TY  - BOOK
AU  - Melville,Stephen W.
AU  - Readings,Bill
TI  - Vision and textuality
SN  - 0822316307
AV  - N380 .V58 1995
U1  - 701 
PY  - 1995///
CY  - Durham
PB  - Duke University Press
KW  - Literature
KW  - History and criticism
KW  - Theory, etc
KW  - Art and literature
KW  - Influence (Literary, artistic, etc.)
N1  - Includes bibliographical references and index; pt. 1; General introduction; Stephen Melville and Bill Readings --; pt. 2; Basic concepts of art history; Stephen Melville --; Beholding art history: vision, place and power; Griselda Pollock --; Past looking; Michael Ann Holly --; A discourse (with shape of reason missing); John Tagg --; The aesthetics of post-history: a German perspective; Irit Rogoff --; pt. 3; How obvious is art?: Kitsch and the semiotician; Bill Readings --; Reading the gaze: the construction of gender in "Rembrandt"; Mieke Bal --; Philostratus and the imaginary museum; Norman Bryson --; Topic and figures of enunciation: is it myself that I paint; Louis Marin -- Armour Fou; Hal Foster --; pt. 4; The pen and the eye: the politics of the gazing body; Françoise Luchert --; Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams; John Bender --; The visibility of visuality: Vauxhall Gardens and the Siting of the viewer; Peter de Bolla --; B/G; Thomas Crow --; pt. 5; Vision procured; Bennet Schaber --; In the master's bedroom; Rosalind Krauss --; Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism; Martin Jay --; Chance encounters: Flâneur and Detraquée in Breton's Nadja; Victor Burgin
ER  -