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Painting beyond itself : the medium in the post-medium condition / edited by Isabelle Graw and Ewa Lajer-Burcharth.

Contributor(s): Material type: TextTextPublisher: Berlin : Sternberg Press, [2016]Copyright date: ©2016Description: 289 pages : illustrations ; 19 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 3956790073
  • 9783956790072
Other title:
  • Medium in the post-medium condition
Subject(s): DDC classification:
  • 759 23
LOC classification:
  • ND50 .P225 2016
Contents:
Marking, scoring, storing, and speculating (on time) / David Joselit -- Scenes of instruction / Ewa Lajer-Burcharth -- Beyond, beyond! Two years after the conference / Jutta Koether -- Modern color : a new paradigm / Jacqueline Lichtenstein -- The value of liveliness : painting as an index of agency in the new economy / Isabelle Graw -- On color / Amy Sillman -- Welcome to the second day / Isabelle Graw -- Painting photography painting : timelines and medium specificities / Carol Armstrong -- Rehearsing in/with media : some remarks on the relationship between dance, film and painting / Sabeth Buchmann -- Thread, pixel, grain / Matt Saunders -- Body and soul : about the practice of painting in France (1660-1770) / René Démoris -- A nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / Benjamin H.D. Buchloh -- Notes on painting / Julie Mehretu.
Summary: "In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book--based on a conference at Harvard University in 2013--focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation"--Publisher's description.
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Holdings
Item type Current library Call number Status Date due Barcode
Book City Campus City Campus Main Collection 759 PAI (Browse shelf(Opens below)) Issued 11/10/2024 A537516B

"Based on a conference at Harvard University in 2013"--Page 4 of cover.

Includes bibliographical references.

Marking, scoring, storing, and speculating (on time) / David Joselit -- Scenes of instruction / Ewa Lajer-Burcharth -- Beyond, beyond! Two years after the conference / Jutta Koether -- Modern color : a new paradigm / Jacqueline Lichtenstein -- The value of liveliness : painting as an index of agency in the new economy / Isabelle Graw -- On color / Amy Sillman -- Welcome to the second day / Isabelle Graw -- Painting photography painting : timelines and medium specificities / Carol Armstrong -- Rehearsing in/with media : some remarks on the relationship between dance, film and painting / Sabeth Buchmann -- Thread, pixel, grain / Matt Saunders -- Body and soul : about the practice of painting in France (1660-1770) / René Démoris -- A nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / Benjamin H.D. Buchloh -- Notes on painting / Julie Mehretu.

"In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book--based on a conference at Harvard University in 2013--focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation"--Publisher's description.

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