TY  - BOOK
AU  - Kolocotroni,Vassiliki
AU  - Goldman,Jane
AU  - Taxidou,Olga
TI  - Modernism: an anthology of sources and documents 
SN  - 0226450732
AV  - PN49 .M478 1998
U1  - 801.93 21
PY  - 1998///
CY  - Chicago
PB  - University of Chicago Press
KW  - Literature
KW  - Philosophy
KW  - Modernism (Literature)
KW  - Modernism (Art)
KW  - Modernism (Aesthetics)
KW  - Intellectual life
KW  - History
KW  - 20th century
KW  - Art, Modern
KW  - 19th century
KW  - Aesthetics
N1  - Includes index; Introduction --; Part I; The Emergence of the Modern --; Ia; The modern in cultural, political and scientific thought --; 1; From letter to Ruge, September 1843; Karl Marx --; 2; From The Communist Manifesto 1848; Karl Marx and Freidrich Engels --; 3; From 'Art and Revolution' 1849; Richard Wilhelm Wagner --; 4; From The Origin of Species by Means of Natural Selection 1859; Charles Darwin --; 5; From Mother Right 1861; Johann Jakob Bachofen --; 6; From Preface to Human, All Too Human 1878; Friedrich Nietzsche --; 7; From Degeneration 1883; Max Nordau --; 8; From 'Useful Work versus Useless Toil' 1884; William Morris --; 9; From The Secret Doctrine 1888; H.P.B. --; 10; From The Golden Bough 1890-1915; J. G. Frazer --; 11; From The Crowd: A Study of the Popular Mind 1895; Gustave Le Bon --; 12; From The Theory of the Leisure Class 1899; Thorstein Veblen --; 13; From The Education of Henry Adams 1907; Henry Adams --; 14; From The Interpretation of Dreams 1900; Sigmund Freud --; 15; From 'The Metropolis and Mental Life' 1903; Georg Simmel --; 16; From Woman Under Socialism 1904; August Bebel --; 17; From The Souls of Black Folk 1903; W. E. B. Dubois --; 18; From Creative Evolution 1907; Henri Bergson --; 19; From Abstraction and Empathy 1908; Wilhelm Worringer --; 20; From 'Ornament and Crime' 1908; Adolf Loos --; 21; 'The Good Conduct Medal' 1909; Karl Kraus --; 22; From 'Women's Suffrage' 1911; Millicent Garrett Fawcett --; 23; From The Freud Journal of Lou Andreas-Salome 1912, 1913; Lou Andreas-Salome --; 24; From The Decline of the West 1918-22; Oswald Spengler --; Ib; Modern aesthetics1. Edgar Allan Poe: From review of Nathanial Hawthorne's Twice-Told Tales 1842 --; 2; From Preface to Leaves of Grass 1855; Walt Whitman --; 3; From letter to Mlle Leroyer de Chantepie, 18 March 1857; Gustave Flaubert --; 4; From 'On the Modern Element in Literature' 1857; Matthew Arnold --; 5; From 'The Painter of Modern Life' 1859-606. Arthur Rimbaud: From letter to Paul Demeny, 15 May 1871; Charles Baudelaire --; 7; From Lectures on Art 1870; From Arartra Pentelici 1872; John Ruskin --; 8; From Conclusion to The Renaissance [1873] 1893; Walter Pater --; 9; From Preface to Miss Julie 1888; August Strindberg --; 10; Preface to The Picture of Dorian Gray 1890; Oscar Wilde --; 11; 'The Science of Fiction' 1891; Thomas Hardy --; 12; From 'Crisis in Poetry' 1886-9513. Paul Valery: From 'Introduction to the Method of Leonardo da Vinci' 1895; Stephane Mallarme --; 14; 'Preliminary Address at the First Performance of Ubi Roi, 10 December 1896'15. Joseph Conrad: From Preface to The Nigger of the 'Narcissus' 1897; Alfred Jarry --; 16; From The Symbolist Movement in Literature 1899; Arthur Symons --; 17; From 'The Symbolism of Poetry' 1900; W. B. Yeats --; 18; From 'Days of Reading: I' 1905; Marcel Proust --; 19; From 'Henrik Ibsen: Philosopher or Poet' 1905; William Archer --; 20; From 'The Art of Fiction' 1894; From Preface to The Princess Casamassima 1906; Henry James --; 21; From 'The Actor and the uber-marionette' 1907; Edward Gordon Craig --; 22; From My Life 1927; Isadora Duncan --; 23; From The Sanity of Art 1908; George Bernard Shaw --; II; The Avant-Garde --; IIa; Formulations and declarations --; 1; From Realist Manifesto 1855; Gustave Courbet --; 2; From 'Naturalism on the Stage' 1880; emile Zola --; 3; 'The Post-Impressionists' 1910; Desmond MacCarthy --; 4; From 'Romanticism and Classicism' 1911; T.E. Hulme --; 5; From The Man-Made World or Our Androcentric Culture 1911; Charlotte Perkins Gilman --; 6; 'The French Group' 1912; Roger Fry --; 7; 'The English Group' 1912; Clive Bell --; 8; 'Light' 1912; 'Notes on the Construction of the Reality of Pure Painting' 1912; Robert Delaunay --; 9; 'The Musician's Day' 1913; 'Some Notes on Modern Music' 1919; Erik Satie --; 10; From 'The Cubist Room' 1914; Wyndham Lewis --; 11; From 'In These Great Times' 1914; Karl Kraus --; 12; From 'Zurich 1916, as it really was' 1928; Richard Huelsenbeck --; 13; 'Art and the War: Concerning an Allied Exhibition' 1916; Programme for Parade, 18 May 1917; Guillaume Apollinaire --; 14; 'Marinetti the Revolutionary' 1916; 'Theatre and Cinema' 1921; Antonio Gramsci --; 15; From 'Art as Technique' 1917; Victor Shklovsky --; 16; From Ten Days That Shook the World 1919; John Reed --; 17; Storming the Winter Palace' 1920; 'A Member of the Audience --; 18; From The Theory of the Novel 1920; Georg Lukacs --; 19; From Literature and Revolution 1923; Leon Trotsky --; 20; From 'Make Way for the Winged Eros' 1923; Alexandra Kollontai --; 21; From 'A Kino-Eye Discussion' 1924; Dziga Vertov --; 22; 'Suburbs' 1923; Luis Bunuel --; 23; From 'The Reconstruction of the Theatre' 1929; Vsevolod Meyerhold --; 24; From 'Basic Principles of Sociological Drama' 1929IIb: Manifestos1. Futurism; Erwin Piscator --; 1a; 'The Founding and Manifesto of Futurism 1909'; The Variety Theatre' 1913 /Filippo Tommaso Marinetti --; 1b; 'Why We Paint Ourselves: A Futurist Manifesto' 1913; Ilya Zdanevich and Mikhail Larionov --; 2; 'Feminist Manifesto' 1914; Mina Loy --; 3; Guillaume Apollinaire: From The Cubist Painters 1913; Cubism --; 4; Preface to Some Imagist Poets 1915; Imagism --; 5; Wassily Kandinsky: From 'The Problem of Form' 1912; Expressionism --; Dada --; From 'Dada Manifesto, 1918'; 'Note on Art' 1917; 'Note on Negro Art' 1917; Tristan Tzara --; From Merz 1921; From 'Consistent Poetry' 1924; 'To All the Theatres of the World' 1926; Kurt Shwitters
N2  - "From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism."--Publisher description
ER  -