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Rebecca Morris : 2001-2022 / [curated by] Jamillah James.

By: Contributor(s): Material type: TextTextPublisher: Los Angeles : New York : Institute of Contemporary Art ; DelMonico Books-D.A.P., 2023Copyright date: ©2023Description: 287 pages : chiefly colour illustrations ; 29 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781636811222
  • 1636811221
Subject(s): DDC classification:
  • 759.13 23
LOC classification:
  • ND237.M738 A4 2023
Contents:
Installation views -- Foreword / Anne Ellegood -- Acknowledgments / Jamillah James and Rebecca Morris -- Plates -- Who's afraid of pink, silver, and brown? / Jamillah James -- Manifesto (for Abstractionists and friends of the non-objective) / Rebecca Morris -- All that glitters is glitter / Hamza Walker -- Borderlines / Camila McHugh -- On vacant paintings / Alex Jen -- 27 x 21 x 28 / Anthony Elms -- Studio timeline -- List of works -- Artist's biography -- Contributors -- Staff and Board.
Summary: "Featuring a range of paintings produced since 2001 and showcasing the artist's progression of styles and rigorous commitment to experimentation and abstraction, the exhibition includes 27 paintings. It highlights several formal tendencies that Morris has developed over the years, resulting in a distinct and recognizable visual language. Her arsenal of techniques includes erasure, dripping, and spray painting, applied to canvases lying flat on the floor in an active, physical process. Recurring motifs--such as atomization; the use of patterns, grids, and checkerboards; interlocking geometric forms; painted borders delimiting the picture plane; and her characteristic use of color, including metallic hues and saturated tones, are traced through groupings of works. orris's dynamic paintings contain formal tensions and contradictions through their embrace of patterns and textures, and the visibility of the artist's hand in every gesture. Her work pushes against the historical foundation of her chosen medium and offers a glimpse into new ways forward for the constantly evolving and expanded field of painting."-- Visit.mcachicago.org.
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Holdings
Item type Current library Call number Status Date due Barcode
Book City Campus City Campus Main Collection 759.13 MOR (Browse shelf(Opens below)) Issued 05/10/2024 A536800B

Catalog of an exhibition organized by the Institute of Contemporary Art, Los Angeles, in cooperation with the Musuem of Contemporary Art, Chicago, and held at the Institute of Contemporary Art, Los Angeles, October 1, 2022-January 15, 2023; and the Museum of Contemporary Art, Chicago, September 30-2023-April 7, 2024.

Includes bibliographical references.

Installation views -- Foreword / Anne Ellegood -- Acknowledgments / Jamillah James and Rebecca Morris -- Plates -- Who's afraid of pink, silver, and brown? / Jamillah James -- Manifesto (for Abstractionists and friends of the non-objective) / Rebecca Morris -- All that glitters is glitter / Hamza Walker -- Borderlines / Camila McHugh -- On vacant paintings / Alex Jen -- 27 x 21 x 28 / Anthony Elms -- Studio timeline -- List of works -- Artist's biography -- Contributors -- Staff and Board.

"Featuring a range of paintings produced since 2001 and showcasing the artist's progression of styles and rigorous commitment to experimentation and abstraction, the exhibition includes 27 paintings. It highlights several formal tendencies that Morris has developed over the years, resulting in a distinct and recognizable visual language. Her arsenal of techniques includes erasure, dripping, and spray painting, applied to canvases lying flat on the floor in an active, physical process. Recurring motifs--such as atomization; the use of patterns, grids, and checkerboards; interlocking geometric forms; painted borders delimiting the picture plane; and her characteristic use of color, including metallic hues and saturated tones, are traced through groupings of works. orris's dynamic paintings contain formal tensions and contradictions through their embrace of patterns and textures, and the visibility of the artist's hand in every gesture. Her work pushes against the historical foundation of her chosen medium and offers a glimpse into new ways forward for the constantly evolving and expanded field of painting."-- Visit.mcachicago.org.

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