KW  - Sources
KW  - Art, Central European
KW  - Art, European
KW  - Exhibitions
N1  - "Published in conjunction with the exhibition 'Central European avant-gardes : exchange and transformation, 1910-1930'"--T.p. verso; Includes bibliographical references; Section 1. Art as the crucible of past and future. Chapter 1. National traditions ; chapter 2. New alternatives -- section 2. Art and social change. chapter 3. The activation of the avant-garde ; chapter 4. Art and revolution ; chapter 5. Form as the agent of social change -- section 3. Internationalism. chapter 6. International dada ; chapter 7. International constructivism in Germany and Austria ; chapter 8. International Constructivism in central Europe -- section 4. The twilight of ideologies. chapter 9. Hungarians in Exile ; chapter 10. Bauhaus resonances ; chapter 11. Poland ; chapter 12. Praque ; chapter 13. Amsterdam and Stuttgart ; chapter 14. Bucharest ; chapter 15. Germany -- --; Introduction; Timothy O. Benson and Eva Forgacs --; Ch. 1; National Traditions; Quousque Tandem; Carl Vinnen; The Historical Development of Modern Art; Wilhelm Worringer; The Czechness of our Art; Milos Jiranek; Josef Manes Exhibition at the Topic Salon; Bohumil Kubista; Wyspianski as a Painter-Poet (Personal Impressions); Juliusz Kaden-Bandrowski; Excerpts from Jan Matejko; Stanislaw Witkiewicz; On the Artist's Calling and the Tasks of Art; Jacek Malczewski; Wyspianskis's Stained Glass Windows at the Wawel Cathedral; Wlodzimierz Zulawski; Excerpt from Hungarian Art; Lajos Fulep; Exhibition Committee of University Youth (Belgrade), Invitation Letter (1904) --; Ch. 2; New Alternatives; Honore Daumier: A Few Notes and His Work; Emil Filla; The Prism and the Pyramid; Pavel Janak; Surface and Space; Otto Gutfreund; On the Virtue of Neo-Primitivism; Emil Filla; Introduction to the second Skupina exhibition catalogue; Vaclav Vilem Stech; The Intellectual Basis of Modern Time; Bohumil Kubista; Fragments of correspondence; Josef Capek; The Beauty of Modern Visual Form; Josef Capek; The Spirit of Change in Visual Art; Vlastislav Hofman; Excerpt from Cubism; Vincenc Kramar; Forms and the Soul; Gyorgy Lukacs; Investigative Art; Karoly Kernstok; The Ways Have Parted; Gyorgy Lukacs; The Role of the Artist in Society; Karoly Kernstok; Fragment from "Light the Torches"; Ion Minulescu; The Exhibit of Painting and Drawing: Derain, Forain, Galanis, Iser; N. D. Cocea; Fragment from Tinerimea artistica exhibition catalogue; Theodor Cornel; New Guidelines in Art; Theodor Cornel; Statement; Editors of Insula; Warning; Ion Vinea --; Ch. 3; The Activation of the Avant-Garde; The Possessed; Franz Pfemfert; Listen!; Ludwig Rubiner; The Futurists; Bela Balazs; Futurism: New Possibilities in Art and Life; Dezso Szabo; To Accompany Carlo D. Carra's Painting Anarchist Funeral; Lajos Kassak; Program; Lajos Kassak; Advertisement; Editors of Ma; The Poster and The New Painting; Lajos Kassak; For the Comprehensive Ma Exhibition; Lajos Kassak; Lajos Tihanyi; Gyorgy Boloni; Janos Mattis-Teutsch; Ivan Hevesy; Onward on Our Way; Lajos Kassak; The Galimbertis; Bela Uitz; To the Holy Rebel; Jerzy Hulewicz; Notes; Stanislaw Kubicki; On Expressionism; Zbigniew Pronaszko; Expressionism (Fragments from a Lecture); Jankiel Adler; The Struggle for A New Form; Henryk Berlewi; Overcoming