TY  - BOOK
AU  - Pollock,Griselda
TI  - Differencing the canon: feminist desire and the writing of art's histories 
T2  - Re visions
SN  - 0415066999
AV  - N72.F45 P63 1999
U1  - 704.042 
PY  - 1999///
CY  - London, New York
PB  - Routledge
KW  - Feminism and art
KW  - Women art historians
KW  - Psychology
KW  - Psychoanalysis and feminism
N1  - Includes bibliographical references (pages 318-327) and index; List of illustrations --; Preface --; Acknowledgements --; Pt. I; Firing the canon --; 1; About canons and culture wars --; 2; Differencing: feminism's encounter with the canon --; Pt. II; Reading against the grain: reading for... --; 3; The ambivalence of the maternal body: re/drawing Van Gogh --; 4; Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec --; Pt. III; Heroines: setting women in the canon --; 5; The female hero and the making of a feminist canon: Artemisia Gentileschi's representations of Susanna and Judith --; 6; Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra --; 7; Revenge: Lubaina Himid and the making of new narratives for new histories --; Pt. IV; Who is the other? --; 8; Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the Suffrage Benefit Exhibition, New York 1915 --; 9; A tale of three women: seeing in the dark, seeing double, at least, with Manet --; Epilogue --; Bibliography --; Index
ER  -