TY  - BOOK
AU  - Dempsey,Charles
TI  - The portrayal of love: Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent 
SN  - 0691032076
AV  - NX552.A1 D46 1992
U1  - 709.4509024 
PY  - 1992///]
CY  - Princeton, N.J.
PB  - Princeton University Press
KW  - Botticelli, Sandro,
KW  - Arts, Italian
KW  - Arts, Renaissance
KW  - Italy
KW  - Love in art
KW  - Ut pictura poesis (Aesthetics)
N1  - Includes bibliographical references and index; Poetry as painting : the classical Materia of Botticelli's invention for the Primavera -- Poetry as public myth : the Priomavera and vernacular expression -- Poetry as history : Lucrezia Donati, Luigi Pulci's Da poi 'l Lauro, and some poems by Lorenzo de'Medici -- Poetry as historical fiction : Lorenzo de'Medici, Simonetta Cattaneo, and Lucrezia Donati -- Reading the poem -- --; List of Illustrations --; Acknowledgments --; Introduction --; 1; Poetry as Painting: The Classical Materia of Botticelli's Invention for the Primavera --; 2; Poetry as Public Myth: The Primavera and Vernacular Expression --; 3; Poetry as History: Lucrezia Donati, Luigi Pulci's Da poi che 'l Lauro, and Some Poems by Lorenzo de'Medici --; 4; Poetry as Historical Fiction: Lorenzo de'Medici, Simonetta Cattaneo, and Lucrezia Donati --; 5; Reading the Poem --; Index
N2  - Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de' Medici, Botticelli's Primavera cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program and, in turn, the Renaissance itself. In this analysis Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the Primavera was created. A celebration of Love, the painting is shown to incorporate both public and private imaginative realms while embracing the ideal and the actual experiences of the present. The Primavera, depicting Venus as the spirit of Love and springtime, is simultaneously old-fashioned and modern, rooted in International-Style vernacular conventions and evincing a nascent classical vocabulary. After describing the profoundly humanist classical foundation to the invention of the Primavera, Dempsey identifies its genre with rustic song, then relates the painting to the conventions of vernacular love poetry. A close reading of the painting in relation to works by Lorenzo, Politian, Pulci, and other poets working to elevate vernacular expression by infusing native Tuscan with Latin forms suggests how the idea of Love portrayed by Botticelli in the figure of Venus incorporates not only the ancient springtime renovatio mundi but also the actual cultural renovation - the Renaissance - imagined and sponsored by Lorenzo the Magnificent
ER  -