Art; El Lissitzky; To the Polish Nation: A Manifesto Concerning the Immediate Futurization of Life; Bruno Jasienski; Manifesto Concerning Futurist Poetry; Bruno Jasienski; A Nife in the Stomak: Futurist Speshal Ishew 2; Bruno Jasienski; And Yet!; Stanislav K. Neumann; The Obstinates and Friends; Vaclav Nebesky --; Ch. 4; Art and Revolution; Manifesto; The November Group; Program of the Bauhaus in Weimar; Walter Gropius; Manifesto; Work Council for Art; On the First Exhibition of Bauhaus Student Work; Walter Gropius; Proclamation for the Communist Republic!; The Artists of Ma; Proclamation for Art!; Lajos Kassak; Soviet Hungary since March 21; Georg Kulka; Art of the Revolution - Or Art of the Party?; Arpad Szelpal; Excerpts from "Activism"; Lajos Kassak; We Need a Dictatorship!; Bela Uitz; Mass Culture, Mass Art; Ivan Hevesy; Letter to Bela Kun in the Name Of Art; Lajos Kassak; Letter; Lajos Tihanyi --; Ch. 5; Form as the Agent of Social Change; Statement; The Devetsil Association of Artists; Defeatism in Art; Vaclav Nebesky; Excerpts from New Form in Painting and the Misunderstanding Arising Therefrom; Stanislaw Ignacy Witkiewicz; On Deformation in Pictures; Stanislaw Ignacy Witkiewicz; Excerpt from "About Multiplicity of Reality in Art"; Leon Chwistek; On Green Eye and his Painting; Tytus Czyzewski; Aesthetic Sketches; Stanislaw Ignacy Witkiewicz; Point of Departure; Tadeusz Peiper; City Mass Machine; Tadeusz Peiper; Notes on Russian Art; Wladyslaw Strzeminski; The Reaction of the Environment; Mieczyslaw Szczuka; The Zenithist Manifesto; Ljubomir Micic, Ivan Goll and Bosko Tokin; Manifesto; Branko Ve Poljanski; Man and Art; Ljubomir Micic; Excerpts from "The Spirit of Zenithism"; Ljubomir Micic; Expressionism is Dying; Ivan Goll --; Ch. 6; International Dada; Dada Manifesto; Tristan Tzara; What is Dadaism and What Does it Want in Germany?; Raoul Hausmann, Richard Huelsenbeck and Jelim Golyscheff; The Black Tomcat; Janos Macza; Green-Headed Man; Sandor Barta; The First Gathering of the Mad in a Garbage Bin; Sandor Barta; Manifesto; Odon Palasovszky and Ivan Hevesy; Green Donkey Pantomime; Sandor Bortnyik; Manifesto (Festo-Mani); Stanislaw Ignacy Witkiewicz; Selections from Dada-Nyet; Branko Ve Poljanski; Dadaism; Dragan Aleksic; Kurt Schwitters Dada; Dragan Aleksic; Tatlin: HPs + Man; Dragan Aleksic; Zenith Express; Branko Ve Poljanski; Dada; Roman Jakobson; The Modern Art Bazaar; Jaroslav Jira; Picture; Jindrich Styrsky; Painting and Poetry; Karel-Teige; Creative Dada; Bedrich Vaclavek; Excerpts from "Dadaism"; Frantisek Halas; Excerpts from "Dada"; Karel Teige --; Ch. 7; International Constructivism in Germany and Austria; Congress of International Progressive Artists: A Short Review of the Proceedings; Editors of De Stijl; Manifesto of the Commune; Stanislaw Kubicki; [et al.]; Second Manifesto of the Commune; Stanislaw Kubicki; [et al.]; The International Exhibition in Dusseldorf; Henryk Berlewi; The Stand Taken by the Vienna Ma Group toward the First Dusseldorf Congress of Progressive Artists; Lajos Kassak; [et al.]; International Constructivist Creative Union; Theo van Doesburg; [et al.]; The Exhibition of Russian Artists; Paul Westheim; On the Russian Exhibition; Adolf Behne; The Russian Exhibit in Berlin; Lajos Kassak; The Russian Exhibition in Berlin; Erno