TY - BOOK AU - Shapiro,Bruce G. TI - Reinventing drama: acting, iconicity, performance T2 - Contributions in drama and theatre studies, SN - 0313309388 AV - PN2071.P78 S53 1999 U1 - 792.028019 23 PY - 1999/// CY - Westport, Conn. PB - Greenwood Press KW - Acting KW - Psychological aspects KW - Philosophy N1 - Includes bibliographical references (pages 197-217) and index; Preface --; Introduction --; Pt. 1; The Principles of Iconicity --; Prologue: The Premise of Performance --; 1; Ideology, Acting, and Iconicity --; The Persistence of Ideology --; Ideology, Emotion, and Human Nature --; Ideology, Imagery, and Performance --; Redefining Acting --; Recognition --; Cultivating the Audience --; Reclaiming Mimesis --; Rehearsing Iconicity --; 2; Acting and Emotion --; Historical Perspectives on Emotion --; Terminology --; The Affect Theory of Emotion --; "Script Theory" --; Ideology and Affect --; Pt. 2; The Process of Iconicity --; Introduction: The Strands of Iconicity --; 3; The Strand of Events --; The Rules of Dramatic Structure --; The Iconicity Profile --; The Iconicist-Director and Dramatic Structure --; The Semiosis of Dramatic Performance Events --; The Mimesis of Events --; Cultivating Mental Iconicity --; The Characteristics of Playing Events --; Rehearsing the Strand of Events --; The Components of Plot --; 4; Rules and Features of Dramatic Structure --; Iconic Events and Characters --; Features of Iconic Events --; Indexical Events and Characters --; Symbolic Events and Characters --; The Symbolic Intertext --; The Consciousness of Iconicity --; 5; The Intermediate Strands of Iconicity --; The Strand of Dialogue --; The Classes of Dialogue --; Dialogue and Narrative --; Aspects of Dialogue Rehearsal --; Voice and Body in the Dialogue of Timbre and Mien --; Voice and Gesture in Dynamic Dialogue --; Voice and Gesture in Choric Dialogue --; The Strand of Interactions --; Interactions and Acts of Speech --; Kinesic Coordination and Interlocution --; The Iconicist-Director and Rehearsal --; 6; The Strand of Performance --; The Performance Rehearsals --; Integrating the Strands --; The Iconicist-Director and the Performance --; Epilogue: Postscript to a Process --; Notes --; Bibliography --; Index ER -