TY  - BOOK
AU  - James,Christopher
TI  - Book of alternative photographic processes
SN  - 0766820777
AV  - TR350. J35 2002
U1  - 771 
PY  - 2002///]
CY  - Albany, N.Y.
PB  - Delmar Thomson Learning
KW  - Photography
KW  - Processing
KW  - Printing processes
KW  - Photography, Handworked
N1  - Includes bibliographical references (pages 376-379) and index; Introduction --; The Pinhole: --; Overview & Expectations --; A Little History: Conception & Connections --; The Thumbnail Principle --; A Little Science --; How To Make a Pin Hole Camera & Pinhole Construction --; Testing the Camera --; Finding the Correct Exposure & Making Pictures --; Pinhole Recommendations, Resources, & Related Web Sites --; The Negative: Traditional & Alternative Options --; Overview & Expectations --; A Little History --; Tiphaigne de la Roche's, Giphantie, (1760) --; An Appropriate Time to Explain Things --; What Negative Density Means --; Negative Production Options --; Commercial Labs, Copy Machine, Desk-Top Printers --; Acrylic Negatives from Printed Sources --; Polaroid Type 55 Positive / Negative Film --; Conventional Films --; The Cliche Verre & The Photogram --; Single Stage Negative to Negative Duplicating --; Multi-Stage Duplicating Films --; Exposure & Development Considerations --; Pyro --; Soemarko's LC-1 & LC-1B Low Contrast Lith Formulas --; Digital Options --; Overview & Expectations --; A Little History: The Digesting Duck to the Present --; My View: the Present State of the Digital Arts --; A Digital Caveat --; A Digital Negative: A Layman's Explanation --; Making CMYK Separation Negatives THE PLASTIC CAMERA --; Overview & Expectations --; A Little History --; Toy Camera Philosophy & The Six Plastic Virtues --; Plastic Camera Hints, Tips, & Shutter Modification --; The Salted Paper Process --; Overview & Expectations --; A Little History --; The Camera Lucida --; Chemistry and Formulas --; Gelatin, Sea Salt, & Starch Salting Formulas --; The Silver Nitrate Sensitizing Formula & Application --; Coating &Printing Salted Paper --; Pre Wash & Wash Considerations --; Toning Formulas for the Salted Paper Process --; Gold Borax, Gold-Thiocyanate, Gold-Acetate Toning --; Platinum, Palladium, Gold 231, & Blue-Gray Toning --; Fixing the Salted Paper Print --; Contrast Control & Final Wash THE CYANOTYPE PROCESS --; Overview & Expectations --; A Little History --; How Cyanotype Works --; The Chemistry: Chemicals and Sensitizer Formula --; The Negative --; Paper, Fabric Surfaces & Sensitizing --; The Hake Brush --; A Few Words About the Sun & Exposing the Cyanotype --; Development: Water or Acid Options --; Washing and Instant Gratification Oxidization --; Clearing Highlights --; Trouble-shooting & Formulas for Toning the Cyanotype --; Cyanotype Variations: Fabrics & the New Cyanotype --; Overview & Expectations --; Materials & Preparation of Fabrics --; Making Images: Chemistry & Formula --; Coating, Printing, & Development --; Post Development Options, Toning & Care --; The New Cyanotype --; A Little History --; Five Shortcomings of the Classic Cyanotype Process --; Chemical Solutions for the First 3 Shortcomings --; Chemistry, Preparation, Coating & Drying --; Negatives, Exposure, Processing, & Clearing --; The Kallitypes: Van Dyke, B-V-D, Kallitype, & Brownprint Processes --; Overview & Expectations --; A Little History --; The Van Dyke process --; Van Dyke Chemistry: Sensitizing & Fixing --; Papers, Sizing, & Negatives --; Coating, Exposure, & Processing Steps for the Van Dyke --; Lead Acetate, Gold 231, Selenium, Blue, & Split Toning --; The Blue-Van-Dyke Process (B-V-D) --; The Kallitype Process --; The Sensitizer --; A Little History --; The Process: Chemistry, Formula & Preparation --; Brush & Glass Rod Coating and Preparing a Hake Brush --; Exposing the Print --; Development Option #1: Black, Sepia, Brown, Gray-Blue Tones --; Development Option #2: Ammonium Citrate and Sodium Acetate --; Alternative Toning Options for Kallitype ·Contrast Control, Clearing, Fixing Formulas & Final Wash --; The Brownprint Process --; Overview of Sensitizer: Chemistry & Preparation --; Exposure, Development, Fixing & Washing --; The Platinum / Palladium Process --; Overview & Expectations --; A Little History --; The Process Explained & Supplies and Materials --; The Negative --; Papers & Sizing --; The Chemistry, Sensitizer, & Developers --; Developer Formulas: Ammonium Citrate & Potassium Oxalate --; Clearing Bath Formulas (EDTA) & an Emergency Clearing Bath --; The Sensitizer Formulas: Platinum & Palladium --; Platinum / Palladium Drop Chart --; Coating the Paper & Exposure --; Developing the Platinum / Palladium Image --; Pre-Washing, Clearing, Final Wash & Trouble-shooting --; Gum, Cyanotype, and Van Dyke with Pt / Pd --; The Ziatype Process --; Overview & Expectations --; A Little History --; How it Works & the Process --; Abbreviation Symbols for Ziatype --; Ziatype Drop Count Formulas --; The Process: Mixing, Coating, & Exposure --; POP Observations, Contrast Control, & Process Considerations --; The Anthotype Process --; Overview & Expectations --; A Little History --; Materials: Flowers, Berries & Alcohol --; The Working Process --; Paper: History, Shrinking, Sizing & Hardening --; Overview & Expectations --; A Few Words About the History of Paper --; Shrinking, Sizing, & Hardening --; Formalin & Glyoxal --; Materials You Will Need --; The Sizing Process --; Formalin & Glyoxal Hardening Baths & Processes --; The Gelatin-Glyoxal Single Step Solution --; Arrowroot, Gesso-Acrylic, Polyurethane, & Gum Sizing --; The Gum Bichromate Process --; Overview & Expectations --; A Little History --; Collotype, Calotype, Woodburytype, & The Fish-Glue Process --; How Gum Bichromate Works --; A Few Words Before Beginning --; The Gum Negative & Registration --; Ammonium Dichromate Sensitizer --; Watercolors, Gum Arabic, & Glue --; Traditional Sensitizer Formulas --; Sensitizing the Paper & Staining --; Coating & Exposure --; Printing with a Single Color and One Negative --; Development & Clearing the Print --; Multiple Negative Printing --; Trouble-shooting & Resources --; Dichromate Options: --; Overview & Expectations --; The 3-D Gum Bichromate Process --; How 3-D Works, Negatives, & Process --; Gum Bichromate on Alternative Surfaces --; The Basic Premise --; The Tooth, Coating, Exposure & Processing --; The Dusting-On process --; A Little History --; The Process: Contemporary --; Working on Glass --; Traditional Materials, Chemistry & Formulas --; Hot & Humid Image Development --; The Transfer Option & Herschel's Breath Printing Process --; The Ferro-Tannic / Ferro-Gallic Iron Processes --; A Little History --; Chemistry, Sensitizing, Intensifying, & Toning Processes --; The Albumen Process --; Overview & Expectations --; A Little History --; How the Albumen Process Works --; Method #1: Traditional Raw Egg Method --; Method #2: The Powdered Albumen Method --; Method #3: The Instant Gratification Method --; Coating & Floating the Paper: Glossy or Matte Coating --; Hardening & Sensitizing Paper: Silver to Salt Ratio --; The Effects of Silver Albumenate --; Exposure, Processing, Toning & Fixing the Albumen Print --; A Simple Test for Residual Silver & Washing the Albumen Print --; Pop: the Printing Out Process --; Overview & Expectations --; A Little History --; POP Formulas and Process --; Pre-Coated POP Papers & Process --; Gold-Thiocyanate & Gold-Alkaline Toners --; Replenishment of Gold Toners --; Platinum, Gold-Platinum, Split Toning, & Gold-Borax Toning --; Fixing and Final Wash for --; Pop Hand Applied Emulsions: --; Photo-Etching & Resists, Paint, The Contemporary Tintype, The Wet Collodion & Ambrotype Processes --; Overview & Expectations --; Varieties of Liquid Emulsions and Hardening Liquid Emulsions --; Emulsions on Glass, Ceramics and Metal: Materials & Process --; Solarplates, Photo-Resists, Simple Resists, Formulas & Etching --; Contemporary Tintype Process: --; A Little History --; The Dry Plate Process --; Coating, Exposure, Development, & Trouble-shooting --; Wet Collodion & Ambrotype Process --; A Little History --; The Ambrotype Process --; Salted Collodion Emulsion, Developer, & Fixer --; Mounting, Varnishing, & the Presentation of Ambrotypes --; The Mordancage Process --; Overview & Expectations --; Materials & Process --; Re-development & Depouillment (gelatin removal) --; Oxidation & Final Steps --; Image Transfer Processes: --; Color Lazer, Heat Transfer, Lazertran System, Polaroid Transfers & Emulsion Lifts & Ink Jet Water Transfer --; Overview & Expectations --; How a Color Laser Copier Works --; Copyright and Post-Modernism --; At the Copy Store & Materials --; Color Laser Solvent Transfer, Varneytype, Blender Pens --; Water & Dry Mount Process --; Fabrics, Transfers & Non-Silver --; Lazertran Transfer Systems --; Transfer Processes for Paper, Glass, Metal, Wood, & Plaster --; Lazertran Silk & Fabric Transfer --; Lazertran Etch --; Polaroid Emulsion Transfers & Emulsion Lifts --; What is Polaroid Film & How it Works? --; Materials & Processes for Transfers & Emulsion Lifts --; Exposing Type 59 in an Enlarger --; Ink Jet Water Transfer Process --; Appendices --; Appendix A; Safety Considerations & Data for Chemicals Used in This Book --; MSDS and Lab Safety Web Sites --; Simple Definitions: pH, Acid, Alkali --; Working With Chemicals: Always & Never Rules --; CAS Numbers --; Chemicals and Definitions --; Disclaimer --; Appendix B; Us / Metric Conversion Tables --; Dry and Liquid Measures Conversions (small volume) --; Temperature Conversions --; Percentages: Description & Calculation --; Appendix C; How To Make a Simple Uv Exposure Unit --; Overview, Materials and How to Make One --; Appendix D; A Working Inventory for Planning an Alternative Process Workshop Or Class --; Materials and Set Up for the Working Space --; Appendix E; A Modest List of Resources --; Chemicals, Lab Gear & Kits --; Www.msdssearch.com --; Lab Materials; & Art Supplies --; Film & Photographic Supplies --; Scans, Digital Printing, Books, Postcards, Portfolios --; Appendix F; Alternative Processes on the Interment --; Appendix G; An Alternative Process Working Space --; Appendix H; Selected Bibliography: Contemporary & Historical
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