TY  - BOOK
AU  - Jones,Amelia
TI  - The feminism and visual culture reader
T2  - In sight : visual culture
SN  - 0415267056
U1  - 305.42 21
PY  - 2003///
CY  - London
PB  - Routledge
KW  - Feminism
KW  - Feminism and the arts
KW  - Visual communication
KW  - Popular culture
N1  - Includes bibliographical references and index; Introduction: Conceiving the Intersection of Feminism and Visual Culture; Amelia Jones --; Pt. 1; Provocations --; Introduction to Part One; Amelia Jones --; 1; Feminist Viewing: Viewing Feminism; Rosemary Betterton --; 2; Fear and Loathing in New York: An Impolite Anecdote about the Interface of Homophobia and Misogyny; Jennifer Doyle --; 3; Creating Transnational Women's Art Networks; Lisa Bloom --; 4; One Way or Another: Black Feminist Visual Theory; Judith Wilson --; 5; Next Bodies; Faith Wilding --; 6; The Unbearable Lightness of Sight; Meiling Cheng --; Pt. 2; Representation --; Introduction to Part Two; Amelia Jones --; 7; From Ways of Seeing; John Berger --; 8; Female Imagery; Judy Chicago and Miriam Schapiro --; 9; Visual Pleasure and Narrative Cinema; Laura Mulvey --; 10; Textual Strategies: The Politics of Art-Making; Judith Barry and Sandy Flitterman-Lewis --; 11; Film and the Masquerade: Theorizing the Female Spectator; Mary Ann Doane --; 12; Desiring Images/Imaging Desire; Mary Kelly --; 13; Screening the Seventies: Sexuality and Representation in Feminist Practice - A Brechtian Perspective; Griselda Pollock --; 14; The Oppositional Gaze: Black Female Spectators; Bell Hooks --; 15; Broken Symmetries: Memory, Sight, Love; Peggy Phelan --; Pt. 3; Difference --; Introduction to Part Three; Amelia Jones --; 16; Any Theory of the "Subject" has Always been Appropriated by the "Masculine"; Luce Irigaray --; 17; Lesbian Artists; Harmony Hammond --; 18; The Straight Mind; Monique Wittig --; 19; Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature; Sander L. Gilman --; 20; Difference: "A Special Third World Women Issue"; Trinh T. Minh-ha --; 21; Olympia's Maid: Reclaiming Black Female Subjectivity; Lorraine O'Grady --; 22; A Posttransexual Manifesto; Sandy Stone --; 23; Color and Difference in Abstract Painting: The Ultimate Case of Monochrome; Ann Eden Gibson --; 24; The Other History of Intercultural Performance; Coco Fusco --; 25; "The White to Be Angry": Vaginal Creme Davis's Terrorist Drag; Jose Esteban Munoz --; Pt. 4; Disciplines/Strategies --; Introduction to Part Four; Amelia Jones --; 26; Why have There been No Great Women Artists?; Linda Nochlin --; 27; Feminism and Film: Critical Approaches; Camera Obscura Collective --; 28; The Triple Negation of Colored Women Artists; Adrian Piper --; 29; Patrilineage; Mira Schor --; 30; Bathsheba or the Interior Bible; Helene Cixous --; 31; Gossip as Testimony: A Postmodern Signature; Irit Rogoff --; 32; The Social and the Poetic: Feminist Practices in Architecture, 1970-2000; Patricia Morton --; Pt. 5; Mass Culture/Media Interventions --; Introduction to Part Five; Amelia Jones --; 33; Hateful Contraries: Media Images of Asian Women; Pratibha Parmar --; 34; The Search for Tomorrow in Today's Soap Operas; Tania Modleski --; 35; Feminist Media Strategies for Political Performance; Suzanne Lacy and Leslie Labowitz --; 36; Feminism, Incorporated: Reading "Postfeminism" in an Anti-Feminist Age; Amelia Jones --; 37; The Suburban Home Companion: Television and the Neighborhood Ideal in Postwar America; Lynn Spigel --; 38; Black Barbie and the Deep Play of Difference; Ann duCille --; 39; Introduction and Conclusion to the Guerrilla Girls' Bedside Companion to the History of Western Art; The Guerrilla Girls --; 40; Reflections on a Yellow Eye: Asian I(\Eye/)cons and Cosmetic Surgery; Kathleen Zane --; 41; Fear of Falling; Judith Mayne --; Pt. 6; Body --; Introduction to Part Six; Amelia Jones --; 42; External Boundaries; Mary Douglas --; 43; Streams/All that Flows and Woman: Territory of Desire; Klaus Theweleit --; 44; Pornography; Andrea Dworkin --; 45; Approaching Abjection; Julia Kristeva --; 46; Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory; Judith Butler --; 47; Toward a Butch-Femme Aesthetic; Sue-Ellen Case --; 48; Reinstating Corporeality: Feminism and Body Politics; Janet Wolff --; 49; The Knowledge of the Body and the Presence of History: Toward a Feminist Architecture; Deborah Fausch --; 50; The Ballerina's Phallic Pointe; Susan Leigh Foster --; 51; Never Just Pictures; Susan Bordo --; 52; Epilogue to Imaginary Bodies: Ethics, Power and Corporeality; Moira Gatens --; Pt. 7; Technology --; Introduction to Part Seven; Amelia Jones --; 53; A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century; Donna Haraway --; 54; Virtual Bodies and Flickering Signifiers; N. Katherine Hayles --; 55; Bodies-Cities; Elizabeth Grosz --; 56; To Touch the Other: A Story of Corpo-Electronic Surfaces; Christine Ross --; 57; Postcolonial Media Theory; Maria Fernandez --; 58; Feminisations: Reflections on Women and Virtual Reality; Sadie Plant --; 59; Cyberfeminist Manifesto; VNS Matrix --; 60; Cyberfeminism with a Difference; Rosi Braidotti --; 61; The Appended Subject: Race and Identity as Digital Assemblage; Jennifer Gonzalez --; 62; My Womb, The Mosh Pit; Sharon Lehner
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