TY  - BOOK
AU  - Dils,Ann
AU  - Albright,Ann Cooper
TI  - Moving history / dancing cultures: a dance history reader 
SN  - 0819564133
AV  - GV1601. M86 2001
U1  - 792.809 
PY  - 2001///]
CY  - Middletown, Conn.
PB  - Wesleyn University Press
KW  - Dance
KW  - History
N1  - Includes bibliographical references and index; First Steps: Moving into the Study of Dance History; Ann Dils and Ann Cooper Albright --; Pt. I; Thinking about Dance History: Theories and Practices. --; The Pleasures of Studying Dance History; Ann Dils and Ann Cooper Albright. --; Beyond Description: Writing beneath the Surface; Deborah Jowitt. --; Imagining Dance; Joan Acocella. --; Searching for Nijinsky's Sacre; Millicent Hodson. --; Five Premises for a Culturally Sensitive Approach to Dance; Deidre Sklar. --; An Anthropologist Looks at Ballet as a Form of Ethnic Dance; Joann Kealiinohomoku. --; The Trouble with the Male Dancer ...; Ramsay Burt. --; Strategic Abilities: Negotiating the Disabled Body in Dance; Ann Cooper Albright. --; Dancing in the Field: Notes from Memory; Sally Ann Ness --; Pt. II; World Dance Traditions. --; Looking at World Dance; Ann Dils and Ann Cooper Albright. --; Trance and Ecstatic Dance; Erika Bourgignon. --; Bharatha Natyam - What Are You?; Avanthi Meduri. --; Medicine of the Brave: A Look at the Changing Role of Dance in Native Culture from the Buffalo Days to the Modern Powwow; Lisa Doolittle and Heather Elton. --; The Belly Dance: Ancient Ritual to Cabaret Performance; Shawna Helland. --; Changing Images and Shifting Identities: Female Performers in Egypt; Karin van Nieuwkerk. --; Commonalties in African Dance: An Aesthetic Foundation; Kariamu Welsh Asante. --; Invention and Reinvention in the Traditional Arts; Z. S. Strother. --; Headspin: Capoeira's Ironic Inversions; Barbara Browning. --; Epitome of Korean Folk Dance; Lee Kyong-hee. --; The Many Faces of Korean Dance; Judy Van Zile. --; Writing Dancing; Mark Franko. --; Beyond La Danse Noble: Conventions in Choreography and Dance Performance at the Time of Rameau's Hippolyte et Aricie; Catherine Turocy. --; The Travesty Dancer in Nineteenth-Century Ballet; Lynn Garafola. --; Interrupted Continuities: Modern Dance in Germany; Susan Allene Manning and Melissa Benson --; Pt. III; America Dancing. --; Historical Moments: Rethinking the Past; Ann Dils and Ann Cooper Albright. --; The Irresistible Other: Hopi Ritual Drama and Euro-American Audiences; Sharyn R. Udall. --; Juba and American Minstrelsy; Marian Hannah Winter. --; Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis's Radha of 1906; Jane Desmond. --; Two-Stepping to Glory: Social Dance and the Rhetoric of Social Mobility; Julie Malnig. --; The Natural Body; Ann Daly. --; Form as the Image of Human Perfectibility and Natural Order; Deborah Jowitt. --; The Harsh and Splendid Heroines of Martha Graham; Marcia B. Siegel. --; The Dance Is a Weapon; Ellen Graff. --; In His Image: Diaghilev and Lincoln Kirstein; Nancy Reynolds. --; Stripping the Emperor: The Africanist Presence in American Concert Dance; Brenda Dixon Gottschild. --; Simmering Passivity: The Black Male Body in Concert Dance; Thomas DeFrantz. --; Choreographic Methods of the Judson Dance Theater; Sally Banes. --; Chance Heroes; Deborah Jowitt --; Pt. IV; Contemporary Dance: Global Contexts. --; Moving Contexts; Ann Dils and Ann Cooper Albright. --; Butoh: "Twenty Years Ago we Were Crazy, Dirty, and Mad"; Bonnie Sue Stein. --; Dancing on the Endangered List: Aesthetics and Politics of Indigenous Dance in the Philippines; Kathleen Foreman. --; Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification; Ananya Chatterjea. --; Ananya and Chandralekha - A Response to "Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification"; Uttara Coorlawala. --; Looking at Movement as Culture: Contact Improvisation to Disco; Cynthia Jean and Cohen Bull. --; 10,000 Jams Later: Contact Improvisation in Canada 1974-95; Peter Ryan. --; Improvisation Is a Word for Something That Can't Keep a Name; Steve Paxton. --; Simply(?) the Doing of It, Like Two Arms Going Round and Round; Susan Leigh Foster. --; Embodying History: Epic Narrative and Cultural Identity in African American Dance; Ann Cooper Albright. --; A Little Technology Is a Dangerous Thing; Richard Povall. --; Technique/Technology/Technique; Lisa Marie Naugle. --; Absent/Presence; Ann Dils
ER  -