The feminism and visual culture reader /
edited by Amelia Jones.
- xxix, 560 pages : illustrations, portraits ; 26 cm.
- In sight : visual culture .
- In sight. .
Includes bibliographical references and index.
Introduction: Conceiving the Intersection of Feminism and Visual Culture / Provocations -- Introduction to Part One / Feminist Viewing: Viewing Feminism / Fear and Loathing in New York: An Impolite Anecdote about the Interface of Homophobia and Misogyny / Creating Transnational Women's Art Networks / One Way or Another: Black Feminist Visual Theory / Next Bodies / The Unbearable Lightness of Sight / Representation -- Introduction to Part Two / From Ways of Seeing / Female Imagery / Visual Pleasure and Narrative Cinema / Textual Strategies: The Politics of Art-Making / Film and the Masquerade: Theorizing the Female Spectator / Desiring Images/Imaging Desire / Screening the Seventies: Sexuality and Representation in Feminist Practice - A Brechtian Perspective / The Oppositional Gaze: Black Female Spectators / Broken Symmetries: Memory, Sight, Love / Difference -- Introduction to Part Three / Any Theory of the "Subject" has Always been Appropriated by the "Masculine" / Lesbian Artists / The Straight Mind / Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature / Difference: "A Special Third World Women Issue" / Olympia's Maid: Reclaiming Black Female Subjectivity / A Posttransexual Manifesto / Color and Difference in Abstract Painting: The Ultimate Case of Monochrome / The Other History of Intercultural Performance / "The White to Be Angry": Vaginal Creme Davis's Terrorist Drag / Disciplines/Strategies -- Introduction to Part Four / Why have There been No Great Women Artists? / Feminism and Film: Critical Approaches / The Triple Negation of Colored Women Artists / Patrilineage / Bathsheba or the Interior Bible / Gossip as Testimony: A Postmodern Signature / The Social and the Poetic: Feminist Practices in Architecture, 1970-2000 / Mass Culture/Media Interventions -- Introduction to Part Five / Hateful Contraries: Media Images of Asian Women / The Search for Tomorrow in Today's Soap Operas / Feminist Media Strategies for Political Performance / Feminism, Incorporated: Reading "Postfeminism" in an Anti-Feminist Age / The Suburban Home Companion: Television and the Neighborhood Ideal in Postwar America / Black Barbie and the Deep Play of Difference / Introduction and Conclusion to the Guerrilla Girls' Bedside Companion to the History of Western Art / Reflections on a Yellow Eye: Asian I(\Eye/)cons and Cosmetic Surgery / Fear of Falling / Body -- Introduction to Part Six / External Boundaries / Streams/All that Flows and Woman: Territory of Desire / Pornography / Approaching Abjection / Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory / Toward a Butch-Femme Aesthetic / Reinstating Corporeality: Feminism and Body Politics / The Knowledge of the Body and the Presence of History: Toward a Feminist Architecture / The Ballerina's Phallic Pointe / Never Just Pictures / Epilogue to Imaginary Bodies: Ethics, Power and Corporeality / Technology -- Introduction to Part Seven / A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century / Virtual Bodies and Flickering Signifiers / Bodies-Cities / To Touch the Other: A Story of Corpo-Electronic Surfaces / Postcolonial Media Theory / Feminisations: Reflections on Women and Virtual Reality / Cyberfeminist Manifesto / Cyberfeminism with a Difference / The Appended Subject: Race and Identity as Digital Assemblage / My Womb, The Mosh Pit / Amelia Jones -- Amelia Jones -- Rosemary Betterton -- Jennifer Doyle -- Lisa Bloom -- Judith Wilson -- Faith Wilding -- Meiling Cheng -- Amelia Jones -- John Berger -- Judy Chicago and Miriam Schapiro -- Laura Mulvey -- Judith Barry and Sandy Flitterman-Lewis -- Mary Ann Doane -- Mary Kelly -- Griselda Pollock -- Bell Hooks -- Peggy Phelan -- Amelia Jones -- Luce Irigaray -- Harmony Hammond -- Monique Wittig -- Sander L. Gilman -- Trinh T. Minh-ha -- Lorraine O'Grady -- Sandy Stone -- Ann Eden Gibson -- Coco Fusco -- Jose Esteban Munoz -- Amelia Jones -- Linda Nochlin -- Camera Obscura Collective -- Adrian Piper -- Mira Schor -- Helene Cixous -- Irit Rogoff -- Patricia Morton -- Amelia Jones -- Pratibha Parmar -- Tania Modleski -- Suzanne Lacy and Leslie Labowitz -- Amelia Jones -- Lynn Spigel -- Ann duCille -- The Guerrilla Girls -- Kathleen Zane -- Judith Mayne -- Amelia Jones -- Mary Douglas -- Klaus Theweleit -- Andrea Dworkin -- Julia Kristeva -- Judith Butler -- Sue-Ellen Case -- Janet Wolff -- Deborah Fausch -- Susan Leigh Foster -- Susan Bordo -- Moira Gatens -- Amelia Jones -- Donna Haraway -- N. Katherine Hayles -- Elizabeth Grosz -- Christine Ross -- Maria Fernandez -- Sadie Plant -- VNS Matrix -- Rosi Braidotti -- Jennifer Gonzalez -- Sharon Lehner. Pt. 1. 1. 2. 3. 4. 5. 6. Pt. 2. 7. 8. 9. 10. 11. 12. 13. 14. 15. Pt. 3. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. Pt. 4. 26. 27. 28. 29. 30. 31. 32. Pt. 5. 33. 34. 35. 36. 37. 38. 39. 40. 41. Pt. 6. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. Pt. 7. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62.
0415267056 9780415267052 0415267064 9780415267069
Feminism. Feminism and the arts Visual communication Popular culture.