TY  - BOOK
AU  - Nead,Lynda
TI  - The female nude: art, obscenity, and sexuality 
SN  - 0415026776
AV  - N7573 .N4 1992
U1  - 704.9421 23
PY  - 1992///
CY  - London, New York
PB  - Routledge
KW  - Female nude in art
KW  - Sex in art
KW  - Nude in art
KW  - Women in art
N1  - Includes bibliographical references (pages 122-130) and index; List of plates --; Introduction --; Pt. I; Theorizing the Female Nude --; 1; Framing the Female Body --; 2; A Discourse on the Naked and the Nude --; 3; A Study of Ideal Art --; 4; Aesthetics and the Female Nude --; 5; Obscenity and the Sublime --; Pt. II; Redrawing the Lines --; 1; 'The Damaged Venus' --; 2; The Framework of Tradition --; 3; The Lessons of the Life Class --; 4; Art Criticism and Sexual Metaphor --; 5; Breaking Open the Boundaries --; 6; Redrawing the Lines --; Pt. III; Cultural Distinctions --; 1; Sacred Frontiers --; 2; Pure and Motivated Pleasure --; 3; Policing the Boundaries --; 4; Displaying the Female Body --; 5; Erotic Art: A Frame for Desire --; Notes --; Works cited --; Index
N2  - Anyone who examines the history of western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes 'art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status? In recent years, the female nude has received renewed attention from feminist artists and art historians. By examining the dissemination of the high art female nude through art education and the life class, through art publications and the language of art criticism itself, The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art. The book also explores the ways in which acceptable and unacceptable images of the female body are produced and maintained, and by surveying the legal and social regulation of the obscene renews recent debates on high culture and pornography. The Female Nude represents the first feminist survey of the most significant subject in western art. It reveals how the female nude is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its respectability and spilling over into the obscene
ER  -