TY  - BOOK
AU  - Barlow,Melinda
TI  - Mary Lucier
T2  - PAJ books. Art + performance
SN  - 0801863805
AV  - N6537.L83 A4 2000
U1  - 709.2 22
PY  - 2000///]
CY  - Baltimore, MD
PB  - Johns Hopkins University Press
KW  - Lucier, Mary.
KW  - Lucier, Mary
KW  - Installations (Art)
KW  - United States
N1  - Includes bibliographical references (pages 273-280); Acknowledgments --; Introduction --; I; Early Conceptual and Performance Works --; Polaroid Image Series (1969-74) --; Mary Lucier at Lennon, Weinberg (1997) --; Media Sculptures: Maps of Space (1972-1974) --; Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape (1997) --; Journal of Private Lives (1972) --; Concerts in Slow Motion (1972) --; Red Herring Journal (The Boston Strangler Was a Woman) (1972) --; Spoken Text from Red Herring Journal (The Boston Strangler Was a Woman) (1972) --; A Portrait of Rosa Mendez in 1975 (1971-1974) --; Fire Writing (1975-1976) --; II; Collaborations --; I Am Sitting in a Room (1969) [score] --; Hymn (1970) --; The Occasion of Her First Dance and How She Looked (1973) --; In the blink of an eye./(amphibian dreams)/"If I could fly I would fly" (1987) --; Daring Mix of Water, Dance, Video (1987) --; MASS (1990) --; Momentum, Balance, and the Violence of Gravity: MASS, by Mary Lucier and Elizabeth Streb (1991) --; III; Installations, Sculptures, and Environments --; Salt (1971) --; "Realsculpture" at St. Clements (1971) --; Air Writing (1975) --; Dawn Burn (1975-76) --; "Dawn Burn" (1994) --; Paris Dawn Burn (1977) --; Mary Lucier, The Kitchen (1978) --; Laser Burning Video (1977)/Untitled Display System (1977/1997)/Bird's Eye (1978) --; Mary Lucier's Art: Light as Visual Image (1979) --; "Bird's Eye" (1979) --; Equinox/A Color Dawn Burn (1979) --; "Equinox/A Color Dawn Burn" (1979) --; Planet (1980) --; Mary Lucier's Elemental Investigations: Planet (1982) --; Denman's Col (Geometry) (1981) --; Mary Lucier's Elemental Investigations: Denman's Col (Geometry) (1982) --; Mary Lucier at the Whitney Museum (1982) --; Ohio at Giverny (1983) --; Viewpoints: Mary Lucier (1987) --; Through Veils of Light (1995) --; Painting the Image, Framing the Painting: Video Works by Mary Lucier (1996) --; Wintergarden (1984) --; Mary Lucier (1984) --; Wilderness (1986) --; Exploring "Wilderness" of Electronic Art (1988) --; Mary Lucier (1989) --; Mary Lucier (1990) --; Asylum (1986/1991) --; Refuse Refuge (1991) --; Mary Lucier (1991) --; Noah's Raven (1992-1993) --; Notes and Journal Entries for Noah's Raven (1993) --; Noah's Raven and the Contradictions of Landscape (1993) --; Oblique House (Valdez) (1993) --; The Architecture of Image and Sound: Dwelling in the Work of Mary Lucier (1995) --; Last Rites (Positano) (1995) --; The Unsolved Mysteries of Memory (1995) --; Mary Lucier, Lennon, Weinberg, Inc. (1995) --; Aspects of the Fossil Record, or From Here On, Dance (1996) --; Aspects of the Fossil Record (1996) --; House by the Water (1997) --; House by the Water (1998) --; IV; Interviews --; An Interview with Mary Lucier (1985) --; An Interview with Mary Lucier (1986) --; Mary Lucier (1990) --; Texture, Grace, and Drama: An Interview with Mary Lucier (1998) --; V; Essays, Talks, and Notes by Mary Lucier --; Organic (1978) --; Landscape, Culture, and the Fossil Record (1988/1989) --; Light and Death (1991) --; Virtually Real (1995) --; Notes for a Panel Discussion: Art/Sci '98 Conference at Cooper Union (1998) --; Chronology --; Select Bibliography --; Permissions
ER  -