TY  - BOOK
AU  - Toynbee,Jason
TI  - Making popular music: musicians, creativity and institutions 
SN  - 0340652233
AV  - ML3470. T69 2000
U1  - 306.484 
PY  - 2000///
CY  - London, New York
PB  - Arnold, Co-published in the U.S.A. by Oxford University Press
KW  - Popular music
KW  - Social aspects
N1  - Includes bibliographical references (pages 173-190) and index; Includes discography; Acknowledgements --; Introduction --; 1; Market: the selling of soul(s) --; Adorno, equivalence and the market --; Entrepreneurs and innovation --; Music markets and the political economy of popular music --; Growing up broken up: the emergence of institutional autonomy --; Proto-markets and author-stars --; 2; Making up and showing off: what musicians do --; Music-making and the radius of creativity --; Social authorship and voice --; Mingus Fingers --; Performance - theatre and process --; Performance - loud, clear and interrupted --; 3; Technology: the instrumental instrument --; Audio recording - a case of late development --; Dissemination and crystallization --; Ventriloquism --; Tape delay (1) - on the cusp of the big sound --; Tape delay (2) - making space --; Aesthetics and politics in the Wall of Sound --; Multitracking and experimenting with time --; Programmed bears in the new age of dance --; Coda: technological determinism and gendered power --; 4; Genre-cultures --; The sound of genre --; The inevitability of genre - the case of free music --; Community, subculture and the structural homology --; Commodity form, or genres across time, space and race --; 5; Dance music: business as usual or heaven on earth? --; Dance music: context --; From house to drum and bass: two kinds of generic change --; Agency, creativity and the aesthetics of dance --; Dance music networks: corporal and economic --; Record companies, producers and the politics of production --; Conclusion - creating in small amounts --; Endnotes --; Bibliography --; Discography --; Index
ER  -