Kallai; Notes To the Russian Artist Exhibition in Berlin; Alfred-Kemeny; Through the Russian Exhibition in Berlin; Branko Ve Poljanski; To the Artists of All Nations!; Lajos Kassak; The Provisional International Moscow Bureau of Creative-Artist Questions to the Hungarian Activists and the Hungarian Activists Reply; Moholy-Nagy; Erno Kallai; Lajos Kassak; Erno Kallai; Picture Architecture; Lajos Kassak; The Great Festival in Moscow; Bela Uitz; Constructivism; Erno Kallai; Correction (to the Attention of De Stijl); Erno Kallai; Manifesto; Erno Kallai; [et al.]; On the New Theatrical Art; Lajos Kassak; The Electro-Mechanical Show; El Lissitzky; Theater as an Artistic Phenomenon; Herwarth Walden; The Hungarian Activist Movement; Endre Gaspar; Production-Reproduction; Laszlo Moholy-Nagy; KURI Manifesto; Farkas Molnar; Bauhaus Manifesto; Oskar Schlemmer; Film Sketch Dynamics of a Metropolis; Laszlo Moholy-Nagy; Life at the Bauhaus; Farkas Molnar; Film at the Bauhaus: a Rejoinder; Laszlo Moholy-Nagy; Herwarth Walden; Erno Kallai; A Call for Elementarist Art; Raoul Hausmann, Hans Arp and Ivan Puni; [et al.]; Statement from Der Sturm catalogue; Janos Mattis-Teutsch; Dynamic-Constructive System of Forces; Laszlo Moholy-Nagy and Alfred Kemeny; Aims of the Pre Theater; Raoul Hausmann and Laszlo Peri; The Arts Abroad; Henryk Berlewi; Constructivist Art and Peri's Spatial Constructions; Alfred Kemeny; Second Presentist Declaration - Addressed to the International Constructivists; Viking-Eggeling and Raoul Hausmann; The Dynamic Principle of Cosmic Construction, as Related to the Functional Significance of Constructive Design; Alfred Kemeny; Abstract Design from Suprematism to the Present; Alfred Kemeny; Prague; Hans Richter; Toward Constructivism; Hans Richter; Photography in Reverse; Tristan Tzara; Concrete Light; Nikolaus Braun --; Ch. 8; International Constructivism in Central Europe; Mechano-facture; Henryk Berlewi; Editorial-Statement; Editors of Blok --; Untitled statements on Suprematism and painting; Henryk Stazewski; Theses on New Art; Wladislaw Strzeminski; At Attempt to Explain the Misunderstandings Related to the Public's Attitude to New Art; Mieczyslaw Szczuka; What Constructivism Is; Editors of Blok; B=2; Wladyslaw Strzeminski; Photomontage; Mieczyslaw Szczuka; On Abstract Art; Henryk Stazewski; Shimmy at the Latin Quarter Graveyard; Ljubomir Micic; A Categorical Imperative of the Zenithist School of Poetry; Ljubomir Micic; Barbarogenius; Ljubomir Micic; The New Art; Ljubomir Micic; Zenithosophy: Or the Energetics of Creative Zenithism; Ljubomic Micic; Barbarism as Culture; Risto Ratkovic; Toward the Documentation of the European Cultural Crisis: Five Years of Zenithism; Tivadar Raitn; Upside Down; Branko Ve Poljanski; Beyond-Sense Poetry; Ljubomic Micic; Zenithism through the Prism of Marxism; Ljubomir Micic; Notes on Painting; Marcel Janco; Art Notes; Marcel Janco; Victor Brauner; Ilarie Voronca; Aviograma; Ilarie Voronca; Untitled statement; Ilarie Voronca; Pictopoetry; Victor Brauner and Ilarie Voronca; Assessments; Ilarie Voronca; The Contimporanul Exhibition (Notes); Scarlat Callimachi; The First Contimporanul International Exhibition; Tudor Vianu; Marcel Janco; Ilarie Voronca; Visual Chrona-metering; M. H. Maxy; Conversations with Lucian Blaga; Felix Aderca; Grammar; Ilarie Voronca; Voices; Ilarie Voronca; The International Exhibition Organized by the Magazine Contimporanul; Oscar Walter Cisek; Man; Editors of Integral; Surrealism and Integralism; Ilarie Voronca; From Futurism to Integralism; Mihail Cosma; Black Art; Corneliu Michailescu; Note about Sculpture; Militsa Petrascu; Initiation in the Mysteries of an Exhibition: The Sensational Pronouncements of Militsa Petrascu and Marcel Janco; G. C. Jacques; Cubism; Marcel Janco; Coloring; Marcel Janco; Urmuz; Geo Bogza; Greetings!; Avgust Cernigoj; Marij Kogoj's Black Masks; Mirko Polic; Theater Co-op; Ferdinand Delak; Tank Manifesto; Avgust Cernigoj; The Constructivist Group in Trieste; Avgust Cernigoj; Poetism; Karel Teige; Constructivism and the Liquidation of Art; Karel Teige; Artificialism; Jindrich Styrsky and Toyen; The Poet (Lecture Given on the Occasion of an Exhibition Opening); Jindrich Styrsky and Toyen; Excerpts from "Poetism Manitesto"; Karel Teige; Ultraviolet Paintings, or, Artificialism (Notes on the Paintings of Styrsky and Toyen); Karel Teige --; Ch. 9; Hungarians in Exile; Back to the Workbench; Lajos Kassak; Architecture; Erno Kallai; The Twilight of Ideologies; Erno Kallai; Excerpt from New Painting in Hungary; Erno Kallai; Advertisements; Lajos Kassak; Letter to Erich Buchholz; Laszlo Moholy-Nagy --; Ch. 10; Bauhaus Resonances; At the Bauhaus; Tadeusz Peiper; Ten Years of the Bauhaus; Karel Teige; Excerpts from "Ten Years of Bauhaus"; Erno Kallai --; Ch. 11; Poland; The Contemporary Style; Henryk Stazewski; Rules of the S.I. Witkiewicz Portrait-Painting Firm; Stanislaw Ignacy Witkiewicz; Unism in Painting; Wladyslaw Strzeminski; Sculpture and Solid; Katarzyna Kobro; Plastic Art as the Summary of Culture Life; Henryk Stazewski; Communique of the a.r. Group; Wladyslaw Strzeminski; [et al.]; Excerpts from Composition of Space: Calculations of Space-Time Rhythm; Katarzyna Kobro and Wladyslaw Strzeminski; Malevich in Poland; Tadeusz Peiper; Funeral of Suprematism; Mieczyslaw Szczuka; Art and Reality; Mieczyslaw Szczuka --; Ch. 12; Prague; Introduction to the Fronta Almanac; Editors of Fronta; The Generation's Corner; Jindrich Styrsky; Founding Manifesto; The Left Front --; Ch. 13; Amsterdam and Stuttgart; Photography Unparalleled; Laszlo Moholy-Nagy; Painting and Photography; Erno Kallai; Debate on Erno Kallai's Article Painting and Photography; Willi Baumeister; [et al.]; Reply; Erno Kallai; Letter to Laszlo Moholy-Nagy; Kazimir Malevich; Vanguard Skirmish' in Stuttgart; Andor Kraszna-Krausz; Photography - The Pictorial Art of the Present Day; Ludwig Neundorter; Opening of the Werkbund Exhibition Film and Photo; Anonymous; Form, Photo and Film; W. Riezler --; Ch. 14; Bucharest; Reflections of Cubism; Marcel Janco; Fragments from "A Contribution to Our History of Modernism: What A Young Painter Tells Us"; Ionel Jianu; Manifesto; Sasa Pana; M. H. Maxy; Ilaire Voronca; Victor Brauner; Ilarie Voronca; Marinetti; Ion Vinea and Marcel Janco; F. T. Marinetti; Ilarie Voronca; Our Own Futurism; Marcel Janco; The Rehabilitation of the Dream; Geo Bogza --; Ch. 15; Germany; Ten Years of the November Group; Erno Kallai; Art and the General Public; Erno Kallai; Vision and the Law of Form; Erno Kallai; Theo van Doesburg; Walter Dexel; Politics of Art in the Third Reich; Erno Kallai
ER